MATRIXSYNTH


Monday, February 05, 2007

Casio MT-70 with Bar Code Reader

Casiotone MT-70. Not technically a synth, but check out the bar code reader and bar code music sheets. Title link takes you to more shot pulled via this auction.

via loscha

Update via Loscha:
"Here is an article from "Your SPectrum" magazine which has info about interfacing a VL-5 to a ZX Spectrum computer via the barcode port. Like MIDI, well, only just sort of."

Update via .alex in the comments:
"It's sorta like my yamaha portasound pc-100 playcard system... but it reads cards with a magnetic stripe!!! i took some shots for you matrix. [link]"

Jeffrey Koepper

Title link takes you to Jeffrey Koepper's site. Be sure to check out the gallery.

DX7IIFD Controller?

Anyone know what this is? Title link takes you to the source image.

via woggler in the comments of this post.

Update via woggler in the comments. More info via this electro-music.com thread (I pulled the info below in case the thread expires like other forums).

Via Rylos, the creator of this device:
"Since the TouchRam controller outputs midi, which is software-driven, it could be made to operate about any midi-controlled device. The native inherent resolution is about 20 times higher than the DX7 can use, so it had to be scaled back in the software to match the synth. It uses a patent-pending electrical noise rejection design, which enables it to respond with no perceptible delay, and gives it a snappy, responsive "look & feel".

The limiting factor in using it with the DX7 series synth is that the DX7II will suffer buffer overload if you try to cram midi data into it at anywhere near the maximum data rate, so the software had to be crippled enough to slow down the data rate. Tried it first with an original DX7, but that unit would stutter & fart whenever you changed parameter data while playing a note. The DX7II lets you change parameter values while playing. Multiple control strips can be operated at the same time. It operates by touch, not pressure, so it won't wear out.

When you call up a patch from memory, the display bargraphs immediately show the values of the parameter settings. To tweak any parameter you simply touch on the display where you want the value to be. Couldn't be any simpler. Makes it easy & fun to learn & use FM. After you use it a while it gets pretty intuitive to operate, so you get used to playing the sound parameters as well as playing notes. Instead of a multi-step procedure to tweak sounds, you can do it without having to think about how to do it. Much more efficient way to play than having to mentally task-switch to menu dive!

Here are some samples of the real-time sound morphing a lowly DX7 can do. This is just a bit of noodling around (not any real songs) using only the touch control panel. Anyone who has played a DX7 will appreciate the difference from the usual lack of real-time sound dynamics.

http://www.rentaltechnologies.com/audio/noodle-1.mp3
http://www.rentaltechnologies.com/audio/metabass_mutate-1.mp3
http://www.rentaltechnologies.com/audio/epiano1_morph-1.mp3

It's home-made, and the technology is available for licensing. So as soon as some synth producers can be persuaded to build it into their products synths will suddenly become much more expressive. And cooler-looking!"

One more image:

I mirrored the mp3s here.

C.U.E. Studio

Title link takes you there.

via Jupiter8

Studio Synthavoice

"Beside a gifted pianist, Guido is also an audio engineer, a software designer and a computer specialist. He started a studio for electronic music in the late seventies. With a room full of analogue synthesizer, with among others ARP 2500 studio Cabinet - Roland 700 system. During years he made with this system all kinds of music for the Japanese Recording industry. He also took part in the realization of many Belgian hits among others “DISCO TRAIN”. All sound samples are made with this system"

Title link takes you there. What's cool about the page is every image is a link to an mp3. Be sure to check out the rest of the site while there.

via Jupiter8.

Real Music Media - Fizmo and Wavestation Samples

"Synthetic Vortices represent the cutting edge of modern sound design. The work of Sound Designer/Musician Brent Reiland, employing a selection of classic synths, recorded through a pristinely quiet signal chain, including the finest of modern preamps, these loops are ideal for musicians and sound designers in search of fresh sounds to work with."

Kit List
Ensoniq Fizmo
Korg Wavestation
Great River Electronics MP-2NV Preamp
Pro Tools HD 1 System

Title link takes you there. On the right you will find a demo download currently featuring the Ensoniq Fizmo and KORG Wavestation.

via SIGHUP

Nord Lead 2 Demo playing


YouTube via nige87.

Kraftwerk: Autobahn


YouTube via cecibeans. Sent my way via Gregory.

Previous Kraftwerk posts

Updates to Olivier Grall's Synth Site

Rhodes pianos
EMS Polysynth
RMI KEYBOARD COMPUTER
Polyfusion modular
Roland 700 modular
Olivier's collection through years
and a new fun page

via Yves Usson

Update: Just in case the girl didn't do it for you, I updated the post with a picture of the polyfusion. The girl is below in case you wonder where she went. Also check out the patch punch cards for the RMI Keyboard Computer.


BoomChik on Dave Smith Instruments and Roger Linn Design

The following is up on the Dave Smith Instruments site:

"Yes, it's been a long time since I've updated the site. The Evolver synths continue to grow in popularity and get great reviews. Also, we announced a new gem in the works at the NAMM show last month, a new drum machine tentatively called BoomChik. I am designing this with Roger Linn, the undisputed king of drum machines, who not only invented them back in the late 70s/80s (LM-1, Linndrum, Linn 9000), but also designed the MPCs that just about everyone uses now.

We're about a year away from production, so it's currently in the vaporware, uh, I mean, computer simulation stage. Below is the current vision, though it will likely go through a number of changes over the year. We will update the website every few months with the latest status, so in the meanwhile please don't ask about features or specifics on the design - it's all subject to change anyway! As far as price, best guess is $1000 - $1500 range. We're shooting for the lower, but we all know how that can go.

Basically, it is meant to be a drum machine, not an MPC. It will have both real analog percussion and normal sample playback, plus a bunch of novel processing. The idea is to produce sounds with some real, unique personality, different from everything else out there. Those of you with Evolvers can likely imagine what sounds will be possible, but it should go beyond that also."

The following is on the Roger Linn Design site:

"Dave and I annouced this work-in-progress at his booth at the January NAMM show. In our weekly meetings of the Dead Presidents Society), we've been discussing for a while the idea of doing a product together and figured a drum machine with both analog & sampled sounds would be fun. This picture is only a 3D rendering I made up, but it shows the direction we're going in our development. This design will no doubt change and we're still probably a year off until release, but we decided to put this up on our sites to get feedback and start spreading the word. Click on it to see a high-res picture and learn more about the details.

The basic idea at this point is that it will have 4 analog voices similar to Dave's Evolver, using either the analog oscillators or samples as sound sources, plus a number of digital voices that model the analog ones. If you have any realistic suggestions for this product, we'd welcome them at support[at]rogerlinndesign.com. (Replace [at] with @.)"
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