RF Modula analog jam psychedelic techno 128bpm

video upload by Radical Frequencies Modular

"128 bpm psychedelic techno analog jam with the RF Modular . kick - snare and hats are analog and mixed through the transistor mixer.
The hats are made by feeding a noise through 12db multi vcf in bandpass mode and RF Vcadsr envelopes.
The bass is the AD multi Vco saw wave into SH vcf .
The fm lead is the 2 sine waves of dpvco into mixer and transistor out and then into RF waveshaper .
The is a 303 acid line too from cyclone not visible in this video .
Sequences and triggers from Beatstep pro . The RF VC adsr envelopes are voltage controlled in decay and release from RF Lucky Voltages"

RF Modular self patch using the new Audio & CV Mixer module

video upload by Radical Frequencies Modular

"In this video I'm using my new module the Audio & CV Mixer!
Actually I use 2 mixers one for mixing 4 different waveforms from the oscillators and another for mixing different control voltages and then modulating the filter and vcos .
The dpvco and admultivco are the main oscillators and the cv modulations that are mixed for making more complex modulations are : lucky voltages, 2 looping vc envelopes and scota vcf that is used as modulation source like a dual cross mod lfo. The sound after the mixer goes to 12db multi Vcf in bandpass mode and then to vca."

RF downtempo analog jam 110bpm

video upload by Radical Frequencies Modular

"Patch: Dpvco into Scota vcf from fm random lead and AD multi Vco into SH Vcf for the bass. All drums are analog and all mixed into analog transitor mixer ."

AD Multi VCO Krell style patch

video by Radical Frequencies Modular

"AD Multi Vco clip showing one of the waveforms the triangle pulse in a krell style patch:
I use 2 RF VC Adsr in (one is the master clock) , one RF lucky voltages and a beatstep pro sequencer .
Later in the patch I use alpha vco from dpvco to sync the ADMVCO and to modulate the linear fm with the AC input choice .The sound is fat and alive while it is physical sounding !The adsr makes amplitude modulation to the final vca.

The master clock adsr that modulates the triangle adding harmonics to the wave so I don’t use any filter to this patch ! Incredible feature for making sound only from vco direct to a vca :)"

Analog Jam 125bpm RF Modular

video by Radical Frequencies Modular

Analog Jam 125bpm !
Kick from Dpvco
Tom from Dpvco
Hat from Lucky Voltages through 12db Multi Vcf
Bass from AD Multi Vco with no use of filter module just direct oscillator into Vca

125bpm RF Modular jam

video upload by Radical Frequencies Modular

"This is the first jam for 2023 ,
125 bpm old school Goa trance style. The bass is the AD Multi Vco into SH Vcf , I mix the wave from Vco with a sub square oscillator too .
The wave at the start of the clip is a saw that’s In phase with the sub wave , after changing the wave into triangle saw wave in opposite phase .
The melody is the DPVCO through transistor mixer and then in high pass mode through 12db Multi Vcf .
The drums are analog as always .
The thing here is the transpose of the sequenses via midi that I play real time ;) The sequences are from sq1 and OC .
https://www.radicalfrequencies.com"

135bpm analog jam with RF Waveshaper

video upload by Radical Frequencies Modular

"135 bpm analog jam with the RF Waveshaper .

The kick and hat are analog separate modules mixed together with the bass lead that is coming from the dpvco sine waves into the waveshaper. The dpvco is in internal fm mode too . Sequence is a combination of the Befaco muxlicer and ornament & crime .
The RF VC adsr envelopes are voltage controlled in attack decay and release from Toppobrillo 281 generator and RF Lucky Voltages ."

RF modular Ratcheting patch

video upload by Radical Frequencies Modular

"RF modular ratcheting patch in an electronic jam downtempo 80 bpm :
This juicy lead is a Dpvco double saw passing through the the RF Mixer using the transistor out and through the SH Vcf using the 6db output !
The bass is from AD Multi Vco using a double pulse wave into the Scota Vcf in low pass mode.
The kick and snare are analog 808 like clones.
I use 2 sequencers - 2 clock multipliers and a voltage control switch."

