MATRIXSYNTH

Roland TB-303 Devil Fish SN 091 w/ Custom Colored Knobs

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"Roland TB-303 Devil Fish(mod #91 by Robin Whittle, 2000, see mod details on inside of back cover) in perfect working condition. Cosmetically it doesn't look nice, with lots of scratches and very worn paint, but it still sounds amazing. Please contact me if you can accept its external condition, or need to see more images of the Devil Fish. I've owned it since the late 90s and had the Devil Fish mod installed myself back in 2,000 by Robin Whittle in Melbourne, Australia.

Mod details: 32 memory banks + custom coloured LEDs + filter input for external audio signals + internal CV/Gate, slide in, filter in, accent in."

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Tom Oberheim SEM Pro SN 0543

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"*The real deal with MIDI interface AND patch panel*"

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Teisco S-100F Synthesizer 100F Vintage Analog Monophonic Synth SN 0563

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via this listing, also on Reverb

"Presenting the Teisco S-100F Synthesizer 100F, a vintage analog monophonic synth that stands as a testament to classic sound design and versatility. Rest assured, this unit is FULLY WORKING, ready to transport you back to the golden era of analog synthesis.

Featuring a single VCO, the Synthesizer 100F delivers a rich array of sonic possibilities, with sawtooth, square, and noise waveforms at your fingertips. Additionally, external sounds can be seamlessly integrated and manipulated through the synth's filters and envelopes, offering boundless creative potential.

Despite its monophonic nature, the Synthesizer 100F offers ample modulation capabilities to breathe life into your sound. An onboard LFO can modulate the VCO, VCF, and VCA, while the resonant filter can be further shaped by various modulation sources, including the LFO, Envelope 1, external input, or even the VCO itself.

With a comprehensive VCA section complete with Attack, Decay, Sustain, and Release controls, as well as a Hi-Pass filter and portamento effect, the Synthesizer 100F provides all the tools necessary for crafting classic analog bass, lead, and synth sounds with ease.

Sporting the iconic wood side panels and an intuitive front panel layout, programming the Synthesizer 100F is a breeze, allowing for straightforward access to its wealth of features and functions."

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1984 Roland Jupiter 6 61-Key Synthesizer

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Sequential Circuits Prophet 2000 owned by H. Hancock?

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"This one was used by the great Herbie Hancock for a concert in Rome in the late 80.

(It was Signed by Mr.Hancock on the front panel...unfortunately a little faded after all over 30 years)

8x analog VCF, 8x analog VCA, extended memory,

unusual for the keyboard version - 8 individual outs are installed.

Everything works great except for one of the eight individual outputs,

which does not play, however the main outputs Left, Right work perfectly.

Anyway, it plays beautifully. The instrument comes with a hard case.

The original Italian owner made a video - demo, which is in the link below."

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Vibing with the KORG miniKORG 700FS Synthesizer #korg #synth #shorts

video upload by Nicolas Melis

gear heads know #lofibeats #chillmelodies #pink #synth

video upload by PANTōNE VU

Looks like a pink Love Hultén creation. I'm not finding this specific one in the archives.

Robust 🦸‍♂️ (Roland TR6S Rhythm Performer // S1 Tweak Synth // J6 Chord Synth) Synthwave

video upload by 2-Minute Warning

"In the wake of my previous video, here's a synthwave-like jam featuring the same 3 little boxes from Roland: the TR-6S (Drums), the S-1 (Bass) and the J-6 (Arp/Chords) 😉

The track starts with a drum pattern from the TR-6S where I only used the TR-707 Analog Circuit Behavior engine (I.E. no static 707 samples), modeling the quirks and instabilities of the analog envelope and amplifier stages that came after the D/A converter 🤩 (the TR-707 was PCM based, but still had some randomness thanks to the analog part after the D/A converter).

I also used the DRIVE master effect of the TR-6S to add some dirt and energy (the DRIVE somehow also act like a compressor).

I recorded 3 DRUM patterns (2 main parts and 1 break) but as I used the probability, sub probability, parameter-lock features etc. the drum patterns seem to be longer than 1 bar!

Then come the BASS (played by the S-1, I recorded 4 patterns which are 4-bar long for this) and the ARP/CHORDS played by the J-6 (I decided not to sequence this instrument as I wanted to trigger it live and bring some organic fluctuations to the track 😊).

For the sync part, the TR-6S is sending MIDI to the S-1, and the S-1 is sending analog clock to the J-6 (there was no need to start the J-6's sequencer as the ARP/CHORDS were triggered in real-time)."