ROLAND JP-8000 vintage synthesizer + original manual and Gator travel bag

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Poly Cinematic by Knobula - Review

video upload by Digiphex Electronics

See this post for additional details on the Poly Cinematic by Knobula.

Buchla MARF Overview Glitch LFO

video upload by Todd Barton

"This morning I once again got obsessed with the Buchla 248 Multiple ARbitrary Function generator (MARF). First a little funky pattern using the CV out of the time sliders to change the pitch, then a brief Overview flowed by some timbral glitching explorations and some very long LFOs. Enjoy!

Be sure to checkout the Source of Uncertainty Podcast on the MARF: https://sourceofuncertainty.audio/pod...

For some very cool and detailed patches for the MARF checkout Max Lord's awesome free pdf book. You can find the link in this thread: https://modwiggler.com/forum/viewtopi...

My Patreon: https://www.patreon.com/synthtodd"

25 FREE Dark Ambient Patches! | Korg Opsix | SOUNDMIT NO TALK #01

video upload by SOUNDMIT

"Per questo ultimo video prima delle vacanze, abbiamo deciso di torturare un pò il nostro @Korg OPSIX che abbiamo qui in prova. Il risultato è questo video piuttosto lungo e ben 25 PATCH da scaricare gratuitamente al link qui sotto!

Ci rivediamo a Settembre con nuovi video!

SCARICA LE PATCH GRATUITE
► https://sndmt.link/opsix-free-patches

ACQUISTA KORG OPSIX*
► https://sndmt.link/ms25-korg-opsix

SOUNDMIT 2021
► https://sndmt.link/soundmit-2021"

Yamaha DX100 4Op FM Synthesizer

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Yamaha V50 4Op FM Synthesizer & Workstation

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via this auction, also on Reverb

You can find a demo of one posted here and additional mentions of the V50 here.

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KYMA CAPYBARA 320

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YAMAHA VP1 & VL1 Factory Sound Demos

video upload by Simon Le Grec

"YAMAHA VP 1 | 10.000,- USD Synthesizer | Factory Songs (HQ) The first model of synthesizer to feature VA (virtual acoustic) tone generation based on physical modeling, a complete departure from sampling and FM.
A VA tone generator creates sounds by simulating the physical mechanism by which wind, string and other instruments produce sound.
The virtual instruments simulate characteristics such as the shape and materials of music instruments, allowing the creation of tonal changes that respond to the breathing and playing methods used.
The VL1 was created with reed instruments and other wind instruments in mind, and thus is two-note polyphonic."



YAMAHA VL1 | Virtual Acoustic Synthesizer | Factory Songs (HQ)


"The VL-1 was a ground breaking synthesizer with new technology renowned for accurate reproductions of wind instruments. It is a 2-note polyphony instrument that is best used with a breath controller such as the BC-2 or BC-3.

The VL-1 cost around 4000 pounds in 1994, and was out of reach for most musicians. As such it sold in relatively small numbers and are hard to find. They do come onto the second hand market occasionally and demand between $3000 to $5000 (Aust) depending on condition.

There was a VL7 which was essentially half a VL1 though it looked very similar. Then there is the legendary VP1 which was a VL1 with more power, polyphony and keys. It was made in very limited numbers, perhaps less than a handful. That was due to its price tag, rumoured to have been around $25,000 (US). As such it has often been considered more of a prototype than a proper production model.

This instrument suggests quality of build and sound at first sight. It has real wood, which has not been seen since the DX1 (exactly one decade earlier). Then there are the Champaign gold end panels connected by a band across the top front end. A colour very similar to that used on Yamaha’s B500 in 1990. The gold however is flat with slightly rough texture to contrast against the smooth varnished wood and its semi-gloss finish.

Interestingly it only has 49 keys which to the uninformed will instantly cast doubt, especially with only 2-notes polyphony, and no on-board sequencer.

The screen is striking and very clear with its white back light. The front panel is very well organized with good spacing between all buttons. We particularly like the way the patch buttons are perfectly arranged in 3 rows.

The pitch and modulation wheels feel nice and was a successful design that continued to many future generations. The 3 wheels placed on a stage is an innovative design solution to integrate with a curvy end panel. There is also a disk drive discretely tucked under the left side edge

All controllers feel like they would on a Rolls Royce and command respect. This is not a toy or machine to be thrown around on stage or studio. This was built to look and feel like a digital cross between a violin and a saxophone."

Analog Style Kicks & Claps on the SONICWARE Liven 8Bit Warps

video upload by ChrisLody

"How To Make Analog Style Kicks & Claps on the Sonicware 8Bit Warps

"I'm gradually working my way towards a full chip tune style drum tutorial for the 8Bit Warps, but in the meantime here is a couple of different percussive sounds for you to try, an analog like kick and clap sound. Unlike the more general tutorial I have planned these are kind of 'one trick pony' sounds, i.e. they work for this but not much more.

The synthesis method used is slightly unusual on each too. Normally a sweeping sine or resonant filter would be used to make a kick drum but here it's done by 'pinging' the filter with a pulse. Also for clap sounds we normally need to synthesize each 'pop' of the clap one after another but here the peaks are created using a flanger.

The Sonicware Wave Edit tutorial I mentioned is here:" [posted here]

Mdiverse Modular - DIY Kits - Available Now

video upload by Midiverse - TV

"Available Now - https://reverb.com/shop/midiverse

What's up everybody? Welcome to Midiverse - TV! We're now offering DIY Kits of our first three eurorack modules. All three are super simple builds, and would be a great way for beginners to learn how to soldier."