Imagine strapping that around your neck as a keytar. I remember the first time I heard Edgar Winter played the ARP 2600 as a keytar, and thinking that was insane. It wasn't until I saw a video and some pics that I realized it was just the keyboard.
"Here is classic vintage polyphonic synthesizer from the best years of poly synths. If you know the OB series well then you know that the OB-X is the best sounding of all of them thanks to it's largely discrete voice architecture lifted straight out of the SEM-based systems. The filters are supreme and, that bit of looseness in the tuning gives loads of thick and raw character while being edgy with bottom end that is just apocalyptic in size. All 8 voices are present and the unit is fully functional."
"This might be the only keyboard synth in the world signed by the legendary Gary Numan! [Actually there are others] In 2016 we roomed next door to Gary Numan and family while staying in the same Aloft hotel during Moogfest (an international synthesizer and analog sound music festival). Moog Music was presenting Gary with a lifetime achievement award.
We were able to hang out with his sound crew and finally got to meet Gary who was so nice to sign my keyboard! We have several videos and photos to authenticate our meeting and his signature. We are even friends with him and his sound crew on Facebook now. I will be happy to email copies of video and photos to authenticate his autograph before/with purchase."
"This Roland JD-800 is in great cosmetic condition and is fully functional. All knobs, buttons, sliders, keys, etc. work as they should. It was professionally serviced several months ago, which included the removal of the infamous red glue. Servicing details are as follows:
- Red glue removed
- Regreased bushings
- Cleaned all PCB contacts
- Replaced all rubber contacts w/ fresh contact strips
- Re-adheared key weights, attention to fulcrum etc for consistent action"
Jul 13, 2018 Version 2.0
With this update you can add rhythmic effects and distortions with using built-in step sequencer. The sequencer and LFOs can be synced with other apps and devices thru MIDI, Inter-App Audio or with Ableton Link. New parametric equalizer can isolate or suppress oscillators output in a certain frequency range so that they not interfere each other. Also you can pack scene and all its presets and samples to single file. This new feature is very useful for copying scene to another device or backup.
All changes:
● Added new presets.
● Ableton Link start / stop sync.
● Step sequencer for each oscillator.
● Parametric equalizer for each oscillator.
● Signal amplification before filters and EQ.
● Automatic gain control of output for each oscillator.
● Synced Sequencer / LFOs with Ableton Link, IAA, MIDI.
● Pack scene and all its samples / presets to single file.
● Ableton Link SDK 3.0.2 updated.
● Audiobus SDK 3.0.5 updated.
● Built-in description updated.
● Several minor bugs were fixed."
"MOGUE is a VCA and Mixer based on early Moog designs, with some mods to get them into ‘Eurorack standards’ (!). Both circuits can be overdriven to get some wave-shaping action. The mixer can handle CV and audio but the VCA is audio only (tho feel free to place links instead of the capacitors to make it work for DC). Some users consider these 2 modules are an inherent part of the legendary Moog sound…maybe; I just wanted to use up all my LM394.
"The Detect-Rx is a versatile envelope follower, voltage controlled comparator (gate extractor) and rectifier providing many useful prescriptions to fill in your modular needs.
Functions:
DETECT-R is the main input and provides an envelope output, rectified output and gate output simultaneously. If a second signal is also patched into the EXTRACT-R, it can be used separately.
The top two controls and switch alter the response of the resultant envelope. Any signal level from LINE (-10dBv) up to modular (+/-5 to +/-10V) may be used.
The FREQ switch selects the spectra in which the envelope will respond to dynamic changes from the input signal.
SMOOTH adds an additional ripple smoothing level control and tracks the FREQ setting
ENV GAIN controls the level of the envelope and is capable of attenuation as well as a lot of gain for low level input signals and even guitars (some pre-gain may be required for certain guitar pickups)
THRU provides a buffered copy of the input signal for easy patching of classic envelope follower applications and more
An LED is provided for visual feedback of the envelope and peak level (clipping) indication.
