MATRIXSYNTH

WMD Cosmic Debris - Crossfade Mode

video upload by WMDevices

"Instantly change Time and Spray settings with no artifacts, just a smooth crossfade for subtle transitions to a new sound in your delay or reverb.

WMD designs electronic hardware for musicians longing for a balance of precision and exploration. Our quality control is the absolute finest, with service to match."

Sequential Tempest Analog Synthesizer + Drum Machine SN 03744

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via this listing

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Elektron Analog Rytm MKII 8 Voice Drum Computer + Sampler w/ Decksaver Lid

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via this listing

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Akai Rhythm Wolf Analog Drum Machine

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Korg P3 Piano Module

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via this eBay listing

"Key Features and Usage Examples:

Sounds: Features 2 main, 16-bit sampled piano sounds (a bright piano and a warmer piano) that are highly regarded for their "old-school" character.

MIDI Integration: Designed to be controlled by an external keyboard or MIDI sequencer.

Modes: Operates in Single mode (one program) or Multi mode (8-part multitimbral).

Usage Examples: It is used as a,

Layered Sound Source: Paired with synthesizers to add a distinct piano sound.

Live/Studio Piano Source: Used in studio setups for reliable, direct-to-mixer piano tones.

Layered/Split Setup: Used in Multi-mode to combine piano, pads, or sounds from ROM cards, notes a reverb.com listing.

Expandability: Supports ROM cards to add extra sounds."

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A DARK CINEMATIC Music Performance | SOMA TERRA | Exploration: 35 | PATIENCE IS THE GAME

video upload by Rick Hopkinson

"The Dirty Mirror takes these two behemoths of sonic perversion and adds an extra layer of nasty – using the core circuit of our Coma Reactor Eurorack module.

This three footswitch, 15 knob pedal looks complicated – but it’s not:

The BURN Channel (left side) is based on our Chemical Burn circuit, a nastier FY-6 variant.

The CHURN channel (right side) is based on a heavily modded Big Muff Pi.

There is a short delay circuit before the fuzz circuits.

Both the fuzz circuits can switch between the input sound, 100% wet delayed sound or a blend of wet and dry.

The fuzz circuits are then mixed in parallel into a high-headroom output section.

For added sickness, the delay time can be modified by an envelope follower or LFO.

Choose your filthy reflection – from straight dual parallel fuzz textures, to seasick vibrato to long slow quasi-chorus phasey apocalyptica.

The delay can be used on its own for slapback, chorus and vibrato effects.

Yes, it can get very noisy.
No, you can’t do anything about it - so weep in pain and pleasure, and submit to the swarms of square waves that joyfully fill your room.""'Patience is the game' is a live improvised cinematic ambient performance on the Soma Terra synthesiser; a deep and evolving journey through dark, cinematic ambient soundscapes.

Cinematic ambient music, dark atmospheric soundscape, experimental synthesiser performance, Soma Terra improvisation, ambient drone music.

This is my 35th cinematic ambient exploration in the Sanctuary series.... This time it's played on the Soma Terra synth by @somasynths
I keep coming back to this synth!
Best experienced with headphones 🎧"

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16 STEPS / a quick patch with STEP 8 and ROUTE 4

video upload by Joranalogue Audio Design

"We started this patch by creating two 8 step sequences on a pair of Step 8s. Route 4 takes care of switching between the two sequences."

FREE SYNTH: NILS' KAWAI K1v (Kawai K1 Emulator) - No talking demo

video upload by ADL-MusicLab

"Hello everyone!

Here's to you my "No talking demo" of this FREE emulation of the Kawai K1 synthesizer developed by Nils Schneider, which brings back to life this iconic synthesizer!

The Kawai K1 is a famous japanese classic from 1988 and it was a massive success with both the critics and the public. The company managed to reportedly shift around 50,000 of them. There also was a rackmount version (K1r) and a tabletop option (K1m).

The key to its popularity was certainly down to its sound, which combined single-cycle additive waves with PCM samples. There was another reason though: in the late 80's this D-50-style sample synthesis was out of reach of most musicians, but then the Kawai K1 came along and it was much cheaper than the Roland D-50!

Now you can have it in your DAW with this amazing FREE software emulation!

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248t - How to external sync the MARF

video upload by Stazma and Tiptop Audio

"Today I'm showing you how to sync and reset a function generator of the MARF so you can use it in sync with some of your other modules.
There's a few different ways to do it and there's also a few ways to mess around with the sync in fun ways, so we'll explore that together."

00:00 INTRO
00:53 THE BASICS
02:59 GATE LENGHT & SLIDES
05:23 RESET WITH STROBE
10:15 RESET WITH THE STOP INPUT
11:47 MIDI TO CV CLOCK & RESET
13:51 CONCLUSION