Panel discussion at LA Premier of the Subotnick documentary - Philosophical Research Society 4/17/24

video upload by Peter Grenader

"Excerpt from Jill Fraser, Peter Grenader and Lance Hill's panel discussion at the Los Angeles premier of Wavemaker Media's documentary SUBOTNICK: Portrait of an Electronic Music Pioneer at the Philosophical Research Society on April 17th, 2024.

The discussion begins talking about Mort Subotnick's use of control tracks on A Sky of Cloudless Sulfer, a process that he developed."

Exploring the 1st Buchla 100 Modular Synthesizer

video upload by Sarah Belle Reid

"This video is a historical, technical, and musical deep dive into the Buchla 100 Series Modular System at the Mills College Center for Contemporary Music. This instrument was the first voltage controllable modular synthesizer built by Don Buchla—it was delivered to the San Francisco Tape Music Center in the mid-1960s.

In this video we’ll start with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, we’ll unpack everything that’s inside the instrument module by module. Finally, I’ll share some of the quirks of this particular instrument, and lots of patch examples to illustrate its unique voice and character.

As I was getting to know this instrument, I tried to keep in mind the circumstances surrounding its development—the people who contributed to it, the time in which it emerged, and the state of electronic music at the time of its invention. These thoughts greatly inspired my approach to working with the instrument and are present throughout this video.

It’s a rare opportunity to be able to work with a historical instrument like this one. I have always been super inspired by Buchla’s work in general, but like many people have had few opportunities to work with his original instruments. Instead, much of my experience has been through newer instruments inspired by his designs. Being able to work closely with this instrument was an incredibly inspiring and clarifying experience that allowed me to gain a deeper understanding of Buchla’s own creative and technical development, as well as the multitude of music, modern modules, and instruments that have been inspired by his work.

Special thank you to Mills College for letting us spend a week in the electronic music studio working with the Buchla 100; to The Buchla Archives and Ryan Gaston for helping to put this video together; and also to all of the amazing folks in my Patreon community for your support in helping to bring educational projects like this one to life!

Learn more / join the waitlist for Learning Sound and Synthesis, my online modular synthesis and sound design class: https://www.soundandsynthesis.com

Join my Patreon community for behind-the-scenes content, unreleased music, and extended tutorials: sarahbellereid

Thank you to:
Mills College Center for Contemporary Music https://www.performingarts.mills.edu
The Buchla Archives https://www.buchlaarchives.com
Ryan Gaston (co-producing + filming) https://gastonsounds.com
Hainbach (tape slicing footage)

TIMESTAMPS:
00:00 Historical Overview: Buchla 100 + the San Francisco Tape Music Center
7:38 Mills Buchla 100 System Overview
14:27 Timbre in the Mills Buchla 100
18:29 Chaos in the Mills Buchla 100
21:52 Voltage Control Quirks
25:00 Sequencing Tactics: Triggered Segments
30:40 Sequencing Tactics: Extended Sequences
32:06 More Patches + Sounds
32:36 Ring Modulated Reverb Patch
34:40 Keyboard Chaos Patch
36:55 Gated Voice Patch
38:29 Wonky Drum Machine Patch
38:57 Triggered Gestures Patch
39:14 Transposed FM Sequence Patch
39:48 Bell Tones Patch
40:27 Touch Controlled Ratchet Patch
41:00 Sequenced Melodic Patch

Sarah Belle Reid is a performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation.

www.sarahbellereid.com"



"In the Spring of 2024, Reid spent a week at the Center for Contemporary Music at Mills College, where she worked closely with their original Buchla 100 modular synthesizer system. This specific instrument’s historical significance can’t be overstated. It was the very first voltage controllable modular synthesizer that the now-famous artist, inventor, and electronic musical instrument designer Donald Buchla built in the mid 1960s—indeed, one of the very first modular synthesizers altogether. In its time, this specific system has been used by countless inspiring and influential musicians, such as Pauline Oliveros, Morton Subotnick, Suzanne Ciani, Warner Jepson, and others.

The video begins with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, Reid unpacks everything that’s inside the instrument module by module, with sound demos and examples. Finally, she shares some of the unique quirks of the Mills Buchla 100 instrument, and patch examples of how the instrument can be used to create a wide range of music and sounds."

Synth East 2024 Update - things are selling out fast!

video upload by Molten Music Technology

"An update on the fabulous Synth East show for you. Friday night has sold out, Saturday is getting close and don't forget the Sunday workshops!

