"Studio Wormbone is a compact and efficient state of the art recording and production facility located in a quite forest setting just outside the Emerald City of Seattle Washington. It’s owned and managed by Trevor Dutton and specializes in sound design, all aspects of electronic music, and cutting edge audio production.
Studio WB is a prime resource for TV/film score/game soundtracks, mixing and remixing, demo mastering, voiceovers, and corporate/advertising/internet audio productions. Also available is a vast one-of-a-kind catalog of previously unlicensed prerecorded sounds and effects, created at Studio WB."
Beatalogue is the fourth title in Ian Boddy's Waveforms series of sample libraries. As a follow up to Drumalogue this one takes as it's starting material a selection of electronic drum patterns and loops which are then fed through Boddy's massive modular synth system. These are then filtered, mangled and generally messed up using a huge number of modules all in the analogue domain. All the loops have between 3 and 5 variations and sonically range from sweet filtering all the way through to completely crunched and twisted mayhem. The quality of the distortion and overdrive achieved using these techniques gives the loops a gorgeous organic feel which is further heightened by the sound of the modular itself with it's fuzzy warmness and tripping envelopes.
The sounds are also provided in Rex2 and Apple Loops format enabling them to be used at various tempos and dissected by the end user for their own purposes.
Technical Data
300 mono samples at 44.1Khz, 24 bit in WAV format .
All samples also provided in Rex2 & Apple Loops format.
Drum loops sourced from Logic Ultrabeat, NI Reaktor & Kontakt, Sonic Charge Micro Tonic.
Drum Loops filtered, mangled & messed up via the following analogue synthesisers:
Roland System 100-M
Analogue Systems
Doepfer A-100 modular system
Analogue Solutions
Livewire AFG, Vulcan & Dalek Modulators
Metasonix TM-2 Tube BP filter & R-53 Tube Waveshaper/Ring Mod
Flight of Harmony Plague Bearer
The Harvestman Malgorithm
WMD Geiger Counter
Make Noise QMMG
Minimoog
VCS3
Master tempo & auxillary voltage control provided by MOTU Volta via MOTU 828 interface.
Recorded via TLAudio Ebony A2 tube stereo processor into Apple Mac using RME Fireface 400 audio interface.
Samples edited in Bias Peak Pro 5.
Rex2 files edited in RecycleV2
Apple loops edited in Apple Loops UtilityV3
The Oberheim OB-X is one of the best analog poly-synths ever. A classic! The sound is stunning, organic and very powerful. The sound character (based of the discrete circuits and the SEM design VCF) is different to the later curtis chip based OB-Xa and OB-8.
YouTube via FatSynthDude "So dude on Gearslutz came up with a cool idea: How many patch cables can you pop into your modular and still make a usable sound? Well, that thread kind of died real quick and I liked the idea, so I thought I would attempt to contribute. There's no way that this patch could make it up to that many cables going at once (the original poster on that thread's modular had about seventy-five cables plugged into it) as my poor neglected Dot Com is only barely about the spec for the entry system. I could have cheated and patched in my semimodular synths as well, but due to the makeup of my studio, the Dot Com is on the other side of the room from the rest of my synths and I don't currently have any 1/4"-1/8" cables, so making that happen is something that's going to have to wait a while. This mess of cables only comes in at 31 cables unfortunately. :-( Still, this is also a good video to show off the modular in and of itself with it's custom paint job and all that fun stuff.
And yes, I recorded this using the camera's mic. I'm fat. I'm lazy. I'm AWESOME!!!"
via this auction "Vintage KORG Polysix Custom Analogue Synthesizer You are bidding on a complete, working KORG Polysix synthesizer which has a few custom modifications # provided by SYNTHWOOD.COM Custom Exotic African Padauk Hardwood case # Clear acrylic wheels backlit with RGB LED (Independently settable, White, Violet, Yellow, Aqua, Red, Blue and Green) # Three Prong standard IEC detachable power cable (images show case before IEC was installed) # MIDI with MIDI DIN mounted on the back of the chassis"
"Rare, made-in-Connecticut Electrocomp EML-101 Synthesizer in EXCELLENT **ORIGINAL** Condition. A few minor chips on the case and it's missing the handle (what else is new?) and a few of the latches are new BUT it hasn't been modded and has ALL its original knobs and the graphics are crystal clear. Only a college inventory number is scratched over the "ElectroComp" log (see in pictures).
It's been professionally renovated by www.analogsynthservice.com including ALL NEW KEYBOARD BUSHINGS and sounds and plays great. The keyboard has a few uneven keys but otherwise you have a thick "scary sounding" 4 oscillator monster with patch bay capabilities. It's temperamental for sure and NOT a synth for the faint of heart. But it's a living, breathing analog beast that, plugged through my tape echo, provided me with hours of lost-in-space musical bliss. I have a seriously killer CMS renovated 2600 and I'm hardly ever playing so it's time to let the 101 go to a good home be it studio or stage."
Some synth spotting and samples via Studio Wormbone. You can find the samples here.
Studio WB is a prime resource for TV/film score/game soundtracks, mixing and remixing, demo mastering, voiceovers, and corporate/advertising/internet audio productions. Also available is a vast one-of-a-kind catalog of previously unlicensed prerecorded sounds and effects, created at Studio WB."
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