Nodal1 5 0Demo1tk3

YouTube via pmcskeeter
"A sneak peak of the new version of nodal (coming very soon). This is a short piece by Peter Mcilwain using a prerelease version of the software. Logic is used for its synth engines (which is shown just at the start). More will be added soon...."

The Unofficial Tod Dockstader and Musique Concrete

via The Unofficial Tod Dockstader
"The extent of Dockstader's experimentation with sound can be gauged by the fact that in the early 60s, when much of his work was 'constructed', there was no instant means of categorising such work. This was made more the case by Dockstader's straddling of the popular and high art cultural zones: working on the production of cartoons and sound-effects whilst scoring a Fellini film and having his pieces played alongside those of Varèse. Yet, in the mid 60s such 'musique concrete' experiments were more or less a very fragmentary and dispersed form a minor subset of avant-garde classical music. The centre of gravity may have been Schaeffer's Groupe de Recherche Musicales and there may have been other nodal points like John Cage's Fontana Mix and Steve Reich's Come Out, but what seems to be inflected in Dockstader's work, like that of Varèse, is just this sense of isolation and difference from the 'canon' of electronic music as it was becoming conscious of itself and establishing its paradigms."

This one in via Atomic Shadow

Note: I'm creating a Musique Concrete label for such artists. Musique concrete is in effect sound synthesis and the beginnings of sample manipulation. I'll see what blogger brings up for past posts but if you see any I miss the label for let me know and I'll add it.

The Big Decision

YouTube via attorks | August 29, 2010

"The origin of this improvisation is a 16-step sequence I programmed in Nodal. I then programmed that sequence in the Doepfer MAQ16/3 on row 1 which drives the Ian Fritz Teezer Through-Zero VCO which in its turn provides a triangle waveform to the Ian Fritz 5Pulser and a sawtooth waveform to the Blacet MiniWave. The outputs of the 5Pulser and the MiniWave are fed to the Synthesizers.com Q107 filter. The 16-step sequence on row 2 of the MAQ16/3 drives the self-made Modular. Row 3 of the MAQ16/3 is providing the gate signal to shift the Synthesizers.com Q960 which has two 8-step sequences on row 1 and 2 alternated by the Q962 sequential switch. The Q963 trigger bus is used to mute and unmute steps of the Q960. The Roland XP-80 is used for an Oberheim type of sound and the Waldorf Q Keyboard does some string/brass type of sound. On the Clavia Nord Lead 1, four different voices are used for solo's, bass and chords.

In the video I added some photo's I made today of the equipment I use currently.

You can see/hear/download the full 25 minute video and music from my website soon."

Twinkle Star 2 - ambient electronic music

YouTube via doctorvague — May 05, 2010 — "Modular synth and Alesis Andromeda using Nodal software to generate the notes. This might be 'progressive ambient' if you want to split hairs. Part one is audio only on Soundcloud using a major scale. This one uses the Lydian mode."