DRUM MINT is a micro rhythm machine with 7 rhythm parts. It is also equipped with functions such as a hybrid sound source of analog modeling and PCM, a sequencer with 16 steps and 8 patterns, pattern chain playback, a flam function, and pattern muting. The DRUM MINT 83 not only improves sound quality thanks to a more powerful CPU, but also reconfigures it to make it easier to use for acid and house music. In addition, the built-in stereo delay makes it possible to express a wide range of expressions.
"We kick off 2024 with a new sound engine available for Coral ! 🪸🪸
3x variable-saw virtual analog oscillators that seamlessly morphs from Triangle to Square waveforms with dynamic PWM capabilities. 2 of the 3 oscillators can be detuned in relation to the main oscillator.
The detuning controls (Harm and Morph) are finely calibrated to easily align with musical intervals, such as +7 and +12 semitones. This feature facilitates the creation of musically coherent detuning effects, while still providing the flexibility to detune by a few cents."
"So why make Techno (or any type of music really) with modular synthesizers? We all know it's relatively expensive. You can't save presets and recreating past work is hard, if not impossible. It's cumbersome. It's tough to learn. Is it worth it?
When it comes to making music in 2024, we each choose between many different options in hardware and software, and on this channel we'll investigate more about these options and hopefully have some fun making tracks together.
Unlike a lot of techno production, this track is improvised on the spot. I have a few patterns loaded into Constellation (8 track trigger sequencer lower left) that I programmed minutes before recording. There's no post-mixing or effects. It's literally straight out of the box into a 2 track recorder.
I like working this way as it forces decisions earlier, and there's no room to make "fix it in post" changes. You either get it or you don't, for better or worse.
How do you like to make music? What do you use? What's your workflow or technique? How do you stay motivated and inspired? Please let me know in the comments... it's a major subject of this channel going forward and I'm very curious!"
I made a sound like the one I made with the Quantum. But this time I added a third part, using the possibility that the Moog One gave me within third timbre.
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"A very rare and desirable Yamaha cs-80 that was modified by the Yamaha custom shop to have split and unison as well as a “FG filter mod” controllable by the selector switch to sweep through preset filter stages. There are a lot of extra circuit boards in the synth for these modifications"
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Pics of the inside below.
This listing is for an extremely rare Studio Electronics Obie-Eight Rack-Mount Oberheim OB-8 Analog Synthesizer. This is a vintage Oberheim OB-8 Synthesizer that has been carefully modified to fit into a 4-space rack unit.
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"Not all analogue classics have keys. The Xpander was an early module that packed in more features than its moderate size would lead you to expect, and left a legacy still discernible in modern synth design.
Boasting six independent voices, the XP-1 combines analogue audio generation (VCOs, VCAs & VCFs) with the flexibility of digital workflow. Part of the original concept of the XP-1 was to replace the wire-laden modulation of previous years with a more immediate and elegant approach. The result is a graceful yet highly versatile and powerful synthesis experience."
