MATRIXSYNTH


Wednesday, April 30, 2014

202


Published on Apr 30, 2014 Pizza Synth·28 videos

Arturia Introduces Spark 2


Published on Apr 30, 2014 Arturia Web·127 videos

"Spark is an innovative drum production solution. Its cutting edge sound library, multiple synthesis engines and advanced sequencing functionalities will get you creative on your beatmaking tasks. Real-time performance tools and effects are here to explore new sonic territories, in the studio or on stage.

All sounds and patterns in this movie were made on Spark 2.

More info at:
http://www.arturia.com/evolution/en/p...

Arturia would like to specially thank the Arts Center MC2 in Grenoble for letting us shoot the movie in the Auditorium.
http://www.mc2grenoble.fr"

Spark2 Tutorials


And the press release:

"Arturia announces availability of outstanding SPARK 2 drum machine software

“I love the quick and easy ways to get results using SPARK 2. The ability to build up your own kit mixed with your own samples is very cool. My favourites to go for in SPARK 2 are the vintage drum machines. They have an analogue sound and no one hit is exactly the same, so you don’t get the ugly ‘machine gun’ effect — really useful!”

- Trentemøller, 2014 (electronic music producer and multi-instrumentalist)

GRENOBLE, FRANCE: having made its beat-making mark when premiered to critical acclaim at the 2014 NAMM Show in Anaheim, California, music and hardware company Arturia is proud to announce availability of SPARK 2 — bringing a new look, new feel, and new features to its premier sound- sculpting and performance drum machine software for Mac and Windows — as of April 30...

With the timely introduction of SPARK 2, Arturia has given its beat creation software a new look, new feel, and a whole host of new features fit to make it the premier sound-sculpting and performance drum machine on the market — all the more so when perfectly paired up with the award-winning SPARK Creative Drum Machine and SparkLE Creative Drum Machine controllers. It’s a match made in hybrid heaven that’s more flexible than ever before!

While SPARK has always been built on a fully-modular VA (Virtual Analogue) sound engine, originally only developers had access to this wonderful-sounding rhythmical power source. Not now. With the all-new MODULAR screen, SPARK 2 users are now free to add and subtract modules (including Oscillator, multimode Filter and Karplus-Strong Filter, Envelope, Lfo, MiniMixer, RingMod, and Bode Frequency Shifter); create their own patch routings; and assign up to six macro controls for immediate control. Clearly, it’s this truly modular, fully-accessible sound engine that makes SPARK 2 truly shine as the ultimate drum synthesizer!

With SPARK 2, Arturia has taken the opportunity to update the look and feel of SPARK to allow for faster workflow, while creating a layout that allows it to grow well into the future and secure its longevity — no easy feat in today’s here today, gone tomorrow’s world of rapidly disposable developments. New tabbed pages provide a cleaner look, more screen space, and faster access to the most needed features — features like an all-new MIXER window (with level, pan, and insert effects and sends — to 14 unique professional-grade effects, no less), expanded PATTERN edit screen, and enhanced LIBRARY page for better data management.

SPARK 2 also adds 50 new kits — including no fewer than 800 new instruments — that span many more musical genres than ever before, including trap, hip-hop, tech house, and nu disco, to name but a few modern electronic music styles, as well as acoustic drum kits capably spanning modern rock, funk, R ’n’ B, pop, vintage rock, and latin percussion. Vintage drum machine enthusiasts are also well catered for with ear-opening emulations of the likes of Roland’s TR-808, TR-909, TR-707, TR-606, and CR-78; LinnDrum, Linn 9000; Oberheim DMX; E-mu Drumulator; Sequential Circuits Drumtraks; Yamaha RX5; and Simmons SDS-V — analogue and digital classics all. And all kits come complete with 32 patterns that can be used by themselves or form the basis of user-programmed beats.

Bringing up the rear, SPARK 2 sees SONG mode updated, too. Song segments can now be configured and then replayed at the touch of a button. Users can create song sections that will play from one pattern to another and then recall these sections via the step buttons on the SPARK Creative Drum Machine and SparkLE Creative Drum Machine controllers — perfect performance enhancements!

Indeed, integration with the outside world works on multiple levels: as a 32- and 64-bit compatible virtual instrument for Mac and Windows, SPARK 2 can be run standalone or used as a plug-in with popular host DAWs (supporting 16 audio outputs that can be routed and assigned within the host); AIFF, WAV, REX2, and MIDI files can all be imported with drag and drop export of WAV format patterns and MIDI sequence formats into DAWs; and all parameters on SPARK 2’s MAIN screen are MIDI-assignable for control via any external MIDI device.

So why not get behind the wheel of a truly creative drum machine and let SPARK 2 help you create truly driving rhythms with minimum fuss and maximum musical output. No driving lessons required!

SPARK 2 can be exclusively purchased online from Arturia for an introductory promotional price of €129.00 EUR/$129.00 USD between May 1 and June 30, inclusive (rising to €169.00 EUR/$189.00 USD thereafter); alternatively, Arturia is also offering a promotional pricing of €199.00 EUR/$199.00 USD on the SparkLE Creative Drum Machine controller (with SPARK 2 included) between those same dates (rising to €249.00 EUR/$299.00 USD thereafter) from any authorised dealer or online from here: http://www.arturia.com/evolution/en/buy/spark2introductorypromotion"

Virtual ANS : Test play with mouse, jpeg pictures and wav file.


Published on Apr 30, 2014 karenevil·333 videos

iTunes: Virtual ANS - Alexander Zolotov

"Testing "Virtual ANS" on Linux ( Debian wheezy amd64 )
Virtual ANS is REALLY AMAZING software synthesizer.
http://warmplace.ru/soft/ans/
In this video I'm trying to play it with mouse, jpeg pictures and wav file.

( It also works with OS-X, Windows, iOS and Android.)"

How Do Synths Sound Through Crystalline?


Published on Apr 30, 2014

"Sign up to get notified on launch! http://crystallineapp.com/launch

Vintage Yamaha PS-20 analog keyboard connected to iPad using Apogee Jam interface, played through Crystalline. Also features iOS apps Animoog, Audiobus and Arturia iSEM. No other effects or processing done.

Crystalline: Shimmer Effects Processor for iPad
http://crystallineapp.com"

iTunes: Audiobus - Audiobus Pty Ltd | Arturia iSEM - Arturia | Animoog - Moog Music Inc.

0001


Published on Apr 30, 2014 spacecabinet·5 videos

"Piston Honda, E340, Polivoks VCF, Dixie, Rene, A-155, Quadra, uVCA"

quantfreq'


Published on Apr 30, 2014 Ebotronix·1,018 videos

4ms Peg, QCD² / Expander², QPLFO, RCD²,VCA Matrix
Analogue Systems RS100²,RS110²²,RS 360²,RS500e²
Bananalogue Serge VCS
Doepfer R2m, A114, A118, A134²²,A141, A143-1/2/9,A148,A149-1
A151²², A160/161/162/166, A175²²,A185-2'³, A 138a²²b²²c²²²
Electrix Warp Factory
Flame Chord Machine²,FX16,Talking Synth Module²
foh choices
Make Noise Brains,Pressure Points² ~ BPP time divisions
Maths²,moddemix²²,Optomix,QMMG,René, Wogglebug²
Malekko Anti ²² ,Uncle³,Jag
Moog Taurus 2,Freqbox ²²,MP201
Roland SVC 350 Vocoder, System 104
SSL Modulation Orgy
Tip Top Audio Z8000 manual voltage source
Toppobrillo,Quantimator2, Sportmodulator,TWF
Logic masterclock to Kenton Pro 2000²,QCD²,Peg
FX :Alesis 3630,Boss VF1,BSS DPR 402,
Lexicon PCM 80, Line6 Echopro,
Red Federation BPM FX Pro, TC M3000
mackie the mixer³
morse key
Ultrabeat drums

Synthesizers.com Box11 Pics & Overview

Update: video here.
Some images of my new Synthesizers.com Box11 System. Click on the pics for the supersize / wallpaper shots.

Three things stood out when unpacking this beauty: build quality, attention to detail, and oddly, how surprisingly svelte the system is. Yes svelte. It's thin, beautiful and sleek. As most of you know Synthesizers.com modular systems are in the larger 5U Moog format which are not typically known for being sleek. The Box11 is and it is beautiful.

As for length and width 5U systems do take up more space, and the Box11 is no exception, but what you get in return is a solid system that feels more substantial in terms of build quality and interface.  You get full size knobs and full size 1/4" jacks with zero cable movement when you patch them. There is no give, no patch wobble, just a rock solid connection. The knobs feel substantial and there is plenty of space not only to see things, but to also feel what you are doing, whether you have larger or smaller hands. Some people swear by the larger 5U/MU format. I understand why. [BTW, if you are confused by the 5U vs. MU format. 5U refers to 5 units of height. Think of a thin rackmount unit like the Yamaha TX81Z, or the various Emu Proteus line of racks. They are 1U, so 5U is the same height as five of them stacked one on top of the other. MU is 5U in height, but the M stands for Moog format which means modules in MU format like Synthesizers.com are compatible. There's also Synthesis Technology/MOTM's 5U format which has the same height but different horizontal spacing for the mounting screw holes. To see them side by side along with other modular formats, click on the image in this post.]

From left to right, the Box11 comes with the following modules:

One Q174 MIDI Interface which includes some interesting advanced functionality for a MIDI module: "Three modes of operation offer a variety of outputs for one or two MIDI channels. Outputs include standard 1V/Octave Pitch outputs with 10-octave ranges, 5V Gates, Trigger pulse, On and Off Velocity, Channel Pressure and several Continuous Controller outputs. Complete control over Note Priority and Gate modes provide virtually any type of keyboard response emulating virtually all vintage and modern keyboards along with some that are unique."

