Monday, March 28, 2016
Yamaha Montage Sound Demos
Published on Mar 27, 2016 yamahacorporation
Playlist:
Yamaha MONTAGE PV
Wave Surfer
Far Away FM
Yamaha MONTAGE PV
Imperial Grand Piano for MONTAGE - Bösendorfer Piano
Uplight Mod 1
Kreuzberg Funk
Marine Life
Two Acoustics 2
Mellow Imperial for MONTAGE
Mordicus (Analog Four, Analog Rytm, MS-20 mini)
Published on Mar 28, 2016 Erwin Dorleijn
"Recorded live, featuring Elektron's Analog Four and Analog Rytm, and Korg's MS-20 mini."
[Battery Powered EP026] - Like Pixels In The Wind - Wrong Number
Published on Mar 28, 2016 Human Interface
"Complex waveforms like pixels in the wind... Today I tried out the new toy, namely the Teenage Engineering Po-16 which was quite fun. It is a strange little beast and makes you approach music creation in a different way than many other synths/ drum machines. Together with the classic sounds of the Boss DR220E I was able to get a nice little (though slightly sloppy) jam going with a pretty minimal setup.
Also, outside! For many of you on other regions of the planet this may not seem like anything special but way the f up here a nice day like this has been a long time in the waiting...
The Gear
Teenage Engineering PO-16
Boss DR220E
Korg Monotron
Korg Kaoss Pad Mini
Recorded via a ZoomH6
www.soundcloud.com/wrong-number"
ludoWic - recording Suiko ST-20 synth for KatanaZERO
Published on Mar 28, 2016 ludoWic music
"From the OST for the upcoming indiegame Katana ZER0 by Askiisoft.
Katana ZERO is a neo-noir action platformer with a focus on extremely tight, fast-paced, instant death combat.
Currently in development by Askiisoft.
http://askiisoft.com/
More info at -
http://katanazero.com
Music by: ludoWic
http://www.ludowic.com"
Alesis Andromeda A6 Analog Synthesizer Synth SN A6003020800140
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
The glow of the green LEDs makes me think a deep forest green accented A6 would look pretty nice.
"Does it all. In great condition, absolutely no issues with voices, filters, or VCA's. From what I've read this is from a good batch of these synths, if you'd like to research yourself the serial number is A6003020800140"
via this auction
The glow of the green LEDs makes me think a deep forest green accented A6 would look pretty nice.
"Does it all. In great condition, absolutely no issues with voices, filters, or VCA's. From what I've read this is from a good batch of these synths, if you'd like to research yourself the serial number is A6003020800140"
Alesis A6 Andromeda Analog Synthesizer with SKB Flight Case
Oberheim OB-1 Analog Synthesizer SN 0536
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The only problem is the OSC 1 Pulse setting doesn't work. There is one knob to choose between Saw on the left and Pulse on the right. No go on the right. It came this way when I bought it. Seller didn't disclose this fact, and I didn't make an issue of it (maybe should have). It doesn't really affect anything in the overall scheme of the sound design. With OSC 1 on Saw, you still get that analog Oberheim sound that's quite distinctive. I've always loved the big sound and versatility of the OB. I also have a Moog Voyager, so that will be handling alot of the sounds the OB can do, but of course, it's not an Oberheim."
via this auction
"The only problem is the OSC 1 Pulse setting doesn't work. There is one knob to choose between Saw on the left and Pulse on the right. No go on the right. It came this way when I bought it. Seller didn't disclose this fact, and I didn't make an issue of it (maybe should have). It doesn't really affect anything in the overall scheme of the sound design. With OSC 1 on Saw, you still get that analog Oberheim sound that's quite distinctive. I've always loved the big sound and versatility of the OB. I also have a Moog Voyager, so that will be handling alot of the sounds the OB can do, but of course, it's not an Oberheim."
Roland SH-101 with Original Gig Bag
MFB Nanozwerg
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Real Analogue VCO with CV/Gate + audio in."
"The analogue VCO generates 4 waveform shapes: triangle, saw tooth, rectangle and needle-impulse. The base pitch can be switched over a 4-octave-range, while fine-tune can be specified within a range of one octave. The sub-oscillator with 2 mixable octave settings completes the Nanozwerg's sound foundation. The noise generator can alternatively replace the sub-oscillator to create non-harmonic sounds. Finally, a glide-control can be used to tie notes with portamento.
The state-variable multimode-filter runs with 12 dB slope per octave and offers Lo-, Hi- and Bandpass-modes as well as notch-filtering and resonance up to self-oscillation. Cutoff can be modulated manually, by LFO and by the ADSR-envelope simultaneously. In addition, pitch-dependent cutoff-frequency can be achieved using the key follow function. Finally, LFO modulation can be replaced by the VCO output signal.