Synth East is a festival of synths and modular in Norwich from Friday the 23rd of February to Sunday the 25th. Brought to you by the Norwich Arts Centre, Electronic Sound Magazine and Molten Modular.

Tickets are available for each event separately. There's a discount if you order the Saturday Expo and evening gig at the same time.
https://norwichartscentre.co.uk/searc...

Friday: Subotnick documentary, Adam Buxton interviews Steve Davis and music from Luke Sanger. SOLD OUT!"

Synth East 2024 - Synth and Modular festival in Norwich

video upload by

"Synth East is a festival of synths and modular in Norwich from Friday the 23rd of February to Sunday the 25th. Brought to you by the Norwich Arts Centre, Electronic Sound Magazine and Molten Modular.

Tickets are available for each event separately. There's a discount if you order the Saturday Expo and evening gig at the same time.

Friday: Subotnick documentary [trailer here], Adam Buxton interviews Steve Davis and music from Luke Sanger.

Saturday daytime: Synth Expo with performances

Saturday evening: Blancmange, Ultramarine and Molten Modular

Sunday: DIY Workshops from Thonk and Befaco.

http://www.syntheast.com"

Update: press release follows:


"Pouring from the heart of Norfolk, hosted by the Norwich Arts Centre, curated by Electronic Sound Magazine and run by Molten Modular, Synth East is back. After a devastatingly successful 2023 show the sold-out Norfolk-based festival of synthesizers returns in 2024 but this time it's been widened into a full weekend experience.

The all new Friday evening Synth East event is curated by Electronic Sound Magazine and kicks off with (possibly) the UK premiere of a documentary on electronic musician Morton Subotnick, who at 90 years old, is known affectionately as the Father of Techno. It’s called Subotnick, Portrait of an Electronic Music Pioneer by Waveshaper Media who brought us the intoxicating 2014 documentary, I Dream of Wires.

Following the film we have writer, broadcaster, comedian and musician Adam Buxton chatting with Synth East alumni Steve Davis about music, life and modular synths. Finishing off the evening we have an ambient set from modular musician Luke Sanger as we relax into some beers in preparation for what’s to come for the rest of the weekend.

Saturday’s Synth East Expo is a carnival of control voltage, a festival of synth sounds and a party of epic performances. Dozens of manufacturers will be filling the Arts Centre with synths and modulars to give you an opportunity check out their marvellous machines and bask in the glow of synthesiser technology. You’ll be able to chat with the makers about the gear and even have a personal demonstration. Simply walking through the auditorium in the company of such exciting gear is completely thrilling.

Throughout the day we’ll be having some performances from local artists Hardwired and Tristan Burfield before we once again embark on the awesome modular experiment of the all-star patch off. This year, joining Robin "Molten Modular" Vincent, Steve Davis and Gaz Williams will be Mylar Melodies, Nina Richards, and Jason Jervis. These are unique, improvised performances that you’ll never see anywhere else.

Saturday night’s synthesiser explosion features the 80s synth legends Blancmange who have kindly agree to fit us in before their extensive Everything is Connected: The Best Of Blancmange tour of the UK. Supporting Blancmange we have eclectic electronic music duo Ultramarine featuring Ian Cooper and Paul Hammond. And in the warm up slot is our own Robin “Molten Modular” Vincent and a special guest.

On Sunday we are hosting some Eurorack DIY workshops presented by Befaco and Thonk. They will be held at Electronic Sound HQ at Capital House over a few hours. The idea is that you buy a ticket for the workshop and then order the kit that you hope to build directly with Befaco or Thonk.

Synth East 2024 runs from the 23rd to the 25th of February. Each event is available as a separate ticket and there's a bundle deal on buying the Saturday Expo and evening performance together.

Our intention is to revel in the world of synthesizers, modular and electronic musical boxes. We want to explore sound through performance, discussion and hands-on interaction. It's a lot of fun and open to anyone with an interest in bleeps, tones and noises."

re:VOLT • SUBOTNICK SIDEWINDER • RAVEL SCARBO Live at the San Fransisco Electronic Music Festival

video upload by Peter Grenader

"re:VOLT (Jill Fraser, Peter Grenader, Thomas Klepper) live at the 2023 San Fransisco Electronic Music Festival, September 16, 2023 at The Lab

Maurice Ravel SCARBO (0:15)

Morton Subotnick SIDEWINDER (10:09)"

Morton Subotnick & Steve Horelick @ Brooklyn Synth & Pedal Expo (October 21-22)

Details follow:

"The Brooklyn Synth & Pedal Expo, a free for all interactive display of synthesizers and pedals of all kinds, will return to Brooklyn on the weekend of October 21st and 22nd in a new, larger venue in Greenpoint.

