Saturday, August 05, 2023
Making Kick Drum with Make Noise Spectraphon & Shared System
video upload by Akihiko Matsumoto
Sample: https://akihikomatsumoto.bandcamp.com...
Make Noise Modular Synth Sample Pack ver.3.0 update for free.
Added 124 Spectraphon kick one shots.
8/4/23 Electrocomp EML 200 (flutes) + Roland CR-8000 (squirrel heartbeat) on undated cassette tape
video upload by Cfpp0
"This is an excerpt from an undated and unlabeled cassette tape from 2020 or 2021. EML 200 with a short envelope into its spring reverb, plus a kick drum from the modded Roland CR-8000 we used to have. I imagine a squirrel scurrying from tree to tree along the edge of Lake Waramaug. The video cuts right when the CR-8000’s congas kick in and the recording stops making any sense."
Erica Synths SYNTRX II Desktop Analog Synthesizer
Suiko ST-20 - Vintage Analog Suitcase Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
""SUIKO ST-20 is extremely rare and most strange Japanese electronic musical instruments originally made for Japanese traditional music circa. 1980. and this one is very rare version of SUIKO ST20 with recording function it's built in cool brown custom suitcase like EMS synth, keyboard itself is built in beautiful brown metal plate.
Features:
Oscillator - The ST-20 uses a single analog oscillator with 3 tone options - Shakuhachi (Japanese Flute), Koto (Japanese Harp) & Pipe Organ.
It is monophonic with a top-note priority.
All tones are very nice warm analog sounding.
There seems to be a subtle vibrato on some tones which may be adjustable internally.
Would easily be circuit bendable if you want to get some more interesting sounds!
Octave switch - There is a switch to raise the register up and down an octave which is useful for recording bass and lead lines.
Register Select - The top dial is to shift the key register up and down, giving you the option to solo your favourite scales over any key you like. It also allows you to create even higher or lower register notes than the octave switch allows.
Sustain - There is a sustain switch to toggle between a short pluck sound or a long drawn out release. The koto sound is not affected by this switch, it seems the tone circuit was designed this way. You would also be able to circuit bend your own sustain control for dialing in the sound you really want if that's your style.
Volume Dial - A sweeping volume dial located at the bottom left of the unit.
Fine tuning - There is a switch for shifting the pitch very slightly in quarter tone increments. It becomes sort of 'Microtonal' in a way. You can also use this to do a little pitch bending too.
Scale switch - There is a small switch just above the key buttons which seems to change the pattern of the way the notes are configured. Currently it is set to the Japanese scale but you can play around with this if you like.
Speaker - The speaker goes very loud and sounds lovely.
Output - There is also a direct mono output for headphones, this could also be used as a direct output for connecting straight into your DAW or recording setup.
The keyboard module is connected to the speaker cabinet via a 5-pin 'MIDI' looking cable. This is not actually a MIDI cable, it simply just communicates with the power/amp board which is located inside the speaker cabinet.
The unit halves are connected by two hook hinges so you can pull them apart and use them"
via this auction
""SUIKO ST-20 is extremely rare and most strange Japanese electronic musical instruments originally made for Japanese traditional music circa. 1980. and this one is very rare version of SUIKO ST20 with recording function it's built in cool brown custom suitcase like EMS synth, keyboard itself is built in beautiful brown metal plate.
Features:Oscillator - The ST-20 uses a single analog oscillator with 3 tone options - Shakuhachi (Japanese Flute), Koto (Japanese Harp) & Pipe Organ.
It is monophonic with a top-note priority.
All tones are very nice warm analog sounding.
There seems to be a subtle vibrato on some tones which may be adjustable internally.
Would easily be circuit bendable if you want to get some more interesting sounds!
Octave switch - There is a switch to raise the register up and down an octave which is useful for recording bass and lead lines.
Register Select - The top dial is to shift the key register up and down, giving you the option to solo your favourite scales over any key you like. It also allows you to create even higher or lower register notes than the octave switch allows.
Sustain - There is a sustain switch to toggle between a short pluck sound or a long drawn out release. The koto sound is not affected by this switch, it seems the tone circuit was designed this way. You would also be able to circuit bend your own sustain control for dialing in the sound you really want if that's your style.