RF Modular 130bpm analog jam

video upload by Radical Frequencies Modular

"130 bpm techno analog jam with the RF Modular .
Dpvco here is used separately:
The Alpha Vco is for the ratcheting lead as the pulse out goes through the Scota Vcf.
The Beta Vco makes the square bass then through the SH Vcf. kick - snare and hats are analog and mixed through the RF Audio & cv mixer. The hats are made by feeding a noise through 12db multi vcf in bandpass mode controlled by RF Vcadsr envelopes.
Sequences and triggers from Beatstep pro . The RF VC adsr envelopes are voltage controlled in decay and release from RF Lucky Voltages .
https://www.radicalfrequencies.com"

RF modular analog jam tape recording

video upload by Radical Frequencies Modular

"The bass is produced by RF Dual Precision Vco (saw+pulse from both vcos) through RF transistor mixer and then into RF SH Vcf. Analog Drums are from a modified rd6 that all drum sounds are mixed through another RF transistor mixer ."

RF Modular jam deep acid teck 123bpm

video upload by Radical Frequencies Modular

"Full of warmth and fat sound here as all the sounds pass through the RF transistor mixer ! Bassline is 2 oscillators from dpvco into mixer and then into SH VCF ! There are a lot of modulations into attack and decay using Lucky Voltages.
The hats are noise through the 12 db multi vcf and then into vca with decay control .
Kick and snare are separate analog modules also mixed through the transistor mixer.
Sequencer used is the Beatstep pro ."

RF AD Multi Vco Krell patch

video by Radical Frequencies Modular

"The sound is directly from the RF AD Multi Vco into RF Vca.
Other modules used for this patch :
The RF dpvco as modulator for the fm and sync of the main AD multi Vco ,
The RF Vc Adsr which is the clock generator and envelope,
The RF Lucky Voltages as random voltages as sample and hold that send random values to Vc Adsr ,
4ms Pingable Envelope Generator ,
Euclidean Circles as sequencer ,
RF Quad Vca Mixer ,
And finally a Mutable Instruments Beads as delay reverb effect."

NYZ DRN4 DECLASSIFIED

Exclusive mix on SoundCloud:


And a track from the release on Bandcamp:


Tracklist:

1. NYZ_FMMGKSQ_43t
2. ISR_16x16_WCM
3. CSN [excerpt 2 mono]
4. SWI_r170_16x32x32_B
5. SWI_FM1#16
6. NYZ-1_1#08_A [finite downsized]
7.CSN1 [excerpt 1 mono]

Be sure to see the MATRIXSYNTH exclusive further below!

FM EXPLORATIONS AND MICROTONAL DRONES FROM NYZ (AKA DAVE NOYZE, DAVID BURRASTON, NOYZELAB, BRYEN TELKO)

This is the first release by NYZ and is a superb musical collection of research areas classified to internal Noyzelab operations. Not even .MEDS label were informed of the secret processes underlying its creation, excepting that we know it involved Frequency Modulation (FM) synthesis! We have not been given any information regarding when this work was recorded, but we suspect the material spans at least a decade of David's FM algorithm research on numerous synthesizers, as well his own custom built ear deceiving gear...

According to one reviewer of David's previous musical output he "gleefully disrupts just about every standard convention of musical form you could think of, including those of so-called experimental musics."

Other reviewers have written that :
"His music is a bizarre, yet compelling journey investigating the outer realms of music generated on ancient & contemporary machines." "It's strikingly original audio that doesn't really sound like anything else I can think of." "Utterly sublime. So there you go, a life-affirming slab of mind-altering sound to reawaken you to the terrifying possibilities of creation."

"absolutely wreaks havoc" wrote Keith Fullerton Whitman on reviewing David's last release T. H. Cycle cassette on Important Records/Cassauna .

Cassette releases April 1, 2016

All Audio by David Burraston
Design Tom Knapp

----

MATRIXSYNTH recently asked NYZ why he put together this new album of FM synthesis based explorations, and whether he would discuss some of the process behind it. The declassified information below has been put together by NYZ especially for a MATRIXSYNTH exclusive.