Hosted in a 6k sq ft warehouse in the heart of one of Brooklyn’s most musical neighborhoods located between Williamsburg and Queens, this year's event is expected to be attended by around 2k visitors. Pictures from previous editions can be found here [you can find some video coverage in previous posts here].

Morton Subotnick and Steve Horelick VIP Guest Speakers
The organizers are excited to announce the involvement in this year's expo of two legendary NY synthesists who will be hosting talks and a performance on Sunday 22 in the 70-seat theater embedded in the venue

"Buchla Focus" on Sunday October 22
The two presentations will be part of a 3 hour block from 12pm to 3pm on Sunday 10/22 dedicated to Buchla, which will also feature a Music Easel product presentation and an industry panel featuring the company owner Eric Fox among others.

The full program of talks and workshops can be found here.

Morton Subotnick, one of the pioneers in the development of electronic music and multi-media performance, is best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, and for his creative output linked to Buchla synths. He will host a talk about synthesis on Sunday October 22 in the early afternoon (schedule to be released soon). He will be the event's keynote speaker.

Steve Horellick is a tireless educator and acclaimed soundtrack composer (he wrote the Butterfly in the Sky song from PBS's Reading Rainbow). He is also known for his immersive, textural surround performances. At the Brooklyn event, he will perform using a hybrid setup of synth and pedals in surround sound. Steve will be hosting a talk/performance involving several synths (including Buchla) and some guitar pedals.

Eurorack Classes and GSG.live workshops
The schedule of the presentations will be also integrated by two Eurorack classes hosted by Ben Atchouel of the New York Modular Society and two workshops about online performances curated by the team at GSG.live.

Confirmed Vendors
Visitors will find a varied mix of companies, over 70, with almost all the heavyweight synth and pedal brands and several boutique builders, and also a selection of Eurorack and many pedal builders. Full list below.

Please find attached the event's flier.

This is a free event, anybody can RSVP here.

LIST OF PARTICIPATING MANUFACTURERS:

CLICK FOR MORE »

Morton SUBOTNICK Documentary - North American Premiere + Live Performance Event

Details follow:

A special 2-night event in Toronto:
North American premiere documentary screening, and LIVE A/V performance by Morton Subotnick.

After our international preimere screening of Subotnick: Portrait of an Electronic Music Pioneer nearly 1 year ago in Berlin, we had a few setback in terms of music licensing clearance delays... but we're finally ready to proceed with new screenings, and it all starts in October...

Announcing our North American premiere screening + live performance event in Toronto, please see details below. We are actively looking to book screenings, so if you have any interest/leads, please get in touch: info@waveshapermedia.com (or REPLY to this email).. More screenings booked and TBA soon include screenings in San Francisco, Barcelona, Malta, and Limerick Ireland.

Friday October 27th.

Morton Subotnick + Lillevan — LIVE.
A special A/V performance of Subotnick's newest work "As I Live and Breathe" — a multi-media, surround sound experience.
Subotnick’s final composition, and final live performance in Canada.
With an additional performance by Heidi Chan (modular synthesizer) & Kristine White (shadow projections).
Al Green Theatre, Miles Nadal JCC — 750 Spadina Ave
RESERVE YOUR TICKET NOW (General Admission seating):
https://SUBOTNICK.eventbrite.ca

Saturday October 28th.

"Subotnick: Portrait of an Electronic Music Pioneer"
Documentary screening — North American premiere.
Post-screening Q&A with Morton Subotnick and director Robert Fantinatto.
From Waveshaper Media, producers of the acclaimed modular synth documentary, "I Dream Of Wires".
Hot Docs Ted Rogers Cinema — 506 Bloor St W.
RESERVE YOUR SEAT NOW: https://hotdocs.ca/whats-on/films/subotnick

Replica Buchla 100 series modular synth: LA67 Mort’s Barge

video upload by Tom Churchill

"This video is about Mort’s Barge - a replica mini-system of five Buchla 100 series modules that were used by electronic music pioneer Morton Subotnick in the mid-1960s. I recently built the 4U DIY modules from LA67, and in this video I walk through the features and create a few patches that show what they’re capable of.