Volume Dial - A sweeping volume dial located at the bottom left of the unit.
Fine tuning - There is a switch for shifting the pitch very slightly in quarter tone increments. It becomes sort of 'Microtonal' in a way. You can also use this to do a little pitch bending too.
Scale switch - There is a small switch just above the key buttons which seems to change the pattern of the way the notes are configured. Currently it is set to the Japanese scale but you can play around with this if you like.
Speaker - The speaker goes very loud and sounds lovely.
Output - There is also a direct mono output for headphones, this could also be used as a direct output for connecting straight into your DAW or recording setup.
The keyboard module is connected to the speaker cabinet via a 5-pin 'MIDI' looking cable. This is not actually a MIDI cable, it simply just communicates with the power/amp board which is located inside the speaker cabinet.
The unit halves are connected by two hook hinges so you can pull them apart and use them"
ARP Odyssey MKI 2800 SN 282083
1970s Vintage Yamaha SK-20 Analog String Synthesizer w/ BBD MN3009 Chip SN 10329
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Contains the BBD chips MN3009 for that warm analog 'ensemble' effect. It has separate outputs for organ and strings, really awesome. It has a sound reminiscent of the opening of 'Oxygene' (J-M Jarre) or the lead line from 'Love Will Tear Us Apart' (Joy Division)."
via this auction
"Contains the BBD chips MN3009 for that warm analog 'ensemble' effect. It has separate outputs for organ and strings, really awesome. It has a sound reminiscent of the opening of 'Oxygene' (J-M Jarre) or the lead line from 'Love Will Tear Us Apart' (Joy Division)."
Roland JX-8P 61-Key Polyphonic Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction, also on Reverb
"Roland Jx8p DCO / Analog Filter synth in amazing condition. It all works as it should, no operational issues."
via this auction, also on Reverb
"Roland Jx8p DCO / Analog Filter synth in amazing condition. It all works as it should, no operational issues."
Instant 80s Jam
video upload by Synthfluencer
"Put some FM bass, LinnDrums, chorus'd Clavinet and a good old analog Brass together - boom: instant 80s groove!"
Casio CZ-5000
YAMAHA CS 60 + KORG SIGMA Test Pitch-Amyr Cantusio Jr & Paulo (Audiocare Shop Campinas)
video upload by AMYR VON BATHEL CANTUSIO JR ALPHA III PROJECT
"SYNTHS -TESTE AFINAÇÃO
YAMAHA CS-60 (1977) +KORG SIGMA (1979)
AMYR CANTUSIO JR & PAULO (Audiocare Shop Campinas)
A primeira fase foi preparar os Sintetizadores ontem.Aqui eu no fundo no CS-60 e o Paulo segurando uma nota básica com oscilador no Korg Sigma.
Paulo é o 'engenheiro'que restaura estas máquinas raríssimas, complexas dos anos 70,Um trabalho incrível e de pesquisa, possuindo um acervo lindo para venda, além de consertar estas jóias de instrumentos.Filmado em celular pela Cathia este é o primeiro de uma série que postarei aos apreciadores da música eletronica e sintetizadores raros aqui, no facebook e Youtube.Enjoy it!!"
THE WERSIMATIC CX1
video upload by Vintage Audio Institute Italia
"Introducing the Wersimatic CX1 - a stylish auto accompaniment unit made in Germany in the early 80s.
It sports 4 sections :
Analog Drum machine
Bass section
Chord section
Arpeggiator section (it’s maybe more like a second chord generator)
Each section can be muted, individual drum sounds can be muted.
This specific unit was modified with independent volume control for each section - those are the extra knobs on the front panel - as well as separate outputs for each section in the back.
The drum patterns, the chord and arpeggiator sections are all programmable.
The CX1 was followed by the CX2 - which is basically the same machine but with 12bit sample drums instead of the CX1’s analog drums - it seems the bass, chords and arpeggiator sounds and patterns are all the same on the CX1 and CX2. The CX2 sports an additional row of buttons for programming purposes but those are available on the CX1 as well - the row of buttons on the left has a third submenu."
Additional WERSIMATIC CX1 posts
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
