Thursday, August 21, 2008
r2m playtime 2
YouTube via matrixsynth. follow-up to this post.
". . . and here's another playtime . . . this time all control voltages to the Serge, sort of an homage to Forbidden Planet."
iss to midi decoder to bent ct 380
iss to midi decoder to bent ct 380 from Gijs on Vimeo.
"image scan sequencer to midi decoder to bent ct 380..
this video sounds a bit chaotic.
the image that is being played is generated with PHP.. check it here: gieskes.nl/instruments/files/image-scan-seq/generativeImageSmall.php"
Also see this post. via Gijs
AudioCubes Reviews, OSC Support and Open Source SDK
New SDK and OSC SupportWe put together a mini audiocube configuration panel for building audio applications easily with the cubes and Max/MSP. This will also let us develop some interesting standalone audio applications in the very near future. As an example, we created some patches to send Open Sound Control (OSC) messages to Future Audio Workshop's Circle synth using the AudioCubes. We also did a Quartz Composer example to send colour info over Open Sound Control (OSC) from Quartz to the AudioCubes' RGB LED.
AudioCubes compatible with Max/MSP 5
AudioCubes work with Max/MSP 5 Cycling '74 recently announced Max/MSP 5, a new version of its well-known creative development environment Max/MSP. As you probably already know, AudioCubes comes with an open source development kit consisting of the hardware communication external for Max/MSP and a collection of Max/MSP patches for making your own applications for AudioCubes. You can download all software from the Percussa Website under the Support section, even if you don't have AudioCubes. Today we tested the patches and external with Max/MSP 5 and all patches and external seem to work fine, so we can confirm that AudioCubes and Max/MSP 5 are compatible.
AudioCubes Review/Interview in Interface Magazine
Percussa AudioCubes in Interface Magazine Interface magazine published a nice interview with Bert and a review on AudioCubes (in Dutch). You can download a PDF file of the magazine article on the Percussa Blog. Thanks to Jean-Louis Gayet and Allard Krijger for their interest and time!
AudioCubes Review/Interview in Beat Magazine
AudioCubes Review in Beat Magazine (Germany) Beat Magazine did a nice interview and review about the AudioCubes. You can download the PDF files at the Percussa Blog. Thanks a lot to Thomas from Beat for spreading the word!
AudioCubes in Gakken’s Otonanokagaku Magazine
AudioCubes Review with Cornelius (Japan) A Japanese Magazine, Gakken’s Otonanokagaku (Science for Adults), did a review about the AudioCubes with Cornelius a while ago. You can download the PDF file of the article at the Percussa Blog. The magazine also contains an interesting synthesizer kit.
AudioCubes at GRANdE MASSIFE Event
AudioCubes at Grande Massife 08 Dirk Kuntze (DJ D'Dread) from Germany, which we met at the Musikmesse back in March, reports about the GRANdE MASSIFE where he played with AudioCubes. Grande Massife is an outdoor arts and music event. Dirk also performed at the Street ArtAffair in Leipzig with the AudioCubes. Visit the blog post for an audio interview, press releases about the event and more photos.
Oberheim OB-Mx calibration ROM and instructions
via Aaron on AH:
"Courtesy Tom Virostek.
See here: http://users.ece.gatech.edu/~lanterma/obmx
The calibration procedure is pretty complex and requires a scope (and preferably the voice board extender card that lets you get to the board while the unit is on). The OB-Mx uses some digital pots with built-in nonvolatile memory. I had always assumed that these were recalibrated upon booting up the OB-Mx, but it turns out they are set in this calibration procedure. I suspect that a lot of errant voice boards that are out there just need recalibrated. Maybe some of them were sloppily calibrated to begin with - who knows.
- Aaron
P.S. One caveat is that Lynx Crowe told me he recalled there being some runs of voice boards where Gibson used the wrong sort of capacitors in the oscillator section, resulting in boards that went out of wack as the temperature changed. He couldn't recall exactly what or where."
"Courtesy Tom Virostek.