My build notes are here:
https://www.modwiggler.com/forum/view...

Find out more about the Mort’s Barge DIY set on the LA67 website:
https://www.lasesentaysiete.com/mort-..."

You can find additional posts featuring Mort's Barge here.



Notes and pics via Tom Churchill's post on Mod Wiggler:

"I thought I’d share a couple of things I learned along the way which maybe aren’t immediately obvious from the BOMs alone, in case anyone else is planning to tackle the build and is looking for some tips.

Some of this stuff has no doubt been covered earlier in the thread, so apologies for any repetition. Also, a lot will probably be obvious to experienced builders, but I’m definitely not in that category yet, so for anyone else (like me) who’s only built Eurorack kits previously, maybe isn’t super-familiar with circuit theory and component sourcing, it might be useful.

Enclosure:
After I ordered the panels and PCBs from LA67 I contacted Julian at The Beast to ask about his 6U Buchla boats. As luck would have it he still had a couple of the special boats he supplied to LA67 for the pre-built Mort’s Barge systems, with matt black coating and pre-drilled holes for power inlet, power switch and grounding banana socket, so I snagged one.
I added some rubber feet to allow a bit of clearance for the screws I used to mount the PSU PCB (see below) and to avoid the underside getting scratched.
For mounting the modules, I bought a pack of 20 M3 speed fasteners (aka captive nuts, aka Tinnermans) from eBay, and secured the modules using M3 6mm screws with plastic washers.
Power:
The PSU PCB doesn’t require any caps and you just need to solder one bridge as marked. (This is now clear on the Mort’s Barge PSU BOM, but it wasn’t at first.)
I mounted the PSU PCB on 8mm M2.5 standoffs via the pre-drilled holes in the bottom of the boat.
I added a 2.1.mm DC inlet and wired a 20mm round rocker switch in series.
I added a single banana socket connected to 0V to provide a ground for any other cases I might want to use with it (and for connecting to Eurorack - see below).
For the AC-DC converter I just used a standard 12V 2A wall wart I had lying around, with a 2.1mm centre positive barrel connector.
I used the 2-pin Molex connectors as per the BOM to distribute power to the individual modules (with the power cables hard-wired to the individual module PCBs)
Component sourcing:
I combined the individual BOMs for the five modules into one master BOM, ticked off what I already had in stock (mostly resistors), then ordered any other required resistors, trimmers, pots, 2N3904/6 transistors and various bits of hardware from Tayda; caps, specialist transistors, diodes, switches, knobs, lamps etc from Mouser.
I’m in the UK and banana sockets worked out slightly cheaper from Thonk, so I ordered those there. I also bought the necessary matched transistor pairs from Thonk to save time (I don’t have the tools or experience to match them myself!)
Changes:
This might be sacrilege to Buchla purists but I went for Switchcraft 3.5mm sockets instead of Tini-Jax - I already have lots of 3.5mm patch cables and it makes for easier integration.
The 910p film caps on the BOM are huge - 10mm lead spacing - and expensive. I ordered them before I realised this, and with a bit of leg straightening/bending they do fit fine in the 158 and 180 boards, but I replaced them with these much smaller and cheaper 1n mylar film caps for the 140 - https://www.switchelectronics.co.uk/1nf ... apacitor-5 - and they work just fine.
The BOM has since been corrected, but slightly annoyingly at the time I was ordering, the part code for the Dialight lamps in the 123 was out of date, so the ones that arrived in my original order were the wrong size. I had to do a separate order for the correct parts, 609-1122-130F. These aren’t cheap, so double check that you’re getting 9mm ones!
On the 158 BOM, there’s a suggestion to use 1n5 instead of 47n for C11 to reduce saw wave distortion. I put sockets in for that and tried both - the 1n5 definitely gives a much cleaner saw so I’ve stuck with that. I also left out C8 as suggested to improve sine shape - I didn’t try it with it included but the sine is definitely a good shape without so I’ll stick without it.
General tips:
I built them in the left to right order they’re shown on the LA67 photos - 158, 110, 180, 140, 123. It was pretty easy to test this way.
Calibration-wise there’s not much to do - the trimmers on the 158 adjust the sine shape and upper and lower frequency limits; use the 110 trimmers to minimise clicking with a raw trigger in; the 140 trimmers set the upper and lower period (I haven’t really touched these)
For the wiring, I soldered pins to the PCB and used a bunch of F-F Dupont jumper wires, cut in half, so if I ever need to take the board off I can simply pull these off and don’t need to desolder anything. For the multiple outputs I mostly just used old resistor legs to bridge them.
Integrating with Eurorack clock is easy - both the 180 and the 123 respond to triggers as low as 5V (e.g. from Pam’s). I don’t use a format jumbler, just a 3.5mm to two bananas cable, with the ground banana connected to the spare ground I fitted near the power switch. I don’t think I’ll ever bother trying to send CV from Eurorack but this way I can at least clock it to the rest of my system if I want to, and maybe even play around with some more complex rhythm patterns.
Anyway, hope that’s handy for someone - I’ll share a bunch of patches on YouTube soon!"