The LFO offers 4 waveform shapes including sample & hold as well as a one-shot-function, where the selected waveform is played only once after a gate-trigger, thus imitating a simple envelope. Besides the cutoff-frequency, the LFO can also modulate the pitch or the VCO rectangle's pulse width.
The ADSR-envelope allows modulation of the filter's cutoff-frequency and the VCA-output, with positive or negative excursion. Selectively, the VCA can also be opened by a gate-trigger to free the envelope for exclusive filter use.
For integration into a modular system or use with an analogue sequencer, NANOZWERG offers several control inputs. There is CV/Gate for pitch control and note length as well as CV-inputs for cutoff-control, the VCA and LFO speed. The LFO also offers CV-output.
The audio-input allows signals to be fed into the VCF and VCA. NANOZWERG can be controlled by MIDI from any compatible keyboard or DAW. Note commands are received as well as pitch-wheel (+/- 2 semitones) and modulation-wheel data, the latter controlling the filter's cutoff frequency."
via this auction
"Real Analogue VCO with CV/Gate + audio in."
"The analogue VCO generates 4 waveform shapes: triangle, saw tooth, rectangle and needle-impulse. The base pitch can be switched over a 4-octave-range, while fine-tune can be specified within a range of one octave. The sub-oscillator with 2 mixable octave settings completes the Nanozwerg's sound foundation. The noise generator can alternatively replace the sub-oscillator to create non-harmonic sounds. Finally, a glide-control can be used to tie notes with portamento.The state-variable multimode-filter runs with 12 dB slope per octave and offers Lo-, Hi- and Bandpass-modes as well as notch-filtering and resonance up to self-oscillation. Cutoff can be modulated manually, by LFO and by the ADSR-envelope simultaneously. In addition, pitch-dependent cutoff-frequency can be achieved using the key follow function. Finally, LFO modulation can be replaced by the VCO output signal.
The LFO offers 4 waveform shapes including sample & hold as well as a one-shot-function, where the selected waveform is played only once after a gate-trigger, thus imitating a simple envelope. Besides the cutoff-frequency, the LFO can also modulate the pitch or the VCO rectangle's pulse width.
The ADSR-envelope allows modulation of the filter's cutoff-frequency and the VCA-output, with positive or negative excursion. Selectively, the VCA can also be opened by a gate-trigger to free the envelope for exclusive filter use.
For integration into a modular system or use with an analogue sequencer, NANOZWERG offers several control inputs. There is CV/Gate for pitch control and note length as well as CV-inputs for cutoff-control, the VCA and LFO speed. The LFO also offers CV-output.
The audio-input allows signals to be fed into the VCF and VCA. NANOZWERG can be controlled by MIDI from any compatible keyboard or DAW. Note commands are received as well as pitch-wheel (+/- 2 semitones) and modulation-wheel data, the latter controlling the filter's cutoff frequency."
Dreadbox Eurorack Module Demos
Published on Mar 28, 2016 Dreadbox
Playlist:
1. ALPHA module by Dreadbox
2 ADSR envelope generators with offset depth control, rate switch (fast-slow)
MIDI to CV gate and paraphony Convertor (with seperate Glide controls)
Modulation Wheel to CV Convertor
DIP switch for Midi Channel Select / Envelope retrigger / Unison-Paraphony
2. DELTA module by Dreadbox
Dual Digital Parallel Lo-Fi Delay
Wet output for both delays
Time modulation for both delays
3. Theta module by Dreadbox
Simple Dual LFO
Sample & Hold
White Noise Generator
Auto Gate generator (Clock with variable PW and Tap Tempo)
4. LAMDA module by Dreadbox
8-pole 48dB state variable filter
Dual Resonance frequencies
Filter types
– 2pole Low Pass (single resonance frequency)
– 4pole High Pass (single resonance frequency)
– 8pole Low Pass
– 8pole High Pass
– 8pole Band Pass
– 8pole Notch
OTA VCA
OTA Drive Circuit
Filter can be pre-driven with high input levels
5. GAMMA module by Dreadbox
Synth Voice
Its Unique Oscillator is consisted of 6 sawtooth VCOs
It can produce from fat bass to space noise sounds
2-pole 12dB self-oscillating state variable filter
Dual VCA
6. omikron
2 oscillators with 4 waves each
Pulse Width modulation input
Audio interface
– Sub wave generator
– Audio to Gate generator
– Audio to Sync convertor
Audio can sync the VCO
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