See here: http://users.ece.gatech.edu/~lanterma/obmx
The calibration procedure is pretty complex and requires a scope (and preferably the voice board extender card that lets you get to the board while the unit is on). The OB-Mx uses some digital pots with built-in nonvolatile memory. I had always assumed that these were recalibrated upon booting up the OB-Mx, but it turns out they are set in this calibration procedure. I suspect that a lot of errant voice boards that are out there just need recalibrated. Maybe some of them were sloppily calibrated to begin with - who knows.
- Aaron
P.S. One caveat is that Lynx Crowe told me he recalled there being some runs of voice boards where Gibson used the wrong sort of capacitors in the oscillator section, resulting in boards that went out of wack as the temperature changed. He couldn't recall exactly what or where."
Remembering Bob with YouTube Channel Launch
"August 21, 2008 - Remembering Bob and Celebrating Our Second Anniversary with Music for Download and YouTube Channel Launch
Today we pause to reflect on the powerful legacy that we strive to honor and support every day. Bob Moog lives on through his instruments, through the musicians that use them and through the music. Yet Bob's legacy of technical brilliance and creative warmth extends beyond the music community, and touches thousands of people around the world who have been effected by his pioneering career. The Caring Bridge site that Bob's family established for him in the summer of 2005 has now topped 300,000 visitors -- thousands of those people have left heartfelt tributes. Bob lives on in so many ways – the Moog Legacy is rich, vast and varied.
Today we launch a tribute to that legacy in our new YouTube channel. On this channel, you'll find friends, family, colleagues, musicians and music-lovers reflecting on the impact Bob had on their lives, and on the world of music. Featured on this channel is a beautifully crafted video from Amin Bhatia called "Virtuality: The Moog Legacy". You will remember that we featured Amin's "Virtuality" CD in our May newsletter in celebration of Bob's birthday. Now, Amin pays hommage to Bob in this video tribute. It is not to be missed! You can find out more about Amin's CD on his website www.aminbhatia.com.
Many thanks to our summer interns at Steven's Institute of Technology, Andrew Bentz and Ken Bachlor, who, along with their professor David Musial, created this YouTube site for us.
We are also delighted to announce that we now have music for download on our MySpace page. Many of the tracks from our "Mooged-Out: Asheville" CD are available here, and all proceeds from these downloads go to benefit the Bob Moog Foundation. This is an easy, affordable and fun way to support us! The music from this compilation CD is wonderfully varied – and each track offers its own unique Moog sound. Many thanks to our volunteer MySpace Coordinator Wheat Williams for making all of this possible, and to all of the Asheville musicians who have donated their tracks to the foundation. The Mooged-Out CD is available as a gift with a $25.00 donation made here.
Also available for download exclusively on our MySpace page is an original all-Moog composition by synth wizard extraordinaire and Moog enthusiast Erik Norlander. Erik's song "The Princely Hours" offers a stunning tribute to the Moog sound though it's driving beats, ethereal nuances and fantastic leads. Erik used five Moog instruments (and only these instruments!) in the making of this piece: his massive 1967 modular Moog, Minimoog Model D, Taurus pedals, Moog Rogue and Minmoog Voyager. This musical tribute is nothing short of a celebration of the Moog Legacy and an exposition of a stunningly talented musician who carries the torch for that legacy every time he gracefully, knowingly lays his fingers on a synth. Enjoy “The Princely Hours” and help the foundation out by purchasing it today. You can find out more about Erik and his massive modular Moog at www.eriknorlander.com.
Erik's composition also graces the home page of our website. We've made few updates to our website, and will continue to do so over the coming months. You can expect new content, photo galleries, music and announcements each time you visit. Be sure to check the new Letter from the Executive Director here.
Bob's life and work serve as a huge source of inspiration for us here at the foundation. We hope that you will pause today and reflect on how he lives on in your life.
