MATRIXSYNTH

Dave Smith Instruments PROPHET-6 Demo & Review

Published on May 5, 2016 musictrackjp

"Dave Smith Instruments PROPHET-6 & Desktop Module with vintage Prophet-5.

DEMO by Katsunori UJIIE."

https://www.davesmithinstruments.com/product/prophet-6/

Also see the OB-6 Demo & Review by Katsunori UJIIE here.

Beatstep Pro × moog mother32 | Novation Circuit × Beatstep Pro

Published on May 5, 2016 tasuku0676

Mother selfsequence
AiRBass99
Sub37

Novation Circuit × Beatstep Pro

Published on May 5, 2016

Dr. AiRBass99

Sonic - Green Hill Zone (Sega Genesis Music) - Casio CZ-1

Published on May 5, 2016 MrCaliforniaD

"All sounds played on a Casio CZ-1 except for the drums.

No effects were added.

The drum part has been played on a Yamaha TG33."

The Crowminius Desktop Analog Synthesizer Now on Kickstarter

You might remember Scott Rider's (aka the Old Crow) Crowminius from back in 2015. It is now on Kickstarter seeking funding. Click through for full details and funding levels. The Crowminius is a Minimoog inspired analog monophonic synth.

Some details captured for the archives:

"The Crowminius is a desktop analog monophonic music synthesizer built in the spirit of Dr. Moog's famous Model D.

The Crowminius is a complete desktop monophonic analog music synthesizer inspired by Dr. Robert Moog's legendary Minimoog model D. The Crowminius is constructed from standard components with no esoteric parts and is fitted into a sleek aluminum attache case for easy portability.

The Crowminius features an Atmel MIDI control front-end based on the ATMEGA328P chip, the same as used in the popular Arduino Uno. The open-source firmware supports MIDI note, velocity and aftertouch as well as MIDI pitch and mod wheel support. An optional LCD can be installed to monitor system functions but it is not necessary. In the case of interfacing with vintage pre-MIDI gear such as the classic Minimoog, modular synthesizers and modern instruments that offer the necessary control signals, the unit can be operated from pitch control voltage and choice of voltage trigger or switch trigger jacks.

The Crowminius features three full-range oscillators (tone generators) that each can be set via rotary switches from sub-sonic frequencies through a set of "organ stops" (octaves) from 32' (bass) to 2' (high soprano). Each oscillator has six waveforms also set by rotary switch to provide the harmonic spectra used to create various sounds.

Oscillators 1 and 2 each feature individual pulse-width modulation generators--a feature not found on the vintage model D--and oscillator 3 can be set to act as a "control oscillator" to provide vibrato and filter modulation by use of the on-board modulation control or by MIDI modulation commands from a remote controller.

The Crowminius has an on-board white/pink/red noise generator that can be used to create audio effects such as wind and surf sounds, but the noise source can also be used as a modulation source. Another feature included on Crowminius that makes use of the noise generator is a "sample/hold" circuit that uses oscillator 3 in control mode as a clock to trap the noise signal levels and provide a series of stepped random modulation voltages.

These signals are all presented to the 4-pole ladder filter and control amplifer, an all-discrete transistor (no chips!) circuit combination that defined the sound of 1970s progressive rock. The filter has dedicated controls for tracking and modulation, and the filter and amplifier each have their own contour generators to control the dynamics of your sound.

Other features include an external audio input into the filter, a "locking" portamento/glide circuit for moving from note to note in solo style, and a "decay mute" feature which allows immediate muting of notes when keys are released. Both the glide and decay mute functions can be operated by external footswitches if needed.

Finally, two essential performance features are provided. A reference tone at A-440 ("concert A") can be enabled for precise instrument tuning. This tone is created by the microcontroller using a direct-digital synthesis algorithm that outputs a very accurate PWM-modulated sine tone. Secondly, a dedicated headphone jack and headphone volume control allow the performer to mute the instrument, set up a new voice patch, tune up and and un-mute right back into a live session without disrupting the performance.

The entire Crowminius system is powered from a single 12VAC, 500mA wall-pack power supply, with provision to allow the use of two supplies for improved supply operation.

The best part about all this is: the Crowminius already exists! The Crowminius was originally presented as a DIY project to synthesizer enthusiasts in early 2015, but as so many people have asked about a pre-assembled version it was decided to offer a production run with an initial goal of shipping 100 units. To this end the design has already been reworked for surface-mount assembly, with the production prototype being hand-built and fully tested before committing the SMT assembly line to production.

More information is online at http://www.crowmini.us/"

Dave Smith Instruments OB-6 Demo & Review

Published on May 5, 2016 musictrackjp

"Dave Smith Instruments / Tom Oberheim OB-6 with Vintage OB-8.

DEMO by Katsunori UJIIE."

https://www.davesmithinstruments.com/product/ob-6/

Update:

Dave Smith Instruments OB-6 Demo & Review [English Captions]

Published on May 5, 2016 musictrackjp

"Dave Smith Instruments / Tom Oberheim OB-6 with Vintage OB-8.

DEMO by Katsunori UJIIE."

OBERHEIM MATRIX 12 , MONSTER SYNTH 1985

Published on May 5, 2016 CLASSIC VINTAGE

"Oberheim's Matrix 12 is a legendary analog synthesizer"

Modular Jam 52

Published on May 5, 2016 ngarjuna

"Some Patch Notes:
Sync Leads (Distorted and Non)
Sequencer 1 driving
Cranial Saw sync enveloped by PEG1 - Post Lawsuit Filter enveloped by PEG2 enveloped by Dual ADSR1 - Classic VCA enveloped by Dual ADSR2

West Coast Pluck Patches
Rene - Sputnik2 FM'd by Sputnik 1 into Timbre modulated by Pittsburgh Oscillator triangle - Optomix1 enveloped by Maths triggered by Wogglebug random trigger
Rene - STO shape modulated by a mix of deformed FM'd Rubicon sine and Wogglebug (Rene into heart IN) stepped out, FM'd through uVCA by Sputnik2 Triangle - Optomix2 - Maths FALL modulated by Rene unquantized CV

Spectral Multiband Woo Patch
Rene providing trigger sequence striking the inputs on the SMR
Rotate CV from Wogglebug stepped
Res CV from Sequencer 1 square LFO
Outputs to Optomix 1 and 2, no envelopes

Percussion Patch Uno
Sputnik1 - Timbre CV IN from PEG1 - Optomix2 enveloped by Maths1 (clocked) struck by Rene trigger sequence
Sputnik2 FM'd by Sputnik1 sine via uVCA modulated by audio rate sine from Pittsburgh Oscillator
Wogglebug (clocked, fed pitch) ringmod - Optomix1 DAMP modulated by PEG2 and enveloped by Maths4 (triggered by a Rene gate sequence)

Percussion Patch Dos
Rene - STO Lin FM'd by its own SUB OUT via Optomix1 enveloped by Maths, shape modulated by Rene unquantized OUT
Into Optomix2 enveloped by Maths4 modulated FALL from Wogglebug stepped

East Coast Bass Patch
Sequencer 1 pushing
Rubicon distorted sigmoid - .MIX - Post Lawsuit Filter modulated by pitch, PEGs via OR output and a Minimod envelope into the AMOUNT input
Minimod envelope opening the uVCA"