***BEGIN NYZ DRN4 DECLASSIFICATION REPORT***

DC REPORT STATUS: PARTIAL DECLASSIFICATION ONLY
PARTIAL DC STATUS: INCOMPLETE CELLULAR BINARY SPACETIME
PARTIAL DC LEVEL: SEMI-PICTORIAL_TEXTUAL_HIGHLIGHTS
FUTURE DC STATUS: _PENDING

The main reasons for making this album were an interest in FM synthesis in both analogue modular and MIDI/digital mediums. I had worked with digital FM synthesis since getting a Yamaha TX81Z when they came out back in 1987 (which I still have, along with another backup machine with a very hummy mains transformer which bleeds onto the outs). How me and another synth friend used to cry with drunken laughter at preset D11 Hole in 1... :) But after initially wondering whether I had just wasted about 350 UK pounds on an utter piece of shit... I quickly warmed to its better presets, and its very different approach to synthesis yielded enough interesting results early on for it not to get outed.

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Native Instruments introduces FLESH

Published on Nov 17, 2015 Native Instruments

And two demo tracks from Richard Devine. Press release and images follow below.



"Extended demo of the new "Flesh" Reaktor 6 instrument. "Changing Colors" :-) Very cool innovative performance synth that turns anything you feed it into a electronic symphony

Notes - Only two instances of the Flesh ensemble used. For this demo I used a few kicks, snares, high hats, cymbal crashes, ethnic percussion, and white noise samples at some of the loop parts and at the transitions segments. These where all single shot sounds not loops, that I programmed in time with Flesh. This only accounts for a small amount compared to what Flesh was actually doing, which was about 85% of the demo. I took one snare crash from one of the kits in Flesh and reverse it for one transition. The rest of the sounds are 100% Flesh. There was only one touch of reverb on a Aux send and return with 2CAudio 2C-B2 plug-in."



"Extended demo of the new "Flesh" Reaktor 6 instrument. "Scatterbrain Jungle" :-) Very cool innovative performance synth that turns anything you feed it into a electronic symphony

Only two instances of the Flesh ensemble. All sounds are 100% Flesh sounds. The only thing added was a touch of reverb from the 2CAudio 2C-B2"

"November 17, 2015, Berlin – Native Instruments today released FLESH – a new REAKTOR Instrument developed by electronic musician, producer, and inventor Tim Exile. FLESH uses a set of advanced algorithms to turn rhythmic source material into all the elements of a complete production, including basslines, melodies, chords, harmonies, and more. The instrument is aimed at creative producers looking to enhance their live sets or find fresh inspiration for their original productions through a fun, improvisational approach. FLESH is available now at the NI Online Shop for $99 / 99 € / ¥ 11,800 / £89 / $AU149 and runs in REAKTOR 6 or the free REAKTOR 6 PLAYER.

"The concept for FLESH came to me when touring with my custom looping, beatmaking, and improvising instrument that I built in REAKTOR," says Tim Exile. "I was missing a way to make harmonic and melodic material in a live, improvised scenario. I wanted something that would empower me to create expressive and dynamic sounds which fit in perfectly with whatever was going on at the time."

FLESH was designed to be a fun and easy-to-use performance instrument. Its advanced algorithms analyze the transients and spectral profile of sampled source material in the background. This information is then sent to four audio engines as curves and triggers for re-synthesizing the source material. The result is dynamic riffs, grooves, and chords that retain the feel of the original sample. This advanced processing is made possible by the REAKTOR 6 engine.

FLESH comprises four audio engines, plus effects and modulation sections. Each engine has a specific function, from changing the sonic character of the sample itself to transforming it into a monophonic sequence or lead, chords, or sub-bass frequencies. Additionally, the sound generated can be further modified by the effects section and modulation page. The effects section re-creates a highly-modified dub delay while the modulation page allows producers to add subtle to radical motion to their sound.

FLESH features a streamlined control set allowing for radical changes to the rhythmic and tonal output of the instrument. Producers can play rich harmonic progressions, trigger and switch source samples and sound snapshots, then tweak parameters across all engines at once in real time. A clever system of global macro controls allows for consistent and tactile live tweaking on just four main controls – Spectrum, Character, Length, Mod.

FLESH is the first REAKTOR Instrument designed from the ground up to get the most out of the KOMPLETE KONTROL S-Series keyboards. FLESH uses the Light Guide to provide tight visual feedback, highlighting sounds and samples, and sequenced harmonies. Native Map® automaps parameters to the eight control knobs on the KOMPLETE KONTROL keyboards. Users can also save presets – including samples – and recall them in real time.

Tim Exile has seen his career move from performing in small clubs, to big stages around the world and releasing albums on the Planet Mu and Warp imprints. For the last years, Tim has worked closely with Native Instruments to design his own set of 'audio instruments' including THE MOUTH and THE FINGER.

