Monday, December 22, 2025
Yamaha RS7000 📞🇸🇰🇨🇿📞🌙🛌
video upload by Isobutane
"This is a live take on a track called Eve CALL421420. You can find it here:
📞🇸🇰🇨🇿📞🌙🛌
If you feel like supporting my work, I'll be immensely thankful.
Thank you for watching!"
Introducing ADDAC System Servo Controller
video upload by ADDAC System
"At ADDAC we always admired the geniality of Neil Young’s Whizzer, way ahead of its time, a great example of how great ingenuity and engineering can come together to make something great.
Inspired by its motor controlled method we created a standalone solution featuring 8 Servo outputs to control any knob on any amplifier, guitar pedal, rack gear, etc. Bottom line any hardware that has a knob that needs to be controlled/sequenced/automated externally.
The idea behind it was to create a device that would open the possibility to control any knob, any physical knob, be it from a musical device or any other tech appliance that “needs” to be controlled, for musical, artistic or automation purposes.
Our solution comes with a Servo Connector that screws into any compatible physical potentiometer, a coupler connects the motor shaft to the target knob which will turn as the Servo turns.
We use servo motors which can be digitally controlled and move to a precise angle. The motors are controlled by a microcontroller that receives MIDI signals or the internal Expression Pedals and converts these signals to the 270 degree Servo motor range.
Each expression pedal input features 2 knobs: MINimum and MAXimum. These are used to set the range of action of the expression pedal, allowing to dial the range to any sweet spot desired. Raising the MINimum knob above the MAXimum knob inverts the Servo range.
It features MIDI over USB-C, Bluetooth MIDI, and a 3.5mm MIDI IN jack. MIDI can come from any of the 3 sources at the same time as long as they don’t overlap the servos channels being controlled."
Alex Retsis - Play / Free Chillhop Musicdisk (Project Files)
video upload by Polyend
"Producer Alex Retsis crafted a fantastic album of chillhop Play projects inspired by the Japanese commute. Available as project files that can be loaded and played on Play or Play+, these projects were designed with subtle generative features to listen to on repeat or as a foundation to start jamming.
Find out more and download the project files here - https://polyend.com/whats-up/alex-ret..."
Source Audio Encounter Ambient Delay / Reverb with Synths (no talking)
video upload by Bonedo Synthesizers
"In this video we take a close look at the Source Audio Encounter SA-264 Delay & Reverb — a versatile dual-engine effects pedal that combines lush reverb textures with rhythmic delay patterns in one compact unit. Its intuitive layout and powerful DSP let you craft everything from ambient wash and spacey trails to punchy, rhythmic echoes with ease.
With separate controls for delay and reverb along with onboard modulation, tempo sync, presets and expression control options, Encounter is designed for players who want deep sound shaping without a complex menu dive. Whether you’re adding depth to clean tones or sculpting experimental atmospheres, it delivers inspiring sounds for studio and stage."
0:00 Sweet Arp
1:23 Warm Pad
2:51 Trance Arp
4:06 Melodic Techno Lead
5:19 Ambient Piano
The Casio FZ-1 Is the Hardest-Hitting Vintage Sampler Nobody Talks About
video upload by Espen Kraft
"The Casio FZ-1 sampler from 1987. Here represented with its module version FZ-10M.
This demo song is made with only custom samples from it.
Some of the screenshots are from my in-depth video tutorial no longer available on my channel.
If you're interested in any of my older long video tutorials they can be purchased from me directly on email or Patreon."
Alt exploration: Leon engaged
video upload by Uncertain Music Corps
"Leon switches in theremin like control courtesy of two banks of light sensititive resistors. The ones on the left control amplitude, the right side controls pitch of oscillators 2 to 5 (Oscillator 1 is a sine drone). It's a bit too wayward to play melodically with any consistency but it's very good for some nostalgic electro-cutup kind of thing.
Obviously quite a lot of cross modulation going on in the pin matrix here"
Shmøergh Moduleur Classic Analog
video upload by Shmøergh
"Hardcore techno is cool but sometimes you just wanna chill. The Moduleur can be gentle too."
Sunday, December 21, 2025
Fred's Lab Tooro TouchOSC Bidirectional Editor v5.0 by synth_nyc
GENERIC FEATURES:
- Display parameter Name and Value
- Double click a slider or button to reset it to a default value
- MIDI data rate efficient: only sends a MIDI message if the parameter value is incremented or decremented by 1
SPECIFIC FEATURES (FW 1.60):
- 119 Program parameters implemented in the editor. Program parameters are bidirectional using SYSEX
- 22 Multi parameters implemented in the editor. Multi parameters are bidirectional using SYSEX
- DCO 1/2 User Wavetable Waves (1-4) selection (only available via SYSEX)
- Program Name (1-32) selection (only available via SYSEX)
- Multi (1-4) Channel, Multi (1-4) Preset, Multi (2-4) Volume, Multi (2-4) Balance (only available via SYSEX)
- MIDI Channel selection slider
- Part (select) + Program (change) selection sliders + buttons
- Program / Multi Buffer Request, Buffer Init and Buffer Write buttons using SYSEX
Slow Rays at the end of the day
video upload by Sleepy Eye
#whimsicalraps #atrium #synthesizer #whimsicalraps #atrium #synthesizer #fun
Additional Atrium videos
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH

























