MATRIXSYNTH


Monday, February 24, 2020

Novation Circuit @ Isla de La Piedra | Sinaloa Mexico | Live Set


Published on Feb 24, 2020 Mauricio Maisterrena
Update: Re-Published on Feb 25, 2020

"Recorded live @ Isla de La Piedra | Sinaloa Mexico | featuring the Novation Circuit"

Mutable Instruments Ambika demo -Ambika Kez OS


Published on Feb 24, 2020 MIDERA

"Note: Fair warning - I use Eventide Blackhole so if you have problems listening to demos with FX you won't enjoy this one. Secondly, I spend the second half just making patches from scratch. This is quite boring to me, but I left it in, maybe it'll be helpful to you? My hands get in the way though - sorry about that. Anyway, see below:

Fiddling about with a new OS based on YAM (Yet Another Mutation) called Kez (or Ambika Live!)? Something like that. Found here: https://forum.mutable-instruments.net...

#Ambika #Mutableinstruments #hybridsynth"

Analog 4 Tutorial 6 - Creating big pads, drum machines, bass, seqs & leads on 4 tracks Big 90s Soul


Published on Feb 24, 2020 Gary P Hayes

"In a 1990s style - on Elektron #AnalogFour Mk2. Composed & Performed © Gary P Hayes in Mount Victoria Blue Mountains Australia recorded via overbridge to Logic Pro X edited in FCPx"

Jam of the Day, 24/02/20 with Moog Matriarch, Moog Grandmother, Moog Voyager and Arturia Drumbrute


Published on Feb 24, 2020 Getsemani Music

"Time to relax with the Jam of the Day for February 24, 2020, featuring mello sounds from the Matriarch and Grandmother, the Voyager will then talk you down to a state of relaxation."

OBERHEIM TWO-VOICE DEMOS


Published on Feb 24, 2020 synthmaven

Update: currently listed on Reverb here. Pics & description captured here.

"One of several demo videos to show the working condition of this amazing synthesizer. Camera audio in mono"

Playlist:
Oberheim TVS with Sequencer
Oberheim TVS-1 with sequencer, playing a fast, spry variable-step sequence
Oberheim TVS-1 with sequencer, playing a fast, spry 8-step sequence
Oberheim TVS-1 with sequencer, playing a fast, spry 8-step sequence
Oberheim TVS-1 with sequencer, 8-step sequence, both SEMs
Oberheim TVS-1 with sequencer triggering SEM 2
Oberheim TVS-1 with sequencer triggering SEM 1, low and sloppy
Oberheim TVS-1 with sequencer, keyboard noodles without and with Portamento

FOLKTEK Euphonos Field

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

You can find some demos here. The Folktek Euphonos made its first appearance back in 2013 here.

"An amazing hand made custom art synthesizer from Arius Blaze and is signed and only produced 12. And The videos up on youtube are from this unit back years ago when he posted them ( I waited so he could make them) This may be first produced.

Soma Lyra 8 with X1L3 Shard. 🙏


Published on Feb 24, 2020 Nostalgic Ruckus

"hello Lyra. (Shard is going through the Lyra's input)"

Moog Source - System 700 - Yamaha CS-80 - Jupiter-4


Published on Feb 24, 2020 MrFirechild

"A track full of real analog synthesizers. Roland Jupiter-4, Oberheim OB-Xa, Yamaha CS-80, Roland System 700, Moog Source, Roland RS-505, Yamaha CP-80, 5U Oakley and Club of the knobs.
The song is called Retro Waves.
Composed and produced by www.firechild.se"

Sequential In The Spotlight Interview with ROB COTTINGHAM


You can find the interview on Sequential's website here.

"Once described by Geoff Barton of Classic Rock Magazine as “Peterborough’s answer to Vangelis,” Rob Cottingham started his musical career in high school, later forming the rock band Cinema. In the early 90’s, he gigged with an R&B band and formed the cover group, Ghost. Itching to write his own material, Rob produced his first album “Behind The Orchard Tree”(BTOT) released in 2002. From there he founded the group Touchstone, who went on to release one EP, four albums, a double live album and a live DVD. The group hit the UK rock album charts at number 34 in 2011 and number 26 in 2013 after being signed for two albums. The band toured UK, Europe and USA.

In 2016, Rob formed Cairo, keeping the same sensibilities in song craft, but with heavier guitars and more electronica in the sound. Cairo’s debut album “Say” was released to rave reviews, including a recommendation from Steve Hackett of Genesis. The band won Classic Rock Society’s Best Newcomer Award a few months later. Rob released a solo follow up to his earlier album BTOT with “Back Behind the Orchard Tree” in April 2019, and soon after, Cairo released a live album “Alive In Holland” in January 2020. Their next studio album is planned for late 2020.

We chatted with Rob on how he uses the Prophet-6 in his music.

---
You can find previous posts featuring Sequential's Spotlight series here.

Novation // Patricia Wolf - Performance


Published on Feb 24, 2020 NovationTV

"In this video, filmed at Holocene, Portland, electronic musician, synthesist and sound designer Patricia Wolf performs with SL MkIII at the centre of her setup.

Patricia’s music-making setup comprises several machines: a Novation Peak polysynth; a Boomstar 3003 semi-modular synth; a Make Noise 0-Coast modular synth; an Elektron Analog Rytm drum machine, and OTO BIM and BAM effects units. All her sound-generating devices are connected to a Novation 49 SL MkIII controller by a mixture of MIDI and CV connections. By using templates in the SL MkIII to control multiple parameters across all her devices, Patricia is able to focus her attention on one main control surface — the Novation SL MkIII — while maximising the technological potential of all her synths.

more from Patricia Wolf:
https://www.instagram.com/patriciawol...
https://soundcloud.com/patriciawolf_m...

To discover more about SL MkIII:
https://novationmusic.com/keys/sl-mkiii

#WeAreNovation #SLMkIII"

Update:

Novation // Patricia Wolf - Profile

Published on Feb 28, 2020 NovationTV

"In this video, Patricia Wolf discusses how she takes a two-stage approach to sound design. “In one way, I focus on the technical aspects of it, especially when there’s new features on a synthesizer that I’m not so familiar with. So I’ll play around with that and really think about what it’s doing.” Then, once she’s familiar with her machines and their respective capabilities, she’ll free herself from thinking on a purely technical point of view and consider her machines as an ecosystem, playing in harmony. 'It’s nice to let go of that technicality and just think of it as a living, electric energy that you can morph and change and start feeling for its creative potential.'"
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