Wednesday, March 27, 2024
LEPLOOP EXPERIMENTS DAY 03 & 04 - MYFIEND
video upload by Keith Duncan Sound
"OKAY THIS MACHINE IS BONKERS. and so am i."
LEPLOOP 2CB EXPERIMENTS DAY 04 - MYFIEND
"i had a little drink about an hour ago and its gone straight to my head"
Crumar Multiman S/Orchestrator Full Set
Note: links to listings are affiliate links for which the site may be compensated.
via this listing
Additional listings from Alberto
"FULL SET:
- w its rare original Swell Pedal
- lid
- music stand
SERVICED by pro tecnician
COLLECTOR'S ITEM
100% working conditions
Amazing aestetics conditions"
You can find a video of this one previously posted here.
via this listing
Additional listings from Alberto
"FULL SET:- w its rare original Swell Pedal
- lid
- music stand
SERVICED by pro tecnician
COLLECTOR'S ITEM
100% working conditions
Amazing aestetics conditions"
You can find a video of this one previously posted here.
BugBrand Introduces FilterQAmp - Filter, Amp and Decay Envelope Module in Frac Format
"
via BugBrand
"The FilterQAmp (FQA) combines a 2-pole State Variable VC Filter with a Linear VC Amplifier and an inbuilt variable-decay Envelope Generator. It is capable both of processing and, when the filter is self-oscillating, generation of synthesised sounds such as drums.
The VCF section contains a State Variable Filter (similar to my other designs) – this offers switchable Low or High Pass responses and covers the full audio range. It is temperature compensated & tracks 1V/Oct accurately. The Resonance/Q is voltage controlled with a linear response up to self-oscillation – this creates a pure sinewave, useful for synthesis.
The VCA is linear in response and takes the Low/Hi-pass output from the VCF section. It can either be set, via rear jumper, to a clean response (gain from 0 to +1) or saturation (gain from 0 to +1 then +/-5V zener clipping beyond – unity at approx 10 o’clock rotation).
The Filter, Q and Amp sections each have a CV Modulation depth control with switchable polarity (centre off) – the Filter has an additional 1V/Oct control input. In addition there is a simple variable-decay Envelope Generator which can be fired either with the manual Trig button or via the Trig input – this has a comparator so triggers on any signal over c.+1V. Decay time is variable between approx 15mS and 3Secs with an amplitude of 0 to +10V. The envelope is internally routed to modulate the Filter and Amp sections via individual depth controls – it could be manually patched to QCV with a 0.75″ shorting bar or cable.
When Q is set to full, the self-oscillating filter makes good sound generator – it can also ring when set below self-oscillation & fed with sharp edges such as gate signals. A basic drum synth can be achieved with self-oscillation and the decay envelope opening the VCA – try varying how much the envelope modulates the filter cutoff too. You can feed the main output back to the FCV input to self-modulate, resulting in an interesting peaky waveform."
via BugBrand
"The FilterQAmp (FQA) combines a 2-pole State Variable VC Filter with a Linear VC Amplifier and an inbuilt variable-decay Envelope Generator. It is capable both of processing and, when the filter is self-oscillating, generation of synthesised sounds such as drums.
The VCF section contains a State Variable Filter (similar to my other designs) – this offers switchable Low or High Pass responses and covers the full audio range. It is temperature compensated & tracks 1V/Oct accurately. The Resonance/Q is voltage controlled with a linear response up to self-oscillation – this creates a pure sinewave, useful for synthesis.
The VCA is linear in response and takes the Low/Hi-pass output from the VCF section. It can either be set, via rear jumper, to a clean response (gain from 0 to +1) or saturation (gain from 0 to +1 then +/-5V zener clipping beyond – unity at approx 10 o’clock rotation).
The Filter, Q and Amp sections each have a CV Modulation depth control with switchable polarity (centre off) – the Filter has an additional 1V/Oct control input. In addition there is a simple variable-decay Envelope Generator which can be fired either with the manual Trig button or via the Trig input – this has a comparator so triggers on any signal over c.+1V. Decay time is variable between approx 15mS and 3Secs with an amplitude of 0 to +10V. The envelope is internally routed to modulate the Filter and Amp sections via individual depth controls – it could be manually patched to QCV with a 0.75″ shorting bar or cable.
When Q is set to full, the self-oscillating filter makes good sound generator – it can also ring when set below self-oscillation & fed with sharp edges such as gate signals. A basic drum synth can be achieved with self-oscillation and the decay envelope opening the VCA – try varying how much the envelope modulates the filter cutoff too. You can feed the main output back to the FCV input to self-modulate, resulting in an interesting peaky waveform."
