All presets have PB, MW, AT/PAT and Velocity configured, except the last one which has MPE configured additionally (Bree6 should be in MPE mode for this one) for the best possible expressivity.
It's impossible to make a bad patch with the Bree6! With or without subtractive synthesis knowledge, you can make a great sounding patch in no time. The Bree6 is the 2nd discreet analog polyphonic synthesizer released by GS Music (following the e7), it has those notable improvements:
- Poly Aftertouch (it responds to Channel AT as well without having to change anything on the synth, and MPE by configuration change)
- Detune (voice detune)
- Poly Stereo (hard panning per voice on L/R channels), Poly ('center' on both L/R channels) output modes
- Larger display
- Only 1 'Shift' parameter (the Sub Oscillator On/Off feature)
- Very few 'Menu' parameters (only the MW, Velocity, AT/PAT and MPE sources / targets / amounts in the Control Menu; and Transpose, PB Range, Preset Level, Unison Interval in the Preset Menu), so it's really WYSIWYH (What You See Is What You Hear).
It was a pleasure crafting those 64 FREE Custom Factory Presets for the Bree6, I hope you'll enjoy them as much as I enjoyed creating them and that they will bring value and inspiration to yours music."
"D2MS (Drums 2 Midi Synths, Samplers, Sequencers…Something) is an Augmented Drumming script for the Monome Norns platform.
Born of an online collaboration between two Lines Forum (https://llllllll.co/) users phillwilson (MyOneManBand) and Illges.
D2MS is a sandbox environment for taking the velocity and gestural data from regular drum triggers, drum pads and e-drums. It allows drummers to use their regular playing to drive sequences of notes and execute a huge range of performance altering functions.
D2MS was built from the ground up with improvisation in mind, so there are “quick creation” features all over it, to randomise and remix midi data live.
Users can play a 'full band' performance from behind the drums and all editing and set design can be handled through a custom layout on the Norns Grid interface.
Key Features
· Use up to 16 inputs (incoming midi notes from pads, triggers etc)
· Each input can control up to 5 machine layers (MIDI note driving units) and 5 Trig Layers (utilities that modify a performance)
· Over 10 Machine types including;
Basic –For playing melodies
Riff – Ideal for bass-lines
Chord – Great for pads
Fixed – For non-chromatic samples and percussion
Strum – A semi-manual arpeggios
Stack – A rotating chord pack
…And many more
· Over 12 Trig Types including;
Conductor – To move between patterns and change instruments
Direction – To change playback order
Fill - To randomize note sequences
CC – To turn things such as Midi FX on and off dynamically
Gears – To create cascades of movement
"The SH-2 GAS could not be resisted and I so I caved. I decided to compromise with the SH-09, but I bought an SH-2 the day after I ordered the 09. Lucky for me the SH-2 showed up in great condition for its age, with nothing to complain about, while the SH-09 had several significant issues, some of which you can hear in this video (especially the horrendous pulse width pop), so I didn't feel guilty about returning it immediately after shooting this. It was in my possession for less than 24 hours.
Now after having done this mostly pointless comparison, I can say that if a well functioning SH-09 came into my possession, I would not be sad about it. Being able to modulate the filter with external audio, without having to hear that audio is pretty great. I really, really wish the SH-2 had that ability. I do like the additional sub osc options of the 09 as well. Other than that, the rest of the sonic differences come from the SH-2's second oscillator, which includes the somewhat unique sine wave type. And that's really it, everything else sounds damn near identical to me. Let me know if you disagree.
I have the VCAs set to gate mode which is why there's so much clickyness. I wanted to experience the full weight of each synth. I tried to make sure the levels were as close as possible. The is absolutely zero processing of the audio, apart from whatever YT will do to it."
"Just playing around with a couple of samples. The reverb and delay come from Strymon Volante and UA Golden. Mixed through Mackie MS1202. I have no news yet, as I am still experiencing delays."
"Our website https://www.gsmusic.com/
Join us in this video as the legendary Ernesto Romeo takes the Bree6 Synthesizer for a spin for the very first time. Known for his profound expertise in electronic music and synthesis, Ernesto explores the depths of GS Music's latest creation, the Bree6, a marvel of analog synthesis technology designed for both studio and live performance.
Follow Ernesto Romeo ig: https://www.instagram.com/ernestorome..."
Press release follows:
After extensive research and dedicated efforts from our team, GS Music is proud to unveil the Bree6, our latest breakthrough in synthesizer technology. The Bree6 is a straightforward synthesizer offering six voices of polyphony, each equipped with a single voltage-controlled oscillator (VCO) and a sub oscillator. It has been meticulously developed to meet the needs of both studio and performance environments. The Bree6 features a fully analog signal path that includes a 4-pole low-pass voltage-controlled ladder filter (VCF), and a voltage-controlled amplifier (VCA). The control signals are digitally generated, incorporating one low-frequency oscillator (LFO) and two ADSR- type envelope generators. Additionally, the Bree6 integrates an effects processor with chorus and delay.