The Buchla Techno

video upload by Giorgio Sancristoforo

"All made with the original 1967 SFTMC Buchla 100 of Ernst Krenek
No other instruments or samples.

Recoded at Salon Krenek - Ernst Krenek Institut,
Krems an der Donau, Austria
Special thanks to Alethea Dawn Neubauer, Martina Pröll and Clemens Zoidl"

See the full series in three posts here.

Additional details on the series from Giorgio Sancristoforo:

"I’m very happy to share my works at the prestigious Ernst Krenek Institut where I had the chance to play for four days and nights an original 1967 SFTMC Buchla 100 once owned by the Austrian Composer Ernst Krenek and now exhibited at his museum in Krems an der Donau Austria.

Krenek has been one of the most prolific composers of the XX Century, he has written pieces for theatre ballet opera symphonies electroacoustic and electronic music.

In 1938 after the Anschluss Krenek moved to California United States and in the late sixties he met Morton Subotnick and Don Buchla at the San Francisco Tape Music Centre.

In 1967 the same year of Subotnick’s SIlver Apples of the Moon Krenek bought la large Buchla 100 modular synthesizer which he used for a number of electronic and electroacoustic works not yet released to the public (which I hope that will be soon collected in a special release of his edition).

So here I am with Krenek’s amazing Buchla 100, probably one of the rarest and most expensive synthesizers on earth. Working with this breathtaking instrument is pure pleasure."

MORTON SUBOTNICK • SIDEWINDER • PERFORMED LIVE FROM TOOL'S STUDIO (4K)

video upload by Peter Grenader

"MORTON SUBOTNICK'S SIDEWINDER:

Part 1 : in four movements (9 minutes 45 seconds)

Part 2: in three movements (6 minutes 45 seconds)

Performed live from Tool's studio Hollywood, CA by Jill Fraser, Shiro Fujioka, Peter Grenader, Thomas Klepper

Filming/Editing: K. David

Recording Engineer: Tim Dawson

Title Graphics: Hyejin Sunwoo

Produced, arranged and mixed by Peter Grenader

Morton Subotnick's seminal 1971 electronic work Sidewinder performed live at Tool's studio in Hollywood CA on March 26th, 2023 by Jill Fraser, Shiro Fujioka, Peter Grenader and Thomas Klepper, at the invitation of Joan LaBarbara, in celebration of his 90th birthday.

The idea of an adaptation of Sidewinder has been on the radar of zZyzx Society's Jill Fraser and Peter Grenader - both CalArts alumni who worked with Subotnick, for years. The process began with an abridged orchestration drafted by Peter Grenader, where the quartet was encouraged to both replicate his soundscapes and develop more interpretative timbres for the individual parts. With that, two general rules applied:

CLICK FOR MORE »

SUBOTNICK • SIDEWINDER LIVE AT TOOL'S STUDIO • FINAL TEASER

video upload by Peter Grenader

"LIVE IN 48 HOURS: Morton Subotnick's SIDEIWNDER performed live from Tool's studio Hollywood, CA by Jill Fraser, Shiro Fujioka, Peter Grenader, Thomas Klepper

Morton Subotnick's seminal 1971 electronic work Sidewinder performed live at Tool's studio in Hollywood CA on March 26th, 2023 by Jill Fraser, Shiro Fujioka, Peter Grenader and Thomas Klepper, at the invitation of Joan LaBarbara, in celebration of his 90th birthday.

Performed on March 26th at Tool's studio, with access to Danny Carey's 1975 vintage Buchla 200 and massive E-mu. Filmed by K David.

