Motas-6 has a unique 'vector morphing' feature allowing you to morph between 4 patches of your choice in real-time using external MIDI controllers or CV inputs.
Motas-6 has tons of modulation. There is no 'modulation matrix' - instead EVERY rotary knob parameter has its own powerful EG and LFO as well as individual amount settings from several global modulation sources. That's a total of 37 EGs and 37 LFOs.
There are 3 real VCOs, noise source, 3 VCFs, 500 patch memories, arpeggiator, pattern sequencer, CV/gate inputs, USB MIDI, free DAW plugin software … and lots more!"
"Italian composer, producer, guitarist, and sound designer Eraldo Bernocchi explores a fluid, experimental workflow using OXI One MKII to sequence Polyend Synth, 1010music Blackbox, and iPad—blending hardware and software into a single expressive system.
With a career spanning from late ’70s punk roots to seminal projects like Sigillum-S, and collaborations with artists such as Bill Laswell, Harold Budd, Nils Petter Molvær, Merzbow, and many others, Eraldo is widely regarded as a master sonic sculptor. Founder of RareNoise Records and a renowned sound designer for brands including Elektron, Erica Synths, and Polyend, he brings decades of deep musical vision to this performance—showing how OXI One MKII becomes a powerful hub for contemporary composition and live sequencing.
"*antilope*
is a pseudo drum and dynamics machine.
A dual pingable filter, distortion + multi-fx and a 3 channel CV generator with pattern recorder + magnetic XMOD matrix.
"Deuxd from Mehr Music Machines is a Eurorack stereo filter based on cross modulation, easy to implement advanced synthesis and sounds with audio rate modulation and it's an all round simple to use module that's as clean and simple as you like or all out bonkers when you push it to behave that way.
"SILHOUETTE SPORT is an innovative synthesizer for curious people that love exciting journeys into sounds and audiovisual arts.
It transforms visual greyscale data into sound and melody while displaying the visual material on a screen or beamer.
It has an innovative hardware controller mounted in front of the touchscreen.
It is portable.
The production of the first short run has started.
More infos:
http://silhouette-synthesizer.de/"
"Tonverk 1.2.0 is here! With some lovely little festive additions to put under the Tonverk tree. We’ve got two new FX to play with, even more options with the existing FX, random mode for the arpeggiator, and further fixes and improvements.
"OS Upgrade: Tonverk OS 1.2.0 We know Grainer, and the 1.1.0 OS that fixed the sync issues, are still fresh on the block, but we had some pretty neat dishes in the oven that didn’t quite make that release. So here is OS 1.2.0, a chance to put a few more little festive additions under the Tonverk tree. We’ve got new effects, even more options with the existing effects, a random mode for the arpeggiator, and some other little additions alongside further fixes and improvements.
New effect: Steel Box Reverb
A third reverb comes to Tonverk, and it’s a whole other flavor. Steel Box Reverb draws on early digital and ’90s plate reverbs, with deliberately wide parameter ranges that let you push sounds from tight metallic rooms to sprawling, resonant spaces. It can clang, bloom, or decay endlessly, making it equally suited to metal can tails or big, characterful ambience.
New effect: Filter Folder
Filter Folder combines wavefolding with filtering and distortion to reshape sound at a more fundamental level. By folding the waveform before it passes through a multimode filter and drive stage, it adds harmonics, grit, and movement that go far beyond traditional filtering. From subtle edge and density to aggressive, overtone-rich transformations, Filter Folder excels at turning simple signals into something far more complex.
More FX availability
If those two additions weren’t enough (for now) we’ve also extended Tonverk’s FX powers in other ways too. Daisy Delay can now be used on all tracks - and Frequency Warper can now be wielded on all audio tracks, bus tracks and mix. Use these two awesome options wherever your echoing, warped heart desires.
Random Arp
Random Arp introduces controlled unpredictability to arpeggiated patterns, reshuffling note order on the fly to generate evolving melodies and unexpected variations.
And more
There’s a few other stocking fillers too. Pattern mute, improved gain reduction and new sidechain sources for the compressor, shorter samples available to use on Grainer, and improved tempo stability when simultaneously receiving clock and large amounts of MIDI data from an external source, such as Octatrack. Plus various other fixes and improvements."
"In this video we check out the BOSS SDE-3 Dual Delay — a classic digital delay pedal that’s equally useful for synth rigs as it is for guitars. With two independent delay lines and intuitive controls, it lets you craft everything from tight slapbacks and dotted rhythms to lush, ambient repeats that enhance your synth textures.
We take a look at how its routing options and flexible timing settings can add depth and movement to pads, leads and sequences, making it a great creative tool for sound designers and live performers alike."
"The Behringer UB-1 Micro is a compact analog-style synthesizer designed to deliver classic sound in a modern, ultra-portable format.
In this video, we take a first look at the UB-1 Micro, exploring its sound, key features and hands-on control. Despite its small size, UB-1 Micro delivers powerful tones and an intuitive workflow, making it ideal for studio, live and mobile setups.
Whether you’re creating basses, leads or experimental sounds, UB-1 Micro is built to inspire fast and creative music making.
▶ Compact analog-style synth
▶ Hands-on control
▶ Portable design
▶ Ideal for modern music production"