Designed for straightforward operation, the Bree6 provides intuitive access to its full capabilities without complex menus, making it accessible to both seasoned professionals and those new to synthesis.
No Menu Diving
The Bree6 interface is engineered for straightforward and intuitive use, ensuring easy access to its robust features, including MIDI connections, USB, balanced stereo audio outputs, headphone output.
Signal Path
The signal path in the Bree6 is entirely analog, comprising a single VCO per voice, a sub oscillator, a mixer, a 4-pole low-pass ladder VCF, and a VCA. The control voltages are digitally generated, featuring one LFO and two ADSR-type envelope generators. It also features a stereo digital effects processor with delay and chorus.
Oscillators The Bree6 features a single VCO plus a sub oscillator per voice. The oscillator includes sawtooth and pulse waveforms, with pulse width modulation control that can be modulated by the LFO. The oscillator tuning can be adjusted, and modulation can be applied from the LFO. The sub oscillator generates a square wave one octave below the main oscillator.
Filter The Bree6’s filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated by EG1, with velocity affecting the modulation depth, and can also be modulated by the LFO. It can also be controlled by the modulation wheel and aftertouch.
Chorus and Delay The synthesizer offers a stereo ensemble type chorus effect. It simulates a string or vocal ensemble using multiple delay lines modulated by their dedicated LFOs. The stereo delay can reach a maximum delay time of up to 1 second.
LFO The Bree6 contains one LFO with selectable waveforms (triangle, ramp up, ramp down, square, and random with sample and hold). The LFO’s frequency can be set from 0.1Hz to 100Hz, and modulation can be applied to the VCO, VCF, and VCA.
Envelope Generators There are two ADSR-type envelope generators in the Bree6, designed for precise control over the dynamics of both the filter and the amplifier.
MIDI Polyphonic Expression The synthesizer supports MIDI Polyphonic Expression (MPE), facilitating detailed performance dynamics when used with compatible MPE controllers. We’ve carefully tested the Bree6 with Osmose, Linnstrument, and Geoshred.
Specs Polyphony: 6 voices. Oscillator (VCO): Single Analog oscillator per voice. Filter (VCF): 24dB/Oct Low-pass ladder filter with resonance control. Envelope Generators: 2 ADSR type. LFO: Triangular, Ramp up, Ramp down, Square, Sample and hold. Effects: Delay, Chorus (DSP:32 bits,48kHz, DAC/ADC:24 bits). Presets: 512 Connections: MIDI In, MIDI Out, Thru, L/Mono Audio Output (Balanced, 1/4" TRS), R Audio Output (Balanced, 1/4" TRS), Headphone Output (Stereo, 1/4" TRS), USB. Power Supply: Input: 100 –240V 50/60 Hz 1.2 A. Output: DC 12V 3A. Power Consumption:3W. Dimensions: 360 mm x 126 mm x 67 mm. 14.17” x 4.96” x 2.64”. Weight: 1.5 kg. 3.31 lbs. Dimensions with packaging: 460 mm x 200 mm x 140 mm. 18.11” x 7.87” x 5.51”. Weight with packaging: 2.1.kg. 4.63 lbs.
Availability
We take immense pride in the global reach and success of the e7, which has found its way into the hands of artists around the world. Now, with great affection and gratitude towards those who have trusted us, we are thrilled to bring you the Bree6. You can purchase the Bree6 directly from gsmusic.com for $999 USD with free worldwide shipping. The suggested retail price for U.S. dealers is $999 USD. Discover the Bree6 by visiting gsmusic.com and authorized dealers — available now for musicians who demand the best in quality and innovation.
"Today as my birthday gift to you, I release the beta of our soundfont plugin converter.
This web app takes a soundfont file as input, let's you preview and mess around with it, and then build that soundfont as a plugin which you can then drag onto your S2400 and use as an instrument."
It's been a few years since I made Patches with REPRO, which I think is one of the best Software Synths out there to create 'Analog' style Sounds and beyond. As you can see, I have a Prophet 10 and I can get the sounds so close, it's really quite astounding.
I'm back with another 100 Patches, covering Pads & Motion, Bass & Lead, Strings & Keys and a whole lot more. As usual, all 100 Patches are demonstrated over 4 Videos - This the 2nd Video.
Requires - Repro 1.1.3 (revision 16797) and will only work on u-he REPRO 5 and not the Sequential Prophet 5/10.
This is the 4th and final Video demonstrating Patches 76 to 100"
