Bit chrush vco - vidéo 2

video upload by oZoe_fr

"Présentation sommaire du prototype du VCO numérique "Bit crusher VCO" d'oZoe.fr.
Enregistrement Stéréo de la sortie stéréo :-)"

video 1

Wingie 2

video upload by Robin Rimbaud-Scanner

"First play with the Wingie 2 designed by the even inspiring Meng Qi. This is a handheld stereo resonator with built-in microphones that also doubles as a development board. Its dual onboard microphones allow you to interact and enrich vocals as well as the sonic environment around you. So, as an experiment I decided to only use the microphone and create a piece in 30 minutes. What a wonderfully inspiring little instrument/processor this is!

More on Meng Qi's work here
https://www.mengqimusic.com"

OB-E Oberheim 8 Voice - GForce Software Overview

video upload by sonicstate

"Our friends over at GForce Software sure take their time over their instruments, so its surprising that the rate of release this year has been positively light-speed compared to previous years. Just a couple of weeks back the OB-E V2 was released, which adds PC support and is M1 silicon native, as well as new features including Drum Mode, Vintage control and other tweaks."

AtomoSynth Koe M6 Mumbling patch #3

video upload by atomolab

"Hello world, here a funny mumbling patch using the AtomoSynth KOE_M6 only, no external effects. Explanation of the patch starts at 2:48"

"Temple Breach" Music Video- OSC1Nation/ Animation By The Orange Wednesday

video upload by damon ramirez

"Except for the electronic drums, all the music and sound design was tracked entirely by the Arturia MicroBrute monophonic synthesizer.
Animation created by Bret Arenson of @The Orange Wednesday on YouTube."

Delay + Filter Accents = Ratchet!

video upload by O.Z. Hall

"The Ratchets are more like grace notes than the standard prominent ratchet sound.
This video covers a technique I recently stumbled across. Play a sequence through a digital delay (e.g. a Z506 Swiss Daisy DSP. Set the delay time to 2.5 x the note length ( 1/4 note in this case ). You can manually change the Wet/Dry mix on the delay to get some interesting variations on the sequence.

Add to that a free running square wave LFO which modulates the VCF cutoff frequency, making some notes brighter ('louder') than others. This makes the later delay brighter/louder.

You get an interesting texture, including the occasional "ratchet" effect."

Roland Juno 106 SN 422432

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via SYNTH CITY Reverb

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"A high water mark for glassine pads, premier brass stabs, and surprisingly present basses, the Roland Juno 106 is well deserving of it's status as a classic synthesizer. All voices have been refurbished, this is a fully working specimen, with all sliders and pots cleaned and working wonderfully. Physically, this is a synth which shows it's age and use, but operationally this Juno is a superior sonic experience."

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Access Virus TI2 Polar w/ Gig Bag & Manuals

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Yamaha SY-1 SN 1814

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Musicaid Clap Trap Analog Drum Synthesizer pre-Simmons

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via this auction

"The original, wildest Clap Trap - there are very few analogue Clap Traps in existence and many are the later Simmons version rather than the first one from Musicaid. Famously-used (and abused) by Throbbing Gristle and The Human League among others...

Sonically it offers a wide range - from huge oceanic crashing waves of noise to rhythmically-challenged helium finger pops (thanks, Ensemble control) - there's also occasional near-realistic electronic claps in amongst the myriad options. This is a very early unit and is pretty wild compared to the later ones - some ear-piercing resonance at higher settings make this a contender for serious techno-abuse."

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