Semi Modular Synthesizer, Patch Cables and Waveform Enamel Pin Set

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"Synthesizer themed enamel pins - buy as a set or individually
Synth Pin is approx ~1.25" wide and has 2 pinbacks
Patch Cable Pin is approx ~1 + 1/8” wide and has 1 pinback
Classic Waveforms Pin is approx 1" square with 1 pinback"

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Limited Edition Roland TR-909, TB-303, TR-808, Jupiter-8 and Akai MPC-60 II Lapel Pins

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You can find them here.

2" inch enamel pins

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Limited Edition Moog Minimoog Voyager Synth Lapel Pin

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See the seller's other items for others.

This appears to be the first one featured on the site. It appears to be made from a private party and not official Moog.

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Novation Bassstation SN 0008057

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Roland SH-1 Vintage Analog Monophonic Synthesizer SN 742085 w/ Protective Plastic Overlay

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"This SH-1 is in perfect working condition and in very good condition!! This unit was checked/serviced/cleaned by professional technician."

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1979 Roland SH-2 Brochure

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via this auction, also on Reverb

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Note this appears to be the first time this particular brochure has been featured on the site. You can find a few others here.

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Roland SH-101 SN 255308 w/ Mod Grip, Guitar Strap, Gig Bag, & Original Manual

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Akai VX600 Vintage Analog Polyphonic Synthesizer SN 30615 - 00818 w/ Original Manual & Memory Card

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Live annotated eurorack emotional cinematic synthwave, ARP-2600, Moog, OB-6 Tangerine Dream inspired

video upload by EthanJamesMusic

"This is a live cinematic synthwave electronic music performance inspired by later Tangerine Dream music, where I wanted to setup a more meditative environment and create a slow musical progression by interweaving layers with the Eurorack, using the electric bass as a guitar type of instrument, providing bass from the Moog Grandmother, chords from the DSI OB-6, and texture from the ARP-2600, and more texture from the Buchla 208c Easel Command. This is an entirely live and unrehearsed improvised performance, and I included annotations to show some of what I'm thinking about and also to demonstrate the different musical themes weaving in and out of the texture Since I'm a film composer by trade, this came out relatively cinematic and would work in certain movie score settings. This is a very simple setup to make a big sound. I hope this is educational for you as well, in terms of how I put these performances together. Hopefully this camera angle also helps you learn something!

Patch Notes:
Eurorack:
Stillson Hammer running at x6 multiply but using 1:1 gate from 0-ctrl to make bass. Two envelopes, one to VCA, one to filter.
Tempi clock divider running two channels of Make Noise René. First channel is to Dixie II oscillator to Jove filter to Erberverb. Second is to Serge NTO to Serge VQVCF to Echophon. I'm using a x4 clock divider to the Y channel, which is 1:1 to the VCA gate, but I'm using the C channel gate to the filter, which creates an interesting rhythm.

Moog Grandmother:
Normalled patch

ARP-2600:
3 oscillators tuned in octaves.

DFAM:
Pitch to Noise volume to create snare.

OB-6:
Polysaw chord setting"

How acid is the Oberheim SEM? A comparison with the Behringer TD-3 and learning from mistakes

video upload by Friendly Noise

"A comparison between the modern Oberheim SEM and the Behringer TD-3 and TD-3-MO synthesizers. Please read the comments in the video, don’t just listen to the sounds.

No effects or processing added to the recordings.

Video sections:

The Behringer synth comes always first, then the SEM.

00:11 Why differences are sometimes more interesting than similarities.
00:37 SEM vs TD-3-MO. The thing with levels.
02:24 SEM vs TD-3-MO. The thing with decay time.
04:29 SEM vs TD-3-MO. The thing with the envelope.
06:29 SEM vs TD-3-MO. The thing with the TD-3-MO.
08:51 SEM vs TD-3-MO. Learning.
10:04 SEM vs TD-3. An example without video.
11:13 SEM vs TD-3. Pattern 1.
11:58 SEM vs TD-3. Pattern 2.
12:52 SEM vs TD-3. Pattern 3.
13:33 SEM vs TD-3. Pattern 4.
14:13 SEM vs TD-3. Pattern 5.
15:06 SEM vs TD-3. Pattern 6."