Korg Kronos 2024 Fun Tips How to Transfer Files Streaming Virtual Memory versus RAM Rik Marston
video upload by Rik Marston Official
A look at the UI on the KORG Kronos.
""Korg Kronos 2024 Fun Tips How to Transfer Files Streaming Virtual Memory versus RAM"
Fun Tips & Tutorial demonstration by Rik Marston
**Watch in HD!** **Talking!** **Turn it up!**
My Etsy store: AhnyxianSoundDesign
https://www.etsy.com/shop/AhnyxianSou..."
Supercritical's YouTube Thing Episode #1 - "The Origin"
video upload by Supercritical Synthesizers
"Welcome to the grass roots level of the development story of our newest product Redshift 6! We thought you'd be interested to see a more detailed look inside the process. We try to keep it raw and honest. We'll try to make these once in a while.
In this episode, Timo tells us a bit of the history how the first working prototype came about. You'll also see where and how we work. We'll cover a bit of the next steps too.
The Supercritical Redshift 6 will be available in summer 2024 with an MSRP of 1259€
Preorders open now at https://supercriticalsynthesizers.com"
SONICWARE LIVEN 8bit Warps Eight-Bit Wave Memory Synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this listing
Additional Perfect Circuit listings
via this listing
Additional Perfect Circuit listings
SONICWARE LIVEN XFM Digital Synthesizer / Groovebox
Note: links to listings are affiliate links for which the site may be compensated.
via this listing
Additional Perfect Circuit listings
via this listing
Additional Perfect Circuit listings
Elektron Digitakt w/ Original Box & Manuals
Note: links to listings are affiliate links for which the site may be compensated.
via this listing
Additional SYNTH CITY Listings
"Excellent used condition, includes original manual, power supply, usb cable, quickstart guide and box. Plastic screen protector still in-place."
via this listing
Additional SYNTH CITY Listings
"Excellent used condition, includes original manual, power supply, usb cable, quickstart guide and box. Plastic screen protector still in-place."
Squarp Instruments Pyramid MK3 w/ Overview Overlay SN 2002
Note: links to listings are affiliate links for which the site may be compensated.
via this listing
Additional SYNTH CITY Listings
via this listing
Additional SYNTH CITY Listings
Ensoniq VFX SD Music Production Synthesizer SN VFX-11051-Z
Note: links to listings are affiliate links for which the site may be compensated.
via this listing
Additional SYNTH CITY Listings
"Polyphony - 21 voices
Oscillators - 1 to 6 per voice. Wavetable has 109 waveforms (multi-sampled acoustic instruments, sustained waveforms, harmonic and inharmonic structures)
LFO - 1 LFO
Filter - Dual multi-mode digital filters; High- and Low-Pass with 12 or 24 dB/Oct. Band-pass filter with 12 dB/Oct.
Envelopes - 3 11-stage envelopes
Sequencer - (VFX-SD only) 24-track, 25,000 note capacity (expandable to 75,000), 60 songs and sequences, 96 PPQN quantization resolution
Effects - 24-bit Dual VLSI Multi-Effects: reverb, chorus, flanging, and delay
Keyboard - 61 keys (velocity and polyphonic aftertouch)
Memory - VFX: 120 patches, 12 performances
VFX-SD: Over 200 patches, 3.5" disk drive for external loading and storage of sounds, sequences, songs, MIDI SysEx and VFX-SD sequencer Operating System.
Control - MIDI IN/OUT/THRU (12-channel multitimbral)
Date Produced - 1989"
via this listing
Additional SYNTH CITY Listings
"Polyphony - 21 voicesOscillators - 1 to 6 per voice. Wavetable has 109 waveforms (multi-sampled acoustic instruments, sustained waveforms, harmonic and inharmonic structures)
LFO - 1 LFO
Filter - Dual multi-mode digital filters; High- and Low-Pass with 12 or 24 dB/Oct. Band-pass filter with 12 dB/Oct.
Envelopes - 3 11-stage envelopes
Sequencer - (VFX-SD only) 24-track, 25,000 note capacity (expandable to 75,000), 60 songs and sequences, 96 PPQN quantization resolution
Effects - 24-bit Dual VLSI Multi-Effects: reverb, chorus, flanging, and delay
Keyboard - 61 keys (velocity and polyphonic aftertouch)
Memory - VFX: 120 patches, 12 performances
VFX-SD: Over 200 patches, 3.5" disk drive for external loading and storage of sounds, sequences, songs, MIDI SysEx and VFX-SD sequencer Operating System.
Control - MIDI IN/OUT/THRU (12-channel multitimbral)
Date Produced - 1989"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
