Artists ARTURIA #41 BBC Radiophonic Workshop meets MatrixBrute

Published on Jun 2, 2017 Arturia

Donlad Trump MatrixBrute Drone 2017

Published on Jun 2, 2017 Martin Orman

"I got my MatrixBrute to repeat the words 'Donald Trump' as a drone in protest at his climate change denial. The photo is a mountain valley in Bosnia."

ElectroComp 200 EML Synthesizer Brochure

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"ElectroComp 200 Synthesizer Brochure. 4 Pages. Original. Vintage."

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MFB DOMINION X // the original 18 dB ACID VCF LP 2 // KORG VOLCA KICK

Published on Jun 2, 2017 LESINDES

"This session is only dedicated to the 18 dB LP2 VCF of MFB DOMINION X, 1st version (non SED). Out of the 3 LP-filters of the machine this filter here is special since with a considerable amount of resonance it overdrives very quickly when the VCA feedback is turned on by 50 %. The machine is in good company with KORG VOLCA KICK and driven by ARTURIA BEAT STEP PRO."

MartixBrute Drone June 2017

Published on Jun 2, 2017 Martin Orman

"MatrixBrute Drone created with Ableton. FX include EQ8, Ping Pong delay, Flanger with LFO, Overdrive and stock
reverb."

Deluge - Basic Workflow Tutorial with Peach Milk

Uploaded on May 31, 2017 Synthstrom Audible

"New Zealand producer Peach Milk writes a song in real time and talks about her process and workflow along the way.

Deluge is a portable synthesizer, sequencer and sampler."

https://soundcloud.com/peach-milk
https://peach-milk.bandcamp.com/

EML ElectroComp 101 Analog Synthesizer

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"Rare to find an EML 101 in such good condition, they were often owned by educational institutions and were commonly played hard by students. This ElectroComp 101 was used for 18 years in a sound design studio in Hollywood and has been sampled/played extensively on many film soundtracks and TV commercials. A real workhorse that is often described as a poor-man's Arp 2600 but that's not really fair; it has a very unique sound that some describe as harsh, metallic, alien, machine-like, I think this comes from the fact that it has no onboard dynamics and really responds well to reverb, delay and other sweeteners."

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Roland SH-1000

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The Arturia MatrixBrute- Part 16- LFOs 1&2

Published on Jun 2, 2017 AutomaticGainsay

"Here is a demonstration of the sound and functionality of two of the LFOs present on the Arturia MatrixBrute."

3 Modules #9: Rings, Branches, Peaks

Published on Jun 2, 2017 Comparative Irrelevance

"I'm pretty happy with how the "mood" turned out in this one. It feels cinematic, in a way, with heavy brass bass and dramatic bell stabs.

Patch notes:

Noise tools only provides a steady clock to get the patch started. Branches takes that clock as input, and channel 1 randomly flips between outputing a static voltage to (A) Rings' frequency input, and (B) Rings' structure input. In effect, it jumps between to "preset" states on Rings.

Branches' channel 2 uses the same clock input, and randomly chooses whether to forward each trigger to Peaks' channel 1 (A) or 2 (B).

Peaks' channel 1 is in the alternate drum mode. The sound it produces is sent into Rings' input, to be further processed by the resonator. Rings is in the alternate inharmonic strings mode (flashing red LED), which has a built in reverb. No external effects were used in this patch.

Peaks' channel 2 is in tap LFO mode, producing a stepped random voltage. This is sent to Rings' V/Oct input, controlling the fundamental of the resonator. Because Branches will randomly omit triggers sent to the LFO tap input (or rather, send those triggers elsewhere), the LFO tempo changes continually. However, it's still related to the master clock, and so it stays "in time" with the patch. The result is kind of like a randomly changing clock division. Pretty cool interaction between Branches and Peaks there, I think.

Thanks for watching!"

All Parts here.