Wednesday, June 18, 2025
Redshift 6 - From Reset To Preset: 6-part Preset for Live Keys
video upload by Supercritical Synthesizers
00:00 - 6-part multitimbral preset for live playing
00:15 - Part 1 - el.piano: setting 5-note paraphony, DCO, VCF, and AMP shaping with VCF and AMP ENVs
02:08 - Part 1 - el.piano: adding Pan and Volume modulations
03:15 - Part 1 - el.piano: adding pitch transient (detune and osc2 pitch) with Aux ENV
04:30 - Part 2 - pad: setting 5-note paraphony, DCO, VCF, and AMP shaping with VCF and AMP ENVs
05:05 - Part 2 - pad: layering with el.piano
05:16 - Part 2 - pad: adding glide, detune, pan modulation
06:00 - Part 2 - pad: adding pitch modulations (TRI & SAW LFOs)
06:43 - Part 2 - pad: layering with el.piano, adding stereo panning
07:11 - Part 1 & 2: setting key zones for both parts
08:00 - Part 6 - bass: setting 1-note mono, ladder character, basic bass sound shaping
09:01 - Part 6 - bass: adding to Group A, key zone limits
09:16 - Part 1 & 2 & 6: layering el.piano, pad and bass
09:28 - Part 6 - bass: glide, legato, tweaking
09:48 - Part 1 & 2 & 6: layering el.piano, pad and bass
10:02 - Part 3 - FX sweep: setting noise source, BPF filter mode, ENV tweaking
11:55 - Part 3 - FX sweep: adding Group A for layering, fine-tuning
12:33 - Part 3 - FX sweep: pan modulation, key zones
12:50 - Part 4 - pluck: setting 1-note mono, basic shaping
13:35 - Part 4 - pluck: adding randonNote pan modulation, fine-tuning
14:05 - Part 4 - pluck: adding Group A, key zones
14:22 - Part 1 & 2 & 3 & 4 & 6: layering all and fixing decay vs release
15:07 - Part 5 - lead: tuning, key zones, stack, detune, ENV shaping
15:42 - Part 5 - lead: 1-note mono, 2-voice unison with pan spread, fine-tuning, adding Group A
16:15 - Layering all parts
"With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups. Under the hood, Redshift 6 is always multitimbral — there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character.
With each of the Redshift 6’s six voices capable of generating up to 16 oscillators for a total of 96, the Redshift 6 offers an impressive expansion in overall polyphony. A single voice supports up to five paraphonic notes simultaneously, each featuring dual oscillators and a noise source. These notes can have independent amplitude shaping, thanks to the Redshift 6’s dedicated DCO ENV envelope generators."
Sen Senra - Blue Jeans Y Un Crop Top (Ambient Remix)
video upload by Kuro Kasetto
"An ambient remix of the song 'Blue Jeans Y Un Crop Top' by Sen Senra."
Digitone 2 sounds UNBELIEVABLY wide - Binaural Sound Tutorial 🎧
video upload by Sineway
"Ready to take your Digitone 2 sounds from flat to fully immersive? In this sound design tutorial, I’ll show you how to create binaural patches that feel three-dimensional - perfect for headphones. 🎧
We’ll explore how to craft these stunningly wide and spatial sounds, and how they can be used in a full track. Hopefully these tricks will open up a whole new sonic dimension for you."
📌 Chapters
00:00 Introducing binaural sounds
00:21 Building the patch on Digitone 2
01:51 Comparing the mono and binaural versions
02:04 What about chorus?
02:23 Getting a little extreme
02:42 Using it in a full track context
03:05 Comparing with and without the binaural lead sound
03:44 This works on just about any synth!
04:03 Final thoughts
Oscillation Drift | Korg MS-20 Solo Performance | Live Analog Studio Performance
video upload by Dr. Synthy Pants
"Voltage-breath, tone-embers,
Echoes of creation where circuits once sang.
What stirs in the soul of the synth?
Static-hum, pulse-murmurs,
Hands race, summoning the ghosts of sound.
PATCH
FILTER
OSCILLATE
A fractured scream escapes the void,
and your spirit awakens, timeless and raw."
Oscillation Drift | Korg MS-20 Patch Walkthrough | MS-20 Patch Discussion
video upload by Dr. Synthy Pants
"This video presents a short improvised piece evoking a simple, melancholy, lullaby-like atmosphere, realized on the Korg MS-20 analog synthesizer. Greg outlines the sound design process which starts as a simple triangle wave and is transformed via ring modulation from a second oscillator, which is itself dynamically pitch-modulated by an external CV sequencer (Korg SQ-64). The result is a dynamic and slightly unpredictable texture that creates a sense of organic movement and showcases an inventive method to extract an unusual sonic character from a vintage instrument that lacks extensive built-in expressive controls."
Scrotum Lab - Alu panels for the matrix
Dogon Drum synth #eurorack #synthesizer #modularsynth #drums
video upload by Arcaico Instruments
"Dogon is a module for creating a multitude of percussive sounds.
With Dogon you can create from the classic and iconic kick, tom, snare drum and hi-hat sounds of the most famous and historic drum machines or you can unleash your creativity with the available modulation inputs that allow you the creation of a multitude of sounds."
Tuesday, June 17, 2025
Yamaha CS-80 Repair Part 2
video upload by Really Nice Audio
"Can we bring this Yamaha CS80 back to life? Did the fender Rhodes destroy it? Let's find out!
For some reason the audio goes slightly out of sync at the end not sure why?
As a Cs80 novice I did my best to check all its parameters however I feel I would need more time to realise how it works. So this video is more of a record of what I found after the repair. There is more work to be done with this poor synthesiser so a detailed inspection is needed.
This Yamaha CS80 is housed at the University Of West London.
https://www.uwl.ac.uk/study/study-fac..."
Part 1 here
6/14/25 ElectroComp EML 200 + SSL 1520 Segwencer IV + Happy Nerding FM AID
video upload by Cfpp0
"6/14/25 ElectroComp EML 200 + SSL 1520 Segwencer IV + Happy Nerding FM AID
This was a test of the 5U version of Happy Nerding FX AID with the ElectroComp EML 200. It’s processing the master sine wave from the upper EML 200, and modulated by the master triangle from the lower EML 200. The upper EMl 200 ring mod and switch are also being used, with the switch getting pulsed by the lower EML 200 master square wave. The Synthetic Sound Labs 1520 Segwencer IV is also being used, modulated by the lower EML 200 master triangle. The spring reverb is from the EML 200."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH