Surachai – To No Avail

On TRASH_AUDIO here

Systems used below.

Moog Tattoo & a MATRIXSYNTH T-Shirt

via Fabricio on Facebook

"My Matrixsynth T-shirt arrived today!!!! Thanks, Matrixsynth Jones!!!!!!! Now I'm part of the Matrixsynth army 'round the world!!!"

Salute!

astronautapinguim.blogspot.com

Oberheim Xpander Model XP-1

via this auction where you'll find tons of pics while up.

SN Y60202

Pics of the inside below.

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Alesis Ion Synthesizer with Blue Die / Dice Knob

via this auction

CRUMAR ORCHESTRATOR STRING AND BASS SYNTH

via this auction

SN 0086

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korg kaossilator pro advanced arpeggios demo

YouTube Uploaded by bowmoneydrums on Nov 18, 2011

"you can get some really great arpeggios on the kpro by simply using an odd time signature over a straight beat. Here I use a normal breakbeat, then use a side chained synth chord, but with the .75 arp speed. i use the same arp with the original breakbeat to add a really great pocket to the beat that nicely coincides with the synth chords, since they are using the same arp. lots more videos on my channel."

via The MATRIXSYNTH Lounge

Tiptop Audio 808 Drum Modules Exposed

http://www.tiptopaudio.com/

Shine on you crazy diamond - part 1

YouTube Uploaded by notjarre on Nov 18, 2011

"Original music by Pink Floyd from the album Wish you were here

Played live on a Korg Radias plus Fatar master keyboard hooked up to Logic Express ES2 Modulating Synth Organ"

Teenage Engineering OP-1: 18 November

YouTube Uploaded by mastertonberry on Nov 18, 2011

"Decided to try and sit down and actually create a full song on the OP-1 for once. The result is... OK. I had fun while making it at least! I tried to listen to other music and narrow down how they are composed, for example how long an intro is and where the drum kicks in and how the sounds repeat in a certain way etc. Song is in 140 bpm. All 4 tracks are used to various degree. The pattern for the synths are really really simple but they make a nice effect together. The whole song have the Spring FX on it which I like but I really should use the effect on different sounds instead. Everything you hear is directly from the output of the OP-1."

Roland SH 2 Synthesizer

via this auction
"The SH-2 is a compact, dual-oscillator synthesizer - with fantastic build quality and with features that in its day (1978) allowed it to surpass the capabilities of many larger, more expensive synthesizers.

Oscillators:
The VCO section (2 oscillators) feature multiple waveforms, including: sine, sawtooth, noise square waves and a variable pulse-width (PWM) with both LFO and envelope modulation options. Each oscillator features a 5-octave range and, whilst sharing a master tuning control, VCO2 can be detuned from VCO1 which just massively thickens up the sound.

A square wave Sub-Oscillator produces a tone one octave below VCO1, putting three thick analog oscillators through the internal audio mixer.

Both the VCOs and the Sub-Oscillator can be modulated by Autobend, the LFO which features square, delayed sine wave and 'random' (S&H) waves and of course, manual pitchbend. On the subject of pitchbend, the effect of the pitchbend lever can be switched off on VCO1 and therefore bend only VCO2. Additionally, the effective range of the pitchbend is totally adjustable. this means you can set the pitchbend range to a fifth, and detune only one oscillator.

Filter:
The VCF section of the SH-2 is a 24 dB/octave Low Pass Filter with adjustable resonance, which can be kicked into self-oscillation. The VCF section features include positive and inverted envelope, an envelope follower for the external audio input, three LFO modulation options, adjustable keyboard tracking and of course, fully variable control via the bender section.

VCA:
The VCA section controls the volume via the envelope generator, directly from the keyboard gate signal, or can be left fully open via a 'hold' switch. The ADSR envelope can be triggered by the keyboard, gate signal, both, or the LFO.

LFO:
The LFO offers sine waves with or without delay (great for delayed vibrato on lead lines and string patches), square waves, sample and hold for randomness and a separate non-delayed sine wave for the pulse-width modulation. The LFO speed is of course, fully adjustable."

Note the green case/stand for the SH-101 in the background.

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