"This is a complete working MT-32pi running the latest version of the MT-32pi synth software. It fully works out of the box with the Mister. Provides both MT-32 capabilities from Munt as well as Fluidsynth soundfont support."
"Download this patch here: https://www.critterandguitari.com/org...
Make MIDI with any instrument! The Organelle will listen to your sound, play those notes with a synth voice, and send the MIDI notes out to another instrument! Turn your guitar into a piano! Turn your voice into drums! Make an audio-MIDI feedback loop!"
"This final episode of The Sound of the Nord Stage 4 features vintage synths, sampled based patches and more. All patches in this sound demos series are included in the Nord Stage 4 factory bank. Watch all episodes here:"
"The Tracker's workflow from an empty project to a performable pattern. Watch for some tips and tricks to get your creative ideas flowing.
00:00 showing samples that I'm going to use 0:16 live recording of the beat 2:10 adjusting the crash cymbal 2:32 adjusting the second layer of the snare 3:01 rendering the drum part and adjusting it 3:44 panning for a wider stereo image 4:08 looping single cycle wave to get a Saw oscillator 5:17 reverb and delay master fx 5:30 creating a chord track separately 7:42 add the chord render 8:36 Sine wave sub-bass 9:17 trying a new sound 10:25 reusing saw instrument for a melody line 11:00 previewing another sound, 11:06 trying out an idea 11:38 adjusting the master limiter 11:50 master EQ 12:10 soloing the bass to correct a mistake 12:16 HPF to fatten up the kick and snare 13:13 adjusting the hihat volume 13:37 adjusting the rendered perc track volume 13:47 adjust reverb and delay 14:13 volume on hats again 14:23 perform mode with the finished pattern"
"Our brand new Banshee Reach and Jeweler Cast like to play together.
Today they teamed up with Triple Steeple and Mod Medusa for modulation duties in order to create a lovely liquid resonating bassline"
TAPES is a sampler that simulates LOOP TAPE. Adds a challenging essence to regular music as well as experimental music like Music Concrete and Vaper Wave. The input sound is transformed into a lo-fi sound, recorded on virtual tape, and then output. By stopping the recording, the sound can be looped, and by freely controlling the tape length, playback speed, and the part to be used, you can create everything from mysterious sounds to violent noises. increase.
lo-fi effects
Input sound is recorded on tape through REC HEAD and then output through PLAY HEAD. The output sound is output after a short time from the input. This time is determined by the tape playback speed (SPEED) and tape length (END-START length). You can get faster response by shortening the interval between START and END. The output sound quality varies greatly depending on the tape playback speed (SPEED). Rotating the tape faster results in a higher resolution, while rotating the tape slower results in a coarser resolution. When turned slowly, high notes tend to become rough, so the LPF (TONE knob) can be used to alleviate this.
Loop function (sampling)
Pressing the REC button will cause TAPES to always write to the tape, but pressing the LOOP switch will stop writing and loop (sample) the sound. You can also save the contents of the tape by pressing and holding the LOOP button. Writing and playback are performed for the section set with the START knob and END knob. By taking advantage of this feature, you can combine multiple sounds in order to create a new loop.
Record longer loop times
The loop time is determined by the tape playback speed (SPEED) and tape length (END-START length). If you want to sample the sound for a longer time, set SPEED to a slower speed, START to the far left, and END to the far right to sample a longer time.
16HP Dual Enveloped Ducking Filter Natural State consists of two 24b filters with a CV decay envelope and an internal LFO. It is designed to filter two waveforms in the most
ear-friendly way possible to create natural and organic sounding grooves and soundscapes. Each of the two channels has a DECAY slider that adjusts the decay length, an OPEN slider that adjusts the filter cutoff, and a FORCE slider
that adjusts the amount of decay CV that affects the filter. The STRIKE input takes any CV from + 1 volt and triggers the decay envelope. Both the decay and the filter cutoff can be controlled via the CV inputs DECAY and CTRL. Attenuators can be used to change the strength
of the applied CV. The decay attenuator also acts as a DECAY CV offset. A subtle internal LFO can be routed to the filter cutoff, which is attenuated with the CTRL controls. The LFO range is rather slow to create
smooth filter sweeps.
The resonance of the individual filters can be changed with the PEAK potentiometers. When the DUCK control is turned to the right, the decay of the left channel increasingly suppresses the signal of the right channel, creating
a ducking effect.
Both decay envelopes are also routed to the ENV sockets for further external processing.