Produced, arranged and mixed by Peter Grenader"

OFFICIAL TRAILER: MORTON SUBOTNICK • SIDEWINDER - Live from Tool's studio

video upload by Peter Grenader

"On April 23, 2023 with profound appreciation for his historic contribution to art and music a taped live performance of Morton Subotnick's Sidewinder by Jill Fraser, Shiro Fujioka, Peter Grenader and Thomas Klepper - filmed at Tool's studio in Hollywood CA - will be released in Celebration of his 90th birthday."

Herb Deutsch Has Passed Away

video upload by Moog Music Inc



Herb Deutsch passed away yesterday. He was born on Feb 9th, 1932, making him 90 at the time of his passing. If you come to this site you know who he is. You can find pages of posts featuring him here. He was constantly active in the synth community, from it's birth as the co-inventor of the Moog Synthesizer with Bob Moog, to this day. I thought I would share the recent GIANTS video featuring him above from February this year.

When the greats pass away, I like to capture images and bios at the time of their passing. To the left is Herb Deutsch's current Facebook profile image. Directly below that is the last update of his posted on December 7. Below that is an image from the Wikipia page for him with the text that immediately follows. Finally, below that are some images of him from the early days from Moog Music's Herb Deutsch Looks Back on the Early Days of Electronic Music tribute.

He and Morton Subotnick likely had the greatest influences on the design of synthesisers as we know them. Herb brought us the tonal influence via the keyboard as the direct interface for a synthsizer and Subotnick brought us atonal sound exploration akin to tape manipulation.

via Wikipedia

"Herbert A. Deutsch (February, 1932 - 9 December 2022[1]) was an American composer, inventor, and educator. Currently professor emeritus of electronic music and composition at Hofstra University, he is best known for co-inventing the Moog Synthesizer with Bob Moog in 1964.

Deutsch died on 9 December 2022.[2]

Herbert A. Deutsch (February, 1932 - 9 December 2022[1]) was an American composer, inventor, and educator. Currently professor emeritus of electronic music and composition at Hofstra University, he is best known for co-inventing the Moog Synthesizer with Bob Moog in 1964.

Early life and education
Deutsch was born in 1932 in Baldwin, Nassau County, New York. At the age of four, he first realized he had a musical gift. Through his childhood, he studied music and began composing at a young age. Deutsch attended the Manhattan School of Music, earning his B.A. and M.A. there.

Work with Moog
Deutsch had assembled a theremin based on Moog's design in 1962 and in November, 1963 he introduced himself to Moog at a music-education conference in Rochester, NY.[3] In 1964 Moog and Deutsch started investigating the possibilities of a new instrument to aid composers.[4] Deutsch has been credited with the keyboard interface of the Moog.[4] He composed the first piece ever for the Moog ("Jazz Images - A Worksong and Blues"[3]) and performed early Moog concerts at The Town Hall and The Museum of Modern Art in New York (1969's Jazz in the Garden [5]).[6] The prototype Moog synthesizer, developed by Bob Moog and Herbert Deutsch in 1964, is part of the collections of The Henry Ford museum.[7]

Career
Deutsch was a dedicated educator. In the early 1970s he taught at St. Agnes High School in Rockville Centre, New York. He has taught at Hofstra University for over 50 years and was twice the chair of the music department. Deutsch co-founded the Long Island Composers Alliance in 1972, and worked with music foundation NYSSMA. In 1994 he proposed its Electronic Music Composition Showcase.[8]

via Moog Music's article Herb Deutsch Looks Back on the Early Days of Electronic Music

"On October 12, 1964, Bob Moog unveiled the first modular voltage-controlled synthesizer, an instrument that forever changed the course of modern music.

It began quietly, in 1964, when Bob Moog designed a new electronic instrument to composer Herb Deutsch's request. Herb wanted something to create complex and experimental sounds, tones not easily found from other instruments or with studio trickery. What Bob designed was not wholly new, it sprung from a powerful new combination of existing ideas. The concepts, when combined with some elegant design choices, made a very powerful and revolutionary new system. The new ideas found in the Moog synthesizer took several years to catch on, and it is likely even the first users had little idea what range the new instrument could truly offer."

