"The Roland VP-330 is a paraphonic ten-band vocoder and string machine manufactured by Roland Corporation from 1979 to 1980. While there are several string machines and vocoders, a single device combining the two is rare, despite the advantage of paraphonic vocoding, and the VP-330's synthetic choir sounds are unique. Despite the VP-330's electronic string and choir sounds being less realistic than those of the tape-based Mellotron, touring musicians used it as a lighter and more robust alternative.
One of the coolest instruments out there. The vocoder shapes its envelope and filters by any sound source fed into it, your voice or even a drum loop can be used which is then applied to another sound source, typically a synth pad. This creates a very unique and famous robot-like sound.
Aside from the 10-band vocoder, the VP-330 added a string synth section, choir and a human-voice sound, both of which are quite excellent themselves. Its 3 sound sections offer a few different presets that can be slightly edited with de-tuning and vibrato. The VP-330 is one of the best Vocoder synths ever."
"This Moffenzeef Stargazer synthesizer is a great addition to any musician's setup. With its unique design and advanced features, it's perfect for creating unique sounds and exploring new musical realms. Whether you're a seasoned pro or just starting out, this synthesizer is sure to inspire and impress.
Featuring an open box, this synthesizer is in excellent condition and ready to be used right out of the box. It's perfect for musicians looking to upgrade their setup or experiment with new sounds. The model is a Moffenzeef Stargazer, known for its high-quality sound and innovative design. Don't miss out on this amazing musical instrument!
Comes with instructions, no power supply. Limited run of 100"
"This video presents a ride on selected presets of Oceanic. One instance of WaveBot has been used. No further post processing except a subtle added reverb."
"Demonstrating a use case of Oceanic controlling a granulator and also a hardware synth ( Novation Peak ) through WaveCC. sound design by Laurent Mialon."
sonicLAB introduces Oceanic, a unique software bundle that captures the essence of the ocean’s waves and transforms them into a symphony of additive sound synthesis.
What is Oceanic ?
In the vast realm of sound synthesis, nature has always been our muse. Its rhythmic raindrops, harmonious bird songs, and the mesmerizing dance of leaves in the wind have all inspired countless sonic creations. Yet, there’s one natural wonder that stands out in its grandeur and intricacy: the ocean.
With the “Oceanic” bundle of software, sonicLAB brings a unique sound design tool to your fingertips. Oceanic offers an innovative auditory experience with its heart lying on the ingenious application of Gerstner’s wave solutions, a mathematical representation of sea waves.
Oceanic invites you to set sail for a sonic journey on waves.
Oceanic’s foundation, the Gerstner’s trochoidal wave solution, still relevant today, captures the nuanced movements of wave surfaces, both vertically and horizontally. By utilizing five periodic trochoidal waves and their superposition, Oceanic crafts a fluid sea surface motion, rich in variations and fully controllable.
By simulating the intricate patterns and shapes of sea waves, Oceanic can extract wave data from this dynamic system. It drives the wavetable oscillators and calculates complex modulation addressing synthesis parameters by only using the organic motion of sea waves.
"Multitracked demo of Roland JV-2080. Eventide Space used for additional reverb.
All JV-2080 demos in one track available in Bandcamp: https://panums.bandcamp.com/track/rol..."
"A live, semi-improvised synthesizer jam performed entirely on hardware.
First, apologies for the change in video quality. I upgraded my camera, but some problems with the SD card led to a reversion back to 30 frames a second (I'm a big believer in 24fps). It also isn't looking quite how I want yet. I hope it's not too jarring.
Second, I got the Soma Terra. It is a joyful experience.
Some of the Soma stuff just doesn't work for me: the Lyra was always halfway to what I wanted, the Pulsar has great sounds and (for me) small sweet spots. But the Cosmos was a revelation, like something I'd always wanted but didn't know how to put into words. The Terra has a similar feeling.
The Terra is expressive and has complexity, but also is immediate to understand, musically. It's quick and easy to modify in terms of the sound engine and the notes associated with each brass button. The sound engines were a real positive surprise, with lots of warmth and musicality. The reverb and delay are good and totally useable, but not near the level of some of the dedicated pedals out there.
The Terra's not perfect for me—the number of buttons, and general layout, make it feel more like a device for solos versus a complete arrangement like guitar or piano—but it's a joy to play, and utterly unlike anything else. I wonder if Soma will iterate upon the design, make something a little more for two-handed playing. I'd also love to see diatonic transposition, though that would require some sort of way to set the scale; in the meantime, I love how fast and relatively seamless it is to switch patches (and thus switch the notes). Ultimately, I'm sitting here thinking about going back and playing the Terra some more, and that's always a fantastic sign.
Thanks for listening.
Soma Terra - synthesis and performance
Soma Cosmos - asymmetrical looping
Performed and recorded live to a stereo output, with EQ, compression, and limiting on the master."
"Quick overview of the SD1simpledrum module functions and sounds.
Sequencing using various other modules. Engaging advanced mode and using build in synth voice for melody lines."