FLESH is available now at the NI Online Shop for $99 / 99 € / ¥ 11,800 / £89 / $AU149

Additional information on FLESH is available at:
www.native-instruments.com/flesh"

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An Interview with Barry Schrader

Hi everyone! As you know Barry Schrader will be giving his farewell concert at CalArts on September 26. The following is the beginning of my interview with him. I opted to post the questions and answers as they come in.  New QAs will get a new post so you do not miss them and they will be added to this post so we have one central post for the full interview. This should make it easier for all of us to consume in our busy lives, and it will allow you to send in any questions that may come to mind during the interview process.  If you have anything you'd like to ask Barry, feel free to send it in to matrixsynth@gmail.com.  This is a rare opportunity for us to get insight on a significant bit of synthesizer history, specifically with early Buchla systems, and I'd like to thank Barry for this opportunity. Thank you Barry!

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Buchla 259 and 261e

The following notes comparing the original Buchla 259 and the new 261e Complex Waveform Generators came in on the Buchla list via Ezra Buchla, Don Buchla's son. Note the reference to the 258 Dual Oscillator.

"the waveshaping circuits of the 261e and the old 259 are very very very close. they "sound the same." except that the old one is indeed hotter, and the driving sine wave is not quite as clean or as stable in pitch.

to me, the functional difference is in the mod osc section. there are tradeoffs. the 259 has nice smooth cv output and you can push it to very low frequencies with cv input. this is good. the 261e has an additional, quite radical waveshaping circuit on the mod osc itself, which allows you to crossfade between sine, square, narrow square and a kindof funky sinusoidal trapezoid. this is good too. listen to the phase locked mod osc audio output! that is not the same, at all.

phase lock behaves differently. there are more possible behaviors in the 261e, as the process can receive certain information from software-land. and these again can come out as very interestingly close spaced chaotic orbits.

experiment with frequency modulation + pitch tracking + phase lock for maximally intricate orbit-space!

we will not do a 259 clone anytime soon. oh well.

i do luv me a 258. now THAT's buildable. of course maybe not by me, just at the moment... i am busy!

-eb"

Radikal Technologies Spectralis II

"Spectralis II is the even more powerful successor of Radikals sophisticated Hybrid Synthesizer. With up to 2 GB sample memory and tons of new features Radikal raises the bar again for our competition. Never stop the sequencer engine again with our fully redesigned sequencer engine that allows for on the fly realtime sequencing, recording of MIDI controllers and overdubbing. Quick Sound Selection for every part - your most favorite sounds are just one fingertip away. Transpose your patterns and step sequences with the attached keyboard and control the Spectralis parameters via MIDI from your computer. There is only one thing, we left untouched in our new design - the sound engine. Still the warmest and richest sound out there with the power of a modular synthesizer in a box.

The Hybrid Synth
The SPECTRALIS II hybrid synth, fueled by the latest DSP- and true analog technology, delivers maximum tonal capabilities and leads you into a radical new world of sounds full of life and animation. The SPECTRALIS’ oscillator section takes sound design to new extremes. The 4 oscillators offer continuously variable waveshapes plus time linearity modulation, FM, PM, oscillator synchronisation, bit reduction and independent pitch and volume envelopes. The self resonating filters, a 4 pole lowpass and a 2 pole multimode filter with LP, HP, BP and notch outputs, use two highly improved true analog circuit designs to overcome the restrictions of modelling based synths. The way players can interact with the destinc-tive user interface makes the SPECTRALIS II hybrid synthesizer a killer live instrument with unbeatable richness and stunning flexibility. The synthesis engine takes advantage of a sophisticated step sequencing system - 32 independent parameter control lines with up to 192 steps let you explore an universe of previously unheard rhythmic effects and atmospheric textures. Punchy high resolution envelopes, are the cutting edge of todays synthesizer technology. They are the perfect weapon for the creation of floor pounding kicks, state of the art sequencer staccatos and numerous percussion effects.