below this time does not exist by Todd Barton

https://toddbarton.bandcamp.com/album/below-this-time-does-not-exist

"The title comes from a phrase in one of my favorite books, The Order of Time by Carlo Rovelli. Back in February 2020 while in Italy my daughter and I were fascinated by Rovelli’s poetical unfolding of relational quantum mechanics for the lay person. At that time I selected a few phrases that piqued my imagination and creativity as composition titles for a future album. Coincidentally and spontaneously one day my daughter, Ursula, snapped a photo of me in the Tuscan sunlight which turned out to be quite extraordinary and evocative. We talked about it being the cover for this album. The future has arrived . . . enjoy!

released December 2, 2022

Instruments used:
Buchla Music Easel, Buchla 227e System Interface Module, 1979 Modular Stereo Microsound Processor, Makenoise Erbeverb, Makenoise Mimeophon, Intellijel Planar 2, TC Electronic Ditto X4 Looper, TC Electronics T2 reverb, U & I Software Metasynth.

Influences:

Though their influences may not be apparent, these Elders have guided me endlessly…

Beatriz Ferreyra, Eliane Radigue, Bebe Barron, Roland Kayn, Morton Subotnick, Gordon Mumma, John Cage, David Tudor,
Toru Takemitsu and Witold Lutoslawski."

Subotnick: Portrait of an Electronic Music Pioneer to Premier November 3rd in Berlin

See the update in this post for details.

Morton Subotnick Documentary Completed

First announced back in 2017, the upcoming Morton Subotnick documentary has been completed.

Subotnick: Portrait of an Electronic Music Pioneer

We are thrilled to announce the completion and world-premiere screening of “Subotnick: Portrait of an Electronic Music Pioneer” (or “Subotnick” for short), our official bio-documentary on revered avant-garde music composer, and electronic music pioneer, Morton Subotnick. We could not be more proud of the film, and can’t wait to share it with all of you. We also take great pride in the fact that Mort has given his full approval of the finished film. We are truly humbled by that!

Our world-premiere screening for the film will take place in early-November at a very special event. This is truly going to be a night for the history books, and you can expect full details in an event announcement next week.

About the film:

Through a series of candid interviews and illuminating conversations with key figures from his past and present, Subotnick provides an overview of this fascinating composer’s rich life and uncompromising career. Over 5 years in the making, Subotnick is a first-hand account, and an artistic portrait, of this seminal composer, who’s approach to art, and outlook on life, reveal a unique thinker with a fiercely individualist streak. The film narrative moves along two parallel lines; exploring a year in his life as he creates and shapes the multi-media chamber opera “Crowds and Power,” while simultaneously exploring his past — going back in time to his days as a child prodigy on the clarinet, his disastrous stint in the army during the Korean War, founding the San Francisco Tape Music Center, and culminating in his breakthrough recording of “Silver Apples of the Moon,” the world’s first electronic music composition specifically created for the record medium. Featuring several live performances from around the globe, captured in glorious surround sound, and augmented with innovative liquid-light psychedelic effects, Subotnick is a multimedia experience that highlights and celebrates one of the world’s most influential living composers.

An update for our Subtonick Indiegogo supporters:

For those of you who contributed to our Indiegogo campaign for Subotnick, please check your inbox (/spam folder) &/or log in to your Indiegogo account, to read a more extensive update on the film's completion, and for those of you still waiting on delivery of an Indiegogo perk (namely, the film itself, whether on a physical disc, or a digital download), the update includes information about that as well.

Update:

Subotnick will premiere on November 3, with a truly special screening / live performance event at the legendary and historic Kino Babylon theatre in Berlin, presented alongside CTM Festival and Ableton. Morton Subotnick, now 90 years old, is not only the subject of our documentary; he will also be taking part in an audience Q&A alongside Subotnick’s director, Robert Fantinatto, and finally, treating us to a rare live A/V performance of “As I Live In Breathe,” in collaboration with longtime visual collaborator Lillevan.

Event info:

3 November 2022 at Babylon Berlin (https://babylonberlin.eu)
Doors 18:00, start 19:00
Tickets (premiere screening + performance): 28€ / 14€ reduced Ticket
Link: https://ctm.stager.de/Morton%20Subotnick/tickets


Programme:
19:00 World premiere screening of Subotnick: Portrait of an Electronic Music Pioneer
20:45 Q&A w/Morton Subotnick & director Robert Fantinatto, moderated by Lisa Blanning
21:45 Morton Subotnick & Lillevan – As I Live and Breathe live A/V performance

About the concert: Morton Subotnick & Lillevan – “As I Live and Breathe”

Between 1961 and 1980, Morton Subotnick’s principal work as a composer was devoted to the development of electronic music as a studio art. The first four years of that period were spent with Don Buchla designing and building an appropriate instrument with which to make music specifically for recorded formats, to be heard in one’s home. The work which brought Subotnick celebrity was Silver Apples of the Moon (1966-7), which marked the first time an original large-scale composition had been created specifically for the disc medium – a conscious acknowledgment that the home stereo system constituted a present-day form of chamber music. Later, Subotnick began creating works for electronics and instruments and large-scale multimedia projects. In the last decade, technology has made it possible for him to bring equipment onto the stage and perform in public.

