Peter Vogel demonstrates the Fairlight CMI 30A

This one in via iSapien. See this post. The video went up in 2009, but was pulled, and is now back again. If you missed it, it's definitely worth a watch. Also see Fairlight CMI Series I Audio Demo [1980] re-published here.

The Safety Dance on Pocket Operators

Published on Sep 18, 2017 chisel316

"Tried my best to cover The Safety Dance using the PO-20 and PO-28. I had to double the BPM in order to change up the chords mid-measure. Hope you enjoy it!

Peace \/
chisel316"

Hypersynth Xenophone Advanced Analog Mono Synthesizer - White Edition with Stand

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Xenophone is an advanced analog mono-synth with 100% analog signal path. It has three oscillators, two subs, four ring modulators, one multimode VCF and analog distortion, all based on discrete analog circuits followed by a high quality stereo digital delay and reverb. The extensive modulation capabilities of the sound engine plus the warm and unique character of Xen's filter enriched by built-in analog distortion make it the best choice for creating deep basses, aggressive leads, transparent and crisp synth lines, acid sequences, complex arpeggios, punchy percussive sounds, extreme SFXs and more. Besides the synthesis capabilities, it can be used as a powerful audio processor to colorize an external input signal by analog filter, distortion and DFX."

CLICK FOR MORE »

Studio Electronics Midimini SN 1542

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Korg Z1 Physical Modeling Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Kawai K5000S Advanced Additive Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Kawai K5000S Advanced Additive Synthesizer with macro controls, .My Kids lost some coins in it, I cant get them out, so you will hear a sound of moving coins. Other than that , working great"

Hmm...

CLICK FOR MORE »

Cat Food Synthesizer

Published on Sep 18, 2017 Simon The Magpie

http://www.simonthemagpie.com/
https://www.patreon.com/simonthemagpie

Rheyne - LIP and DFAM (Noise Engineering blog guest post)

Published on Sep 19, 2017 Rheyne

"Created for the Noise Engineering blog. See the blog post and interview here: https://www.noiseengineering.us/blog/...

Triggering the Noise Engineering Loquelic Iteritas Percido and the Moog DFAM with a Make Noise Tempi, Maths, and an Erica Synths Pico Trigger. Signals are combined into a Pico Logic in "OR" mode, with one channel triggering the DFAM and the other to the LIP. Bass swells are from a Make Noise DPO, processed in stereo by a modDemix, and using Function for the envelope with its EOR triggering the chord changes on a Morphagene, containing some splices of my Fender Rhodes."

Roland Boutiqe @ 4Sound

Streamed live 12 minutes ago Tonefloat

Synthesis Technology - E352 2 Op FM Acid Electro Jam

Published on Sep 19, 2017 DivKidVideo

"Here's a jam with the E352 from Synthesis Technology (or Synth Tech). By now I'm sure you know the module is awesome and if not check out the links other E352 videos below.

Here I'm using the E352 in 2 Op FM mode with the FM modulation shown on the Mordax DATA oscilloscope next to the module. I've mixed a looping envelope and faster more percussive envelope before modulating the FM index (depth of modulation). There's also an accent out of my sequencer going to FM Ratio (tuning difference) to accent certain notes with different tones of FM. There's also a a slow looping envelope into the wavetable modulation. These all come from the Qu-Bit Contour. The sequence is from the killer Stepper Acid from Transistor Sound Labs which you can see top right in the video (just). I'm playing the sequencer in terms of starting and stopping and also manually stepping through steps while stopped. The E352 goes through the ZVEX Fuzz Factory and you can see me move the dry/wet blend manually throughout (it's never that wet, just added a bit of hair and grit in places). That then goes onto the Make Noise Erbe Verb before going into the WMD Performance Mixer. The Performance Mixer has an inverted envelope (the WMD MME) going into it's level modulation to create the side-chained affect against the kick drum. The Kick is the KICK mode on Braids from Mutable Instruments, the Hi Hats are from Mutable Instruments Peaks and the clicky percussion is also from Peaks but put through the WMD Geiger Counter. The rhythms are generated from the Stepper Acid clock going into a Chaos Divider from Tsyklon Labs."

Previous posts.