The Filterbank
Rumbling noises, nasal sounding oboes, booming SciFi-drones and vocaloid solo-voices - all these different sounds have one thing in common - the fixed filterbank. Consisting of 8 bandpasses, one lowpass and one highpass filter, the filterbank allows the selective modification of certain frequencies. The spectrum of the sound is divided into separated frequency bands where each resulting spectrum slice has an individual attentuator. Like the instrument corpus forms the frequency response of an acoustic instrument, the fixed filter bank provides a new approach in the creation of realistic instrument timbres and bizarre FX-sounds. In contrast to big modular systems of the past, where the filterbank had fixed filter response curves and simple pots to regulate the levels of the frequency slices, the SPECTRALIS comes with sequencer controlled level modulation and in depth parameter editing like individual frequency band panning, Q and roll off slope control and filter stage spacing. The usage of the fixed filterbank isn’t limited to hybridsynth voices - simply feed any DSP synth part thru the filterbank or even any external signals from the external analog inputs. The SPECTRALIS II step sequencer comes with step envelopes, where normal step-sequencers only offer a fixed value setting per step. In conjunction with the filterbank, these step envelopes allow for instance the creation of a new drum beat by simply feeding noise into the filterbank and programming some decay steps for selected frequency slices.

The sampling section
In contrast to many other groove oriented sampling instruments, the SPECTRALIS II offers real multisampling and a 32 stereo voice polyphonic sound engine with powerful subtractive synthesis capabilities. Lush strings ensembles, dramatic soundscapes or earthshaking drum grooves - simply drag and drop the highlights of your personal soundlibrary from your computer onto the SPECTRALIS II. The highspeed USB2 interface transfers even large sample instruments in a few seconds. An included sample conversion utility allows importing wav- and soundfont2-files. After finalizing your music production, the entire song content with patterns, sounds and samples can be stored back to the computers harddrive. Satisfied with the backup functionality but still wondering about the LIVE situation? Don’t worry about that! The SPECTRALIS II comes with a SD-Card slot and has an onboard 1GB flash memory (expandable up to 2GB) for permanent storage of samples, songs and sounds. Features are only one side of the story - but realizing them with the latest Texas Instruments floating point DSP generation and featuring HiEnd Burr Brown DA converters gives the SPECTRALIS II the no compromise touch of a groundbreaking new star in the sonic wonderland of electronic music instruments.

The sequencing system
As a groove oriented system the SPECTRALIS II features a powerful pattern based sequencer playground with realtime, overdub and step by step recording as well as grid based drum programming. Additionally, the state of the art step sequencer opens a complete new universe of tempo dependent sound manipulations and freaky polyrhythmic sequencer battles. Designed with the live situation in mind, you will enjoy the absolute freedom of realtime manipulations during your session. Mute/unmute tracks, exchange the motifs on the fly, tweak volumes, panning or FX-sends with the built in mixing console or transpose an entire pattern by simply pressing a note on your keyboard. Editing of sequences can be done without stopping the sequencer - one of the most desirable features in todays groove oriented live instruments. Start your session with a simple basic groove and add steps on the fly until the audience is totally freaked out. Are you into more serious music production? Well, the SPECTRALIS also comes with a song section, where you can arrange the patterns to complete songs."

You can find more info including samples on Radikal Technologies. via zamise.

Analogue Solutions Mr Hyde and Dr Strangelove synthBlocks Signal Processors Now Available

"AS announces availability of Mr Hyde and Dr Strangelove synthBlocks signal processors


KINGSWINFORD, UK: British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Mr Hyde and Dr Strangelove — introducing its synthBlocks series of small and affordable desktop signal processors with two tantalisingly-named new products squarely aimed at laptop and audio plug-ins-focused digital musicians wishing to apply analogue, hands-on hardware processing to their sometimes sterile-sounding computer- based creations — as of November 17…

The synthBlocks series represents an all-new range of small and affordable desktop signal processors produced by British boutique electronic instruments innovator Analogue Solutions, an acclaimed company with over 24 years of designing serious-sounding synthesizers featuring fully-analogue audio paths with analogue LFOs (Low Frequency Oscillators) and EGs (Envelope Generators) to its notable name. Similarly, synthBlocks are all-analogue affairs — albeit with some lo-fi digital effects thrown in for good (musical) measure. Menus and software are all eschewed in favour of a hardy hardware approach. As such, synthBlocks are squarely aimed at laptop and audio plug-ins-focused digital musicians wishing to apply analogue, hands-on hardware processing to their sometimes sterile-sounding computer-based creations. Cue simply plugging the synthBlocks in question into an audio interface’s I/O connections, then routing drums, synths, vocals, or whatever out of the DAW (Digital Audio Workstation) and through the transistors and op-amps of the synthBlocks and recording the results back into the DAW. Something similar can be achieved by connecting the synthBlocks to the auxiliary buss of a mixing console — just like any other effects processor. Whatever the workflow, turning the dials and flicking the switches by hand of course changes the sound in realtime — often with radical results. Results of course can be radically different — depending on which of the two available synthBlocks are applied to any given sound signal.

