Waldorf Blofeld - "Astrolabe EX" 128 presets

video upload by LFOstore

"Buy: https://www.inspireuplift.com/Waldorf...

'AstrolabeEX' A complete soundbank of 128 new patches, honed like a samurai sword and ready to go! This is a special extension to the "Astrolabe" sound bank built on its waves and loading into bank 2 (B) !

Attention! this sound bank is intended only for happy owners of the "Astrolabe" set or those who are going to purchase it, it will not work as a separate one, since it is based on the "Astrolabe" wave firmware.

128 presets with type:

Arpeggio
Sequence
Evolving Pad
Rhytmic Sequence
Soundtrack
Ambient SFX
Atmosphere

The demo tune was recorded in real time and does not contain external effects.

Made by Alexander Kav"

Oberheim Two-Voice SN 0450

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via this auction

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ARP Solus SN 2353197

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Dawless analog synthesizer electronic/techno/electro jam

video upload by Peter Maas

"Playing with the Minimoog, Juno 106, TR808 and Peak. sbf350 for extreme stereo goodness."

Sequential Trigon-6 [Sample Pack] (FREE)

video upload by Mr. Card

"Over 200 samples (Chord, Kick, Noise, Perc, Sequence, Single, Snare, Waveform).

Download a sample pack: https://bit.ly/trigon6samples"

"A Question of Lust" excerpt by Depeche Mode, Moog One Demo, split synth patch, bass and pad

video upload by Mattelica

"'A Question of Lust' by Depeche Mode, Moog One original split synth patch demo (bass arp + synth pad) to a Canon 6D with a 50mm 1.4 lens."

264 More Playtime

video upload by Todd Barton

"More fun times with the Buchla 264 Quad S&H. The 246 Sequencer is just clocking the 264, all pitch CVs from the 264.
Thanks to https://sourceofuncertainty.audio And
https://www.memsproject.info"

MEMS - Demonstration One

MEMS - Demonstration One from The MEMS Project on Vimeo.

132 from The MEMS Project on Vimeo.

Synthesis Technology MOTM: My First Ambient Encounter (Mother Of The Modulars)

video upload by Piotr Garbaczonek

"Thanks for watching!
I had a difficult time getting the sound into Pro Tools, so I ended up recording everything extremely quietly with a number of clicks, which I tried to eliminate in RX after recording. Aside from that, I added some more processing to make the ambient drone experience more pleasant. I'll try to record it with more attention and comprehension the next time. Otherwise, for the actual patch, I just used everything this system had to give, and surprisingly the synth stayed in tune because the room I was working in was 53 degrees Fahrenheit, and I wanted to get out of there as quickly as possible after getting one take done. Till next time!
#motm #moog #ambientmusic

Here are some links of mine:
https://linktr.ee/pgarbaczonek

Go become my Patreon here:
https://www.patreon.com/pgarbaczonek?...

Perks of being a member include Patch from scratch videos, behind-the-scenes, HD pictures of gear and such, unreleased music, sample packs, and many more :)"

'Pan Flute' - How to make this movie-inspired, all-analog Synth Patch in Eurorack Modular

video upload by AJH Synth Official

"This was loosely inspired by the 'pan flute' sound from the film 'Aguirre: Wrath of God', and uses a single VCO, white noise, and envelope-controlled filtering to simulate the pipe and breath elements that form the sound. Fixed Filter Bank sculpts the noise, removing low frequencies and pushing selected highs, before being mixed into the Sonic XV's bandpass filter along with the square wave from the VCO. Importantly, the FFB's wet/dry mix is also controlled by an envelope here, a rare feature on a filter bank. Pulse width modulation from red noise ads a subtle distortion to the oscillator, and the VCA in the Dual LFO is used to ad optional pitch vibrato and VCF frequency modulation.
Patch sheet PDF: https://kvisit.com/8AE/_v8G

Aside from the flute scene (see link in video), the movie soundtrack was mostly the brilliant work of Popul Vuh, and makes the official album release worth listening to regardless of the movie, with memorable use of Mellotron. However, the Werner Herzog movie itself is equally brilliant and memorable, a captivating, immersive experience to watch, made on an unimaginably small budget, yet a direct influence on Coppola's 'Apocalypse Now' a few years later.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires

PATCH NOTES:
------------------------
Green dots show approximate pot and switch positions. Pots and switches that do not have green dots are not used in this patch, and should be left at their zero or off positions. Multiple cables may branch to different destinations, this is where some form of multiple should be used.
This patch needs a lot of fine-tuning, so precise pot positions cannot possibly be illustrated, but this should serve as a starting point, from where further experimentation should be applied. The video tries to explain what is happening with the core modules, which should make it easier to understand what needs fine-tuning.
KEYBOARD: Here the controller's MOD output is used to send Aftertouch, but alternatively Velocity, or direct control from the MOD wheel/strip could be sent to the Dual LFO's CV input instead, depending on your controller and personal preference. DUAL LFO: Output goes directly to EXP-CV of the VCO, and IN 1 of the CV MIX.
CV MIX: This module is used here to combine the CV from the LFO and Contour Generator 1, then to fine-tune it, before sending to Sonic XV and Fixed Filter Bank.
FIXED FILTER BANK 914: The IN 2 pot needs to be at zero - this sets the Dry level to zero if nothing is connected to the IN 2 socket, so that when the envelope changes the Wet/Dry level it is in fact affecting the output level of the module, as only a varying portion of the Wet signal is then sent to the Muting Mixer.
Modules used from top-left to bottom-right: Glide + Noise, Vintage Transistor Core VCO, Sonic XV, Contour Generators, Discrete Cascaded VCA, Dual LFO + VCA, CV Mix, Muting Mixer, Fixed Filter Bank 914."