The work technique and process of the last decade of his creativity has resulted in As I Live and Breathe, which Subotnick feels will be the ultimate fulfillment of his public performance; one of the last, if not the last, of his public performance works. Centered around Subotnick’s breath – which becomes ever more musically and visually ornamented, only to end with a single, exhaled breath – the work is meant as a musical metaphor for the composer’s life in music.

Wayback Machine to 1965

Wayback Machine to 1965video upload by X180R19

"#la67 #la_sesenta_y_siete Buchla 100 clone 'Mort's Barge'. I'd just acquired this boat and instantly took me back to the first time I heard a Buchla synth."

You might remember "Mort's Barge" from this post back in January.

Additional details via LA67

"Mort's Barge is a 5 module, 6U 100 Series mini-system. It is based on a classic configuration of modules made famous by composer/musician Morton Subotnick. The system contains:

• Dual Sine-Sawtooth Generator Model 158
• Dual Voltage Controlled Gate Model 110
• Dual Attack Generator Model 180
• Timing Pulse Generator Model 140
• Sequential Voltage Source Model 123

The modules are housed in a powered black boat (external transformer is provided for EU customers only). Customers outside of the EU must procure their own transformer (model SGA12E12-P1J). ​

Non-EU customers use promo code "nonEU" to remove the price of the transformer (15€) at checkout. ​

**Due to longer processing times on certain components, delivery is scheduled for the second half of September 2022.**"

1850€ (ex. VAT)

Sunday Morning Mort aka Early experiments with Mutable Beads

video upload by Peter Grenader

"This is a lively Sunday morning jaunt with my newly acquired Beads... which, as silly as this may be, is offscreen in this video.

I know, lame.

Hear me out! The Mutable Beads is currently kicking the crap out of me. I have no idea of it's capabilities. It's all hunt and peck at this point. In one of those experiments, i noticed by putting a metric rhythm patch through it and syncing the Seed input with the same clock that's driving the patch that it would, magically, double the frequency of whatever it's processing.

This immediately reminded me of a certain passage Mort Subotnick is famous for, so i ginned up a quicky sonic xerox. This all came about after i produced a demo of what 'real' lowpass gates can do, which hearkened back my percussive motif fetish that dominated my piece The Secret Life of Semiconductors (search 'Peter Grenader Secret Life" on apple music or bandcamp if curious).

Everything you hear is being gated through vactrol-based LPGs, namely the Plan B Model 13 Timbral Gate. The first voice is from a Flame 4 Vox in which i cycle through a few of it's wavetables. The second voice is it's manifestation via the Mutable Beads in which i am controlling the wet/dry mix via Plan B Model 24 wiggly random voltage. The third voice is via a Plan B Model 15 which is getting it's pacing from Malekko Varigate 4.

Panning courtesy of an EAR Model 7 Panner, driven by a second wiggly random via a second Plan B Model 24

The first and third voices are being driven by two Plan B Model 10 EGs to both open the LPG and thwap the VCO frequencies.

As i sidenote, i think Apple finally chased all the demons out of iMovie. It does not piss me off anywhere near as much now.

enjoy, or not!"

Tiptop Buchla Tip no 5

video upload by Todd Barton

"This is a mini-series on the basics of the new Buchla & Tiptop Audio modules. This episode looks at a couple of tricks used in Morton Subotnick's Silver Apples of the Moon. I'm really enjoying these modules and Tiptop has enthusiastically embraced the Buchla paradigm. The oscillators are sounding great and squarely in the Buchla ballpark.

If you'd like to support my demos and tutorials my Patreon site is: https://www.patreon.com/synthtodd"

Tiptop Buchla Tips by Todd Barton

SOUNDMIT 2020 - LIVE STREAMING - DAY 1

SOUNDMIT

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