"No classic synth t-shirt collection is complete without the original SYNTAR marketing material graphics which were HAND DRAWN by George Mattson himself!!!. This shirt also comes as a hoodie. Limited edition. Click on the image above to check out the garment selection on the Synthrotek store."
"The ADDAC709C is an official recreation of Electro-Harmonix's C9 Organ Machine pedal which is meant to “transform the tone of a guitar or keyboard into that of a convincing electric organ”. Well here it is ready for your modular system!
Feed it with any audio signal you want, and look to be surprised. EHX's polyphonic pitch tracker makes any waveform turn into amazing organ timbres, the three audio inputs makes it easier to achieve polyphony removing the need for an external mixer.
In our 709C, the EHX C9 control-knobs ORGAN (volume), MOD (modulation speed) and CLICK (percussive attack level) have been preserved. The DRY volume knob has been replaced by the INPUTS MIX. In ADDAC’s Organ Machine this knob controls the volume of the input signal(s) to be processed, i.e. a value of 0 will mute the module. You also have control over each inputs individual volume through three dedicated multi-turn trimmer pots. The dry/wet MIX OUTPUT will let you control the percentages of dry and wet signals present at the output. The ORGAN and MIX SATURATION trimmer pots amplify or attenuate their maximum volume values, here less saturation generates sweeter and mellow timbres while more saturation generates nasty growling organs.
The 9 PRESETS* of the original electro-harmonix Organ Machine were kept, but here, besides selecting them with a knob, you are also able to swap them with a CV signal (PRSTS CV).
The 6 CV inputs available in the module let you CV variate its corresponding parameter. Each has a dedicated attenuation knob (ATT.) and an INVERT toggle that change its polarity (and hence the way that attenuation acts).
The AUDIO OUTPUTS section offers three separate outs: INPUTS MIX, DRY/WET MIX and ORGAN.
We can't express how gratefull we are to Electro-Harmonix for allowing us to do such module!
The Bob Moog Foundation has a post by Dale Ong covering his work with the prototype Moog modular, as Bob Moog's tech at Big Briar. Click through for the full post.
Pictured: Dale Ong, Bob’s synthesizer tech at Big Briar, Inc., with the prototype Moog modular, 1982.
"The instrument itself was comprised of three units. A small vertical cabinet housed two voltage controlled oscillators, two voltage controlled amplifiers, and a power supply. These were the oldest of the modules and had a distinctly handmade look to them. Controls were identified with labels printed on heavy card stock which were glued to the metal panels. Next was a small horizontal cabinet which held a low-pass filter, a band-pass filter, a noise generator, a trigger extractor, an ADSR envelope generator, and a second power supply. These were newer and sported the form which would later become so familiar to users of the 900 series modules. The third unit was a dual keyboard with built in envelope generators. All in all, it was not particularly impressive looking – If you were not aware of its history, you would never know how important this synthesizer was."
"The 0-COAST is a single voice patchable synthesizer. It’s name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka “East Coast,” and “West Coast,” due to their locations), but is loyal to neither and thus implements “no coast synthesis.”
While the 0-COAST utilizes classic modular synthesis techniques, we designed it to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!
Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you’ve ever known.
All sounds in this video are the unaltered output of the Make Noise 0-Coast."
Playlist:
0-Coast PGM Pages, pt. 1: Overview and Button Use
0-Coast PGM Pages, pt. 2: Page 1, Arpeggiator Type
0-Coast PGM Pages, pt. 3: Page 2, Legato
0-Coast PGM Pages, pt. 4: Page 3, MIDI Learn
0-Coast PGM Pages, pt. 5: Page 4, MIDI B CV
0-Coast PGM Pages, pt. 6: Page 5, MIDI B Gate
0-Coast PGM Pages, pt. 7: Page 6, MIDI Clock
0-Coast Re-Calibration: 0-Coast Oscillator Only
0-Coast Re-Calibration: 0-Coast Oscillator and SLOPE Circuit
0-Coast Re-Calibration: 0-Coast Oscillator and External VCO
"This MultiMoog is in perfect playing condition and near perfect cosmetic condition (badge is missing). With only 1000 ever made, few are still in existence making this Moog especially rare and a reliable investment.
It is the first analog monosynth with aftertouch, and it is SPECTACULAR! Combined with comprehensive routing options, sample and hold, ribbon controller, mod wheel, two oscillators with continuously variable waveshapes, three distinctive filter modes and some modular capability, this is one of the most expressive and playable lead synths ever made. Fully analog, the oscillators are stable and the filters sound superb. All knobs and switches are 100%."
"For sale is an original Yamaha CS01. This comes with I think to be the original zippered and padded bag and looks like original power supply. The unit is in good working order and good physical condition for its age. It has a fair amount of scratches on it and it is missing the battery cover. Everything tested ok with this unit powered up via the power supply."
Pic of the inside of the bag below. Curious if that's what Yamaha went with or if it's a custom bag.
