Bird-like sequences with bizarre clocks thanks to USTA and FALISTRI

video upload by Frap Tools

"Time to explore more quirky interactions between USTA and FALISTRI!"

Check the other video here.

00:00 Introduction and patch overview
01:23 Using gates to switch the clock on and off
04:42 Changing the gate patterns
05:55 Using preprogrammed patterns instead of random events
07:10 Using an envelope to add ornaments

Roland GAIA 2: Every Factory Preset (no talking!)

video upload by Scott's Synth Stuff

"The Roland GAIA 2 has the best set of factory presets I have heard in a long time on a modern synthesizer. Listen to these presets and this synth will sell itself. It did for me."

Full review and comparison posted here.

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ISE-NIN by Black Corporation Ambient Performance

video upload by Martin Stürtzer

"The ISE-NIN is a synthesