MATRIXSYNTH


Friday, September 23, 2011

Diabolical Device White Circuit-Bent Casio SK-1


via this auction

"This SK-1 is custom painted and features UV LED back-lighting under the keys. Modifications include: Master Pitch control with bypass switch, dual square wave generator OSC/LFO that can be patched to bending points, MIDI input, 1/4" audio output and 20 point bending patch bay. Linking points on the patch bay is what generates the wide variety of circuit-bent effects, everything from crazy glitches to playable synth leads."

ADDAC in Black


pic via Bret

ADDAC is usually a gold bronze.

Circuit Bent Kids Way Keyboard by freeform delusion


YouTube Uploaded by eecouk on Sep 23, 2011
freeform-delusion on eBay
"Kids Way Keyboard

Switched 1/4inch jack output

Pitch Up/Down control

Power Starve/Glitch Control

Distortion Switch

2x Noise/feedback Control and a toggle switch to choose one"

DSI PROPHET 08 PE My first quick test by JampyKey


YouTube Uploaded by JampyKey on Sep 23, 2011

"4 tracks recorded with DSI Prophet 08 Pot Edition
Presets only with delay of Alesis Midiverb IV.
Track sequencer sync with Cubase. Quick test"

Analogue Solutions EUROPA Analog MIDI Desktop Sequencer

via this auction
Noisebug (RSS)

"KEY FEATURES OF EUROPA

* Intuitive and simple programming procedure
* No sub-menus or shift keys - one function per key
* Simple to use - TR808/606 style programming.
* Analogue features - analogue tempo clock, 7 analogue trigger outs, analogue sync signals
* Live editing features
* Transpose, Octave shift, Mute
* Rugged steel construction.

Europa is a hardware sequencer, it does not contain a 'sound engine'. It has been designed from the ground up to be utilised with your MIDI synths, analogue modular, drum brains and drum machines.

Eurpoa was designed to be utilised with our SQ8 and Oberkorn analogue sequencers (and anything else with a compatible clock input).

Either use the main sync out or one of the seven trigger outputs to clock your analogue sequencers. Have them step whenever you like by programming triggers into the Europa sequencer. You can have 2 sequencers play alternately. You can mute the track so the Oberkorn/SQ8 sequencer stops! Use another trigger and you can activate the reset feature of the Oberkorn/SQ8!"

Vermona Perfourmer

via this auction

"The PERFOURMER is a true analog synthesizer, providing a nearly unlimited diversity of basses, leads, pads and effect sounds through its incredibly flexible sound generation circuitry and its easy user interface. In addition, the PERFOURMER can be used as a complex filterbank with its 6 filter inputs!

Even though the PERFOURMER is not a modular system, you can configure its structure as a semi-modular. The basic concept is reminiscent of classic synthesizers like the Oberheim 4-Voice or the Korg MONO/POL

The PERFOURMER consists of four voices. Each of them is a completely separate synthesizer which can be played and tweaked individually . You can link the synthesizer channels in any combination with each other and play them in three modes. The PERFOURMER's four synthesizer channels are identical and have the following structur:

One VCO with six waveforms, which are divided into two different octaves and a noise generator which produces white noise. The pitch can be adjusted smoothly in a range of +/- 13 halftones.
A 4-pole lowpass filter with resonance and variable keytrack.
A fast ADSR envelope that can modulate the VCA and VCF.
A LFO with four waveforms which modulates the VCO frequency and the CUTOFF frequency, as well as the VCA.
One VCA that can be modulated by the ADSR envelope, a fixed GATE envelope or the LFO.

The synthesizer channels 1 to 3 can function as modulator for their neighbouring synthesizer channel. For example, synthesizer 1 can modulate the VCO frequency and the CUTOFF frequency of synthesizer 2. Or synthesizer 2 can modulate synthesizer 3, etc. The modulation intensity can be adjusted separately for VCO and VCF.
All four synthesizer channels can be linked in arbitrary fashion and can be used in one of the following three modes:

UNISON: All combined channels work as one monophonic synthesizer.
DUOPHONIC: This mode separates the PERFOURMER into a two-voice synthesizer. Synthesizer 1 and 2 are voice no. one and synthesizer 3 and 4 work as voice no. two. POLYPHONIC: All combined channels work as a polyphonic synth.

Depending on the selected mode and in which way the synthesizer channels are combined, the PERFOURMER can be used as a fat monophonic synthesizer with 4 oscillators, 4 filters, 4 VCAs, etc., but also as a two, three, or four voice polyphonic synthesizer. All synthesizer channels, that aren't combined with any other, work as simple monophonic synthesizers.

The PERFOURMER has six filter inputs. There is one filter input per channel. The input signal will be added to the oscillator's signal of the respective channel. On the rear panel of the PERFOURMER are two more inputs that are routed in parallel to all four synthesizer channels and which can be used alternatively to the oscillators' signal.

The CUTOFF frequencies of the single synthesizer channels can be controlled by MIDI.

As well as the filter inputs, there are individual outputs per channel that can also be used as a channel insert. It's easy to connect the PERFOURMER to other equipment! It's also possible to tap the unprocessed VCO signal from each synth channel
You can increase the sonic possibilities of the PERFOURMER by "internal patching" between the channels. For example, you can create a synthesizer that consists of two PERFOURMER channels with two envelope generators and LFOs. It's also possible to double the slope of the filters by connecting two of them in a row. The PERFOURMER can be controlled by MIDI, and optionally can be equipped with four CV/GATE inputs (1V/octave).
So that's the blurb. I have to say that I've found this synth a joy to use. Being Semi modular it has much of the flexibly of a modular setup and in sheer terms of experimentation you can make some unbelievable sounds. The thing however that stands out most to me is the quality of it's output, the bass and the lead sounds that this thing is capable of are really something and though perhaps nodding in the direction of a minimoog, it's clearly got it's own sound. If you're brave enough to stack up all 4 voices, the building will literally shake!! While it rips it up with the best of them, it's also capable of some more ambient sounds also particular note goes to the throbbing bass and the fantastic filters."

TB-303 controlled with Max/MSP+GAINER


YouTube Uploaded by omnibotoom on Sep 23, 2011

"GAINERの0~5Vを利用して、TB-303をCV/Gate制御してみました。"

EPG v1 1 Demo 1


YouTube Uploaded by WouterHisschemoller on Sep 23, 2011

"Euclidean Pattern Generator v1.1 with Open Sound Control (OSC) support."

Tabla


YouTube Uploaded by UncertainMusicCorps on Sep 23, 2011

nonlinearcircuits TB-303 & ARP Filters + jerkchaos

E0E ladder filter

YouTube Uploaded by cirtcele on Sep 23, 2011

"Typical ladder filter based on TB-303 version tho modded to have cutoff, decay and envelope inputs. The latter two can be used to affect resonance to a degree set by the Q2 pot.
Another nonlinearcircuits module
http://nonlinearcircuits.blogspot.com/"

arpENvcf

Uploaded by cirtcele on Sep 23, 2011

"VCF based on early ARP design and Electronotes, makes a decent VCO too.
Very electronic sounding filter.
another nonlinearcircuits module
http://nonlinearcircuits.blogspot.com/"

jerkchaos

Uploaded by cirtcele on Sep 23, 2011

"Very simple jerk chaos circuit controlling early Serge VCO and Serge vari-BW filter. The chaos circuit is fed an envelope which allows windows of periodicity. Pots control the frequency (centred aound 2.5Hz) and chaotic behaviour. This is a proto-type Nonlinear circuits module.
http://nonlinearcircuits.blogspot.com/"
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