MATRIXSYNTH

Moog The Source (1980s) Synthesizer model 341A SN 3844

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OVERVIEW : TEINTE ALL MODES / DIRTY EURORACK DRONE PATCH x COURSIER x DECHU x FAILLE TP x PARESSEUX

video upload by SOVAGE ENGINEERING

"TEINTE : https://www.sovageengineering.com/pro...

An analog vintage recording audio equipment emulator, the perfect tool to color your audio.

The main idea behind this module is to recreate the tone of some of my favorite vintage preamps x mics x speakers combo when I’m reamping audio.

I have tried to match that tone as closely as possible, of course you can’t compare but you can trust your ears, and overuse the BROKEN mode of course, or just give a sense to your introversion by abusing the DARK VINTAGE combo, lights off…

Put 2 at the output of a stereo mixer and you have a vintage console

Take 2 with DUO and you have an awesome stereo bus coloration for your external audio sources.

MODULES USED [in the video]:
PARESSEUX
LE COURSIER
LE DECHU
FAILLE TEMPORELLE

DIRECT OUT NO TRAITEMENT
00:00 BRIGHT - LOFI
01:02 DARK - LOFI
01:32 DARK - VINTAGE
02:02 FOCUS - VINTAGE
02:32 FOCUS - LOFI
02:58 DARK - BROKEN
03:27 BRIGHT - BROKEN
03:50 FOCUS - BROKEN"

🌸TE OP-1 Field Hypnotic piano loops🌛Coma Toes

video upload by Postmodern Machine

"Hi 🌨

I hope you are all weathering the change of seasons! Here's a new piece I created on the OP-1 Field. I sampled a short phrase played on my cheap upright piano. The sample was looped and pitched in various ways to create a soundscape. ❄️

Some pitch modulated and nitro filtered loops were recorded onto the vintage 4-track tape simulation. Mother reverb was used quite liberally on the final result. After filling the 4-tracks, some pitched and reversed versions of the sample were softly added in the middle of the piece. 🪢

This track is fairly hissy on full range systems, but it still sounds very nice. I should probably try the highest fidelity tape simulation to reduce hiss, but the tracks I've made feel really full of character. I have no doubt some of the hiss is coming from the sampling of the piano. I'm sure I could do that better with practice.

This piece is coming off the OP-1 as a mix. 📼 I stored the 4 tracks in case I need them later, but essentially just mastered the mix after recording it into my DAW through the analogue listed below. The length of the piece was not edited. Some clicks were removed in the DAW from my tape edits. I added a bit of pumping compression on the beat as the piece progresses. I added a flowing bass from the Korg Arp Odyssey. 🎛

I also used a bit of Output Portal to add a layer of intrigue and shimmer way in the back that only appears as the piece progresses to the climax. Finally I used the AudioThing Miniverb to gradually open the high frequencies in the piece towards the climax, and then filter them away again for some drama. 🎭

The visuals were captured during my recent honeymoon in Mexico. I feel very lucky to have experienced the trip 😊"

Bad Gear - Roland Aira J-6

video upload by AudioPilz

"Become a Patron and get access to music clips from the show, additional content, Bad Gear samples and even more AudioPilz madness

https://www.patreon.com/audiopilz

Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Roland Aira Compact J-6. Is this preset synth version of Rolands classic Juno emulation usable for professional music production and why did they put in a chord sequencer that seems like the lovechild of an 80s Casiotone accompaniment section and a Unison Midi Chord Pack? Is it better than a Korg Volca?

Chapters:
00:00 Intro tune
01:09 Overview Roland Aira J-6
01:35 Presets
01:48 Synth Engine, Filter, Envelope
02:20 Limitations, Lack of Midi Control
02:33 FX (Reverb, Delay)
03:00 Chord Sequencer
03:21 Enter your own Chords
03:31 Chord Mode
03:57 Styles/Variations (Arpeggiator, Rhythmic Patterns, Phrases)
04:24 What else???
04:57 Thanks!!!
05:03 Hate
05:25 Jam 1 (Dance Chords)
06:13 Jam 2 (80s Cheese)
07:14 Finale (Lofi Beats)
07:47 Verdict"

[patch] FM Bass (Blofeld)

video upload by Synthesizer Video Service

"I had this idea after listening to Jarre's "Zoolookologie". This is a little tutorial on how to make a piercing bass sound using frequency modulation with audio oscillators - all this with a Waldorf Blofeld. Plus, I'm explaining the difference between frequency, amplitude and phase modulation. Plus, talking about mixing with low frequencies.

[00:00] Intro
[00:44] What are FM, AM and PM?
[02:27] Oscillators
[05:50] FM Settings
[06:45] Unisono
[07:15] Filters and Low Frequencies
[10:24] Envelopes
[11:41] Controller Modulations
[13:56] Final Patch
[14:36] Outro"

ENDORPHIN.ES - RUNNING ORDER 1U: 2-TRACK TRIGGER SEQUENCER / EUCLIDEAN GENERATOR

video upload by Endorphin.es

"Welcome a new module to our 1U family: the Running Order 1U

Simple to use yet complex enough 2-track trigger sequencer with per-step probability and ratcheting, 101 and Euclidean style sequencing with external CV control.
Creating rhythms is fast and easy and most importantly - fun!
Check out the full rundown of the features and some wild rhythms!"

2 TRACK TRIGGER SEQUENCER / EUCLIDEAN GENERATOR

AVAILABLE WORLDWIDE ON 28TH OF NOVEMBER

Running Order is a two track trigger sequencer. It can be a precise master clock or manipulate incoming clock signal and works great in use as a sub-sequencer/divider in your Eurorack environment.

Zero-jitter clock generation: less than 50 microseconds internal clock jitter
101 style 1/16th note input mode (step/rest) with manual or CV controllable amount of triggers repeats when the active trigger step happens
Euclidean mode enabled for each track where we set Euclidean total steps amount in the circle and then amount of triggers happening in that circle.
Per step trigger probability in 101 mode and global probability in Euclidean mode.
Separate synchronization (reset) inputs, sync for track 1 is normalled to sync track 2
Clock divider for incoming external clock allows to quickly obtain various musical divisions on the fly incl. triplets of course, but more importantly tuplets mode allows you to stretch desired amount of triggers happening into a single bar
Separate mute buttons for each track
8 patterns of triggers sequences stored in the module and recalled on the next power up
also available in 3U / 6HP version

Moog Mavis Patching

Playlist:
Mavis & Subharmonicon | Patching Together
Download the patch created in this video here: https://back.moogmusic.com/sites/defa....
Mavis & DFAM | Patching Together
Download the patch created in this video here: https://back.moogmusic.com/sites/defa....
Mavis & Mother-32 | Patching Together
Download the patch created in this video here: https://back.moogmusic.com/sites/defa...

n/zyme Walkthrough Part 3(of 5): STEP LFO

video upload by gattobus

n/zyme Walkthrough posts

"n/zyme is a Model Expansion available for Fantom flagship synth only.
Here's my third tutorial.
In this video I'm showing the Step LFO section, a multiple step modulator to create complex modulation sequences and to shape your sound in real time."

DISFAT / Cosmotronic COSMIX PRO / samples through filters / eurorack jam

video upload by BRiES

"In this patch I'm running a piano sample through a bandpass filter (using the Soundforce DUAL filter as a HP/LP combo to make a very narrow band with a lot of resonance on both sides).
The drums are a drumloop through a BP for the percussive part (the filter is modulated which causes the pitch changes) and a MA35 low pass for the deep kick/bass. Crater does some additional percussion, delayed by the wonderful 1 BIT Multitap Delay Feedback Modules sent me."

Polyend Tracker + Hydrasynth Explorer (w/ Amenbreak kit made by 栄免建設)

video upload by Freaky Tweaky

"Trackmakerの栄免建設さんからPolyend Tracker用に作成したAmen Breaksキットを共有して頂いたので、試しにHydrasynth Explorerと組み合わせて遊んでみました！
どういじっても最高に格好良く鳴る高品質な施工、最高です…"

"Trackmaker's Emen Construction shared the Amen Breaks kit made for Polyend Tracker, so I tried playing with Hydrasynth Explorer as a test!
High-quality construction that sounds cool no matter how you play with it, it's the best..."