The Bob Moog Foundation
Make Waves by donating to the Bob Moog Foundation"
Today we pause to reflect on the powerful legacy that we strive to honor and support every day. Bob Moog lives on through his instruments, through the musicians that use them and through the music. Yet Bob's legacy of technical brilliance and creative warmth extends beyond the music community, and touches thousands of people around the world who have been effected by his pioneering career. The Caring Bridge site that Bob's family established for him in the summer of 2005 has now topped 300,000 visitors -- thousands of those people have left heartfelt tributes. Bob lives on in so many ways – the Moog Legacy is rich, vast and varied.
Today we launch a tribute to that legacy in our new YouTube channel. On this channel, you'll find friends, family, colleagues, musicians and music-lovers reflecting on the impact Bob had on their lives, and on the world of music. Featured on this channel is a beautifully crafted video from Amin Bhatia called "Virtuality: The Moog Legacy". You will remember that we featured Amin's "Virtuality" CD in our May newsletter in celebration of Bob's birthday. Now, Amin pays hommage to Bob in this video tribute. It is not to be missed! You can find out more about Amin's CD on his website www.aminbhatia.com.
Many thanks to our summer interns at Steven's Institute of Technology, Andrew Bentz and Ken Bachlor, who, along with their professor David Musial, created this YouTube site for us.
We are also delighted to announce that we now have music for download on our MySpace page. Many of the tracks from our "Mooged-Out: Asheville" CD are available here, and all proceeds from these downloads go to benefit the Bob Moog Foundation. This is an easy, affordable and fun way to support us! The music from this compilation CD is wonderfully varied – and each track offers its own unique Moog sound. Many thanks to our volunteer MySpace Coordinator Wheat Williams for making all of this possible, and to all of the Asheville musicians who have donated their tracks to the foundation. The Mooged-Out CD is available as a gift with a $25.00 donation made here.
Also available for download exclusively on our MySpace page is an original all-Moog composition by synth wizard extraordinaire and Moog enthusiast Erik Norlander. Erik's song "The Princely Hours" offers a stunning tribute to the Moog sound though it's driving beats, ethereal nuances and fantastic leads. Erik used five Moog instruments (and only these instruments!) in the making of this piece: his massive 1967 modular Moog, Minimoog Model D, Taurus pedals, Moog Rogue and Minmoog Voyager. This musical tribute is nothing short of a celebration of the Moog Legacy and an exposition of a stunningly talented musician who carries the torch for that legacy every time he gracefully, knowingly lays his fingers on a synth. Enjoy “The Princely Hours” and help the foundation out by purchasing it today. You can find out more about Erik and his massive modular Moog at www.eriknorlander.com.
Erik's composition also graces the home page of our website. We've made few updates to our website, and will continue to do so over the coming months. You can expect new content, photo galleries, music and announcements each time you visit. Be sure to check the new Letter from the Executive Director here.
Bob's life and work serve as a huge source of inspiration for us here at the foundation. We hope that you will pause today and reflect on how he lives on in your life.
The Bob Moog Foundation
Make Waves by donating to the Bob Moog Foundation"
Analogue Systems rs290 Part 2
YouTube via bigcitymusic
"The rs290's digital delay has a send and return function that allows you to affect just the repeats. You can do this either before or after the delay. in this case we're filtering the delays with the rs110 Multimode Filter. The rs290 Delay is also MIDI syncable and will give you a read out of the current tempo divide rate and allows to adjust how delay in relation to the MIDI time code. The delay is also syncable to an external trigger signal like a seguencer. Part three is coming soon!"
Modular Synthesizer + Live Video Painting
YouTube via Z0NK0UT
"Self-generating modular synthesizer (Blacet+Modcan) patch with camera-less video feedback--performed live."
Kraftwerk - The Model on Yamaha Electone HX-3
YouTube via Tonneman
"Me playing Kraftwerk's 'The Model' on my Yamaha Electone HX-3 organ.
- Only the HX-3 has been used to play;
- Rythm patterns programmed (HX-3);
- Rythm sequencer programmed (HX-3);
Have fun!"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
