"Korg M1 EX in excellent condition. Tested and confirmed to fully function, this unit has had it's screen replaced with a LCD w/ Blue LED backlight. The M1 EX added additional PCM waveforms to the M1, this keyboard has the stock M1Ex patches installed but we can flash the original M1 patches upon purchase if those are preferred."
"Ten new additive synth presets from the upcoming Partials & Discrepancies 1.3.2 update.
No talking in this one, just sound examples. The patches focus mainly on two new features: X-Voice FM and Velocity Position, with sounds ranging from restrained and cinematic pads to noisier textures, keyboard sounds, and a more percussive patch.
X-Voice FM lets each synth voice FM-modulate the next voice in a circular chain. It can use either the previous voice’s filtered signal or oscillator output as the modulation source, and the FM amount is stored independently in every oscillator slot.
That means the amount of FM can move and slew together with the rest of the patch.
Velocity Position lets note velocity select the position, or an interpolated position, between the active oscillator slots.
So playing dynamics can change much more than volume. Depending on the patch, velocity can move between different partial structures, harmonic relationships, X-Voice FM amounts, or combinations of all three.
The result can be quite expressive with surprisingly little movement from the player.
The update also adds Live View, which follows an active voice in the waveform editor and shows its slewed node geometry, partial settings, and slot position in real time.
There are also new waveform-editing shortcuts, multi-step undo/redo, slot copy/paste keyboard shortcuts, and a fairly substantial round of interface-performance and stability work. (But more on that on the website when the release is here)
Partials & Discrepancies 1.3.2 is expected to be available on September 1, 2026."
"This is the first proper track I've made with the Redshift 6 and Digitakt II combo.
The 3-note chord stab you hear at the start is using a single analog voice. The Redshift 6 can distribute the up to 16 oscillators inside a voice across several notes, so one voice plays the whole chord. The arp is another single voice. Then the lead takes the remaining four with unison stacking, around 16 oscillators in total, and I'm performing it with both the built-in macros and the Launch Control XL 3.
The Redshift 6 is six-part multitimbral, with three separate outputs. The main outs play the lead, run through the synth's internal delay, but Aux 1 and Aux 2 are always bypassing the digital FX section - which felt like an invitation to put both Hologram pedals to real work. The arp goes into the Chroma Console, and it completely transforms what was a fairly plain pluck sound I dialed in seconds. The chords go into the Microcosm to make them bigger.
Everything else melodic was sampled from the Redshift 6 into the Digitakt II, which is doing all the sequencing and drums.
No Overbridge this time. Just four stems into my Zoom LiveTrak L6max: the DT2, plus the Redshift's main outs, Aux 1 and Aux 2. Some sidechain ducking, glue compression and EQ in Ableton, and that's about it. Mostly raw hardware.
I originally sketched this in the camper van with just the DT2, and went through three or four lead melodies I wasn't happy with before landing on this one. All those attempts are still in the project file if you want to see the messy version.
There's no official patch export on the Redshift 6 yet, but Supercritical tells me it's coming and I'll upload the patch as soon as it does. The Digitakt II project is on my Patreon in the meantime."