Many might have heard of Mr Edward Hyde, an abominable alternative personality of Dr Henry Jekyll, a fictional character in Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde gothic novella first published in 1886. However, hearing Analogue Solutions’ Mr Hyde in the here and now is something else entirely! As announced, Mr Hyde was the first out of the starting blocks in its synthBlocks series as an analogue filter effects box bringing subtle to extreme filtering and modulation effects to the analogue processing production table. To further aid ease of use, Mr Hyde has quarter-inch input and output jacks on its rear, so can be connected straight to an audio interface or mixer without the need for adaptors. The topside of its distinctive blood-red panel features minijack sockets to patch with a semi-modular synth, such as Analogue Solutions’ relatively recently released Fusebox — an aptly-named, three-VCO (Voltage- Controlled Oscillator) true analogue monophonic synthesizer that favourably fuses the company’s characterful vintage sound with an advanced choice of modulation and melodic possibilities (in a beautifully-built box); ever-popular Eurorack small-format modular systems; or other modular systems.

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5Pulser Waveshaper by frijitz

"The most effective waveshapers are the radical ones that produce multiple peaks per input cycle. There have been a number of these designed over the years, of course, but most are fairly complicated circuits.

A while back I discovered that the LM3914 LED bar-graph display driver chip can run at very high frequencies -- crisp square pulses well above the audio range! Operation of this chip is quite simple. It is basically a stack of window comparators, which fire one at a time as the input signal increases. The total span of the comparators is set by an external voltage.

From this I figured out how to make an interesting waveshaper that puts out a variable pulse train. The waveshape control voltage changes the span of the comparators, so an input sawtooth leads to a train of pulses from a single square wave up to a train of five pulses in less than half a period as the control voltage is varied. (The more traditional wavefolders use a VCA on the input signal to vary the waveshape.) The circuit is quite simple for what it does -- a dual opamp for the input signal and CV conditioning, the LM3914 and an output opamp summer to combine the pulses."

Click here for more info including the schematic and a sample.

RADIKAL TECHNOLOGIES SPECTRALIS 2 Hybrid Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Refresher on the specs:

"Spectralis 2 is the even more powerful successor of Radikals sophisticated Hybrid Synthesizer. With up to 2 GB sample memory and tons of new features Radikal raises the bar again for our competition. Never stop the sequencer engine again with our fully redesigned sequencer engine that allows for on the fly realtime sequencing, recording of MIDI controllers and overdubbing. Quick Sound Selection for every part - your most favorite sounds are just one fingertip away. Transpose your patterns and step sequences with the attached keyboard and control the Spectralis 2 parameters via MIDI from your computer. There is only one thing, we left untouched in our new design - the sound engine. Still the warmest and richest sound out there with the power of a modular synthesizer in a box.

The Hybrid Synth
The Spectralis 2 hybrid synth, fueled by the latest DSP- and true analog technology, delivers maximum tonal capabilities and leads you into a radical new world of sounds full of life and animation. The Spectralis 2’ oscillator section takes sound design to new extremes. The 4 oscillators offer continuously variable waveshapes plus time linearity modulation, FM, PM, oscillator synchronisation, bit reduction and independent pitch and volume envelopes. The self resonating filters, a 4 pole lowpass and a 2 pole multimode filter with LP, HP, BP and notch outputs, use two highly improved true analog circuit designs to overcome the restrictions of modelling based synths. The way players can interact with the destinc-tive user interface makes the Spectralis 2 hybrid synthesizer a killer live instrument with unbeatable richness and stunning flexibility. The synthesis engine takes advantage of a sophisticated step sequencing system - 32 independent parameter control lines with up to 192 steps let you explore an universe of previously unheard rhythmic effects and atmospheric textures. Punchy high resolution envelopes, are the cutting edge of todays synthesizer technology. They are the perfect weapon for the creation of floor pounding kicks, state of the art sequencer staccatos and numerous percussion effects.

CLICK FOR MORE »