"Up for grabs is a Oberheim OB-MX 6 Voice. Deep analog poly designed by Don Buchla and built in Oakland, CA.
Fully serviced in 2021- Power supply rebuilt, all voice card received recalibration and electronic caps changed, all pots and switches cleaned. Top notch unit."
"A simple choir-like timbre using multiple VCOs, including examples with 3 different filters, how to use modulation to add realism, a short performance demonstration, and patch diagram at the end (with notes and full downloadable patch sheet in the description). This version uses 3 analogue oscillators, being modulated separately, to simulate the imperfect tuning of multiple human voices singing together. There are more advanced methods to create vocal-like sounds, such as those used in synths like the Roland VP330, but it can be difficult (and possibly hugely expensive) to represent the components used within the modular domain. However, if a comparable sound is achieved in a modular format then the degree to which it can be tweaked and customised is limitless, which can't be said for the self-contained instruments of the past. Patch Notes and PDF link further down the page.
Index: 00:00 Start 00:11 Introduction 00:45 Building the patch (Ladder Filter) 03:38 With Sonic XV & Gemini 05:46 Example Performance 09:39 Patch Sheet"
"My last jam for Jamuary 2022 is a Berlin School / Ambient piece on the Korg modwave synthesizer, using a custom arpeggiator-driven patch with four parts. I play the arpeggiators and do live sound design during the jam, with explanatory text overlays in the video. Its a lot of fun using the modwave as a multitimbral synth with the help of its amazingly powerful modulation matrix and motion sequencing capabilities.
My music on Bandcamp: http://waveformer42.bandcamp.com/
Patch description:
Layer A Osc 1 Arp Melody and Bass Layer A Osc 2 Arp Bass and Melody Layer A Noise Light percussion Layer B Osc 1 Arp Melody Layer B Osc 2 Arp Melody
Each track's volume can be controlled independently using the four Mod Knobs, so I can fade each track in and out.
The oscillators on each layer share the arpeggiator, the filter and the effects.
The oscillator on each track has it's own amplitude envelope, using Osc 1 and Osc 2 envelopes.
Motion sequence lanes A-D modifies the notes played by the arpeggiator, adding silence/rests, holding notes, adding ratchets, adding glide, or shifting the notes up or down by an octave or a fifth.
So even though there are only two arpeggiators, one for each layer, each of the four tracks appears to have it's own unique rhythm and melody.
The ModWheel is used to set Filter Cutoff frequency for Layer B.
The KAOSS pad is used to modulate the Wavetable Position and Morph (Stretch) for Oscillator 1 on Layer B.
The audio is recorded to SD card on a Zoom R-16 mixer/recorder and normalized in Audacity. Video is recorded on a Canon EOS M50 mk2 with the included EF-M 15-45mm lens. Audio and video is synchronized in DaVinci Resolve 17."
Effect Used.
Universal Audio Apollo 8P Audio Interface System.
Neve 88RS Channel Strip.(Only head amp module)
Cooper® Time Cube Mk II Delay (Stereo Delay)
Lexicon 480L Digital Reverb."
"Quick little jam with 2x 303s and the TR-909, no additional sounds used.
Effects: Eventide Timefactor and Space (off camera). Elektron Analog Heat on the master bus. Improvised and recorded in a single unedited take.
Incoming new release, Entity Remixes out Feb 4, digital and vinyl through Awesome Soundwave: https://bit.ly/HSBCENTITY"
"The legendary Roland Jupiter 4. It's been a dream writing and recording with this unit. The tone is undeniably rich. Everything works as it should; I've never had any issues whatsoever. As you can see, there are some cosmetic marks, especially on the wooden panels on the side. It was serviced prior to my original purchase, two years ago, in Toronto."