Two Q106 Oscillators which include Sine, Triangle, Saw, Ramp, and Pulse waveforms with pulsewidth modulation from any patchable modulation source. There's Hard Sync to synchronize the oscillator to other sources, not only to have oscillators in sync to prevent beating, but also to produce some interesting effects. There are two frequency mod sections, Linear Frequency with one input jack and level knob, and Exponential Frequency with two 1V/Octave inputs and a third input with level knob. The Q106 will also go into LFO range to act purely as a mod source.

One Q150 Transistor Ladder Filter which is based on the famous Moog ladder filter. Both 12db and 24db slopes are available via a switch and one pole and three pole settings are available via a jumper internal to the module. What's interesting is there are two audio inputs and two CV inputs with level knobs for each. This allows you to bypass a mixer for the two oscillators on the Box11 and plug each directly into the filter with the ability to adjust the levels for each. In addition to the two CV inputs with controllable level, there is a third input for 1V/OCT. This allows you to use a keyboard to scale the filter while still having two additional modulation sources adjustable by each level knob.

Two Q109 Envelope Generators with standard ADSR (Attack Decay Sustain Release) settings. The release is set for 12 seconds at max value but can be set to 30+ seconds via a jumper internal to the module. Attack and Decay can also be extended to 30+ seconds. A nice added feature to the Q106 is a Gate button which allows you to trigger the Envelope on it's own. This will be great not only for sonic exploration of drones sans MIDI controller, but also for manually triggering envelop effects on things like filter cutoff or pitch. Note the top Gain knob in the VCA will also bring in volume without the need of a trigger.

One Q108 Amplifier with two audio inputs, two CV inputs, and two audio outputs (one inverted). There's a switch for linear vs exponential response curves of the control inputs. The top Gain knob can be used to open the VCA without a trigger for drones.

Finally we have the Desktop Box11 case with two sets of four way multiples. There is also one blank panel where you can install an additional module of the same width.


Note the above is just a high level overview of each module and how you might make use of them out of the box. For a more detailed overview of each module as well as additional modules see Synthesizers.com

BTW, you might notice one of the pics has the system lying flat on a table.  Call me crazy, but one thing I wanted to try is using the Box11 as a lap synth up close while relaxing on the couch/recliner.  With the wood panels attached it was about an inch or two too wide for mine.  When you remove the wood panels the sides are exposed so I used some construction paper to cover them.  One other thing to note is the power cable connects to the back of the unit so you will need the side panels or other for support if you plan to lay it flat on a table (I'll be using a pillow for the recliner).  Synthesizers.com does offer straight panels in addition to the angled panels I have.  Personally I prefer the angled panels as that allows the Box11 to stand upright while patching in the studio.

A few side notes: in one of the pics you can see an iPad.  That's an iPad Mini Retina, not a full blown iPad for scale.  I love the iPad for sequencing on the fly so I was testing out the system with StepPolyArp (a nice feature with the app is it has a built in keyboard you can play with the sequencer off).

In regards to attention to detail, be sure to see the pics of the cables and packaging.  The cables are high quality and have Synthesizers.com logos on them. I thought this was a nice touch and added to the overall cohesiveness and quality of the system.

The packaging included detailed notes on each module.  Many manufacturers would just refer you to the website, so  I thought it was worth calling out as a nice added touch.

Sticky rubber feet to put under the wood panels so you don't scratch them were also included.  Note the panels do ship intact, so you do not need to do anything but plug the Box11 in and patch it up when it arrives.

The Box11 truly is a beautiful system.

Moog Taurus Sound Design Tutorial Rush


Published on Apr 29, 2014 RetroSound·275 videos

"(c) 2014 vintage synthesizer sound tutorial series by RetroSound

part four: the deep bass sweep sound in "Tom Sawyer" from Rush

very important is the filter resonance and the envelope modulation"

Vintage AKAI AX80 Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Note the low BIN is because this one needs some work.

"This listing is for an excellent cosmetic condition AKAI AX80 Analog Synthesizer. This unit has been tested functional except it needs a voice chip replacement. Depending on the mode, some keys don't respond...about one note per octave. If you switch modes, it is different keys that don't work. That tells me it isn't the key contact triggers, but the commonly failing voice chip.

All display meters illuminate and are response. All keys have excellent feel and are functional. The small black tune control knob on the left side is not the original color/style but is the correct size and functional."

Elektron Analog Four with Original Box, Packaging & Sound Banks

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Still under warranty and includes all original packaging, and bonus sound patches in the form of the OVRDrive Sound pack purchased from Fisound. These are awesome sounds and also the original Elektron sound patches can be downloaded and loaded in as well. In addition the latest OS can be downloaded free from Elektron, which adds the +Drive feature with tons of storage space for sounds and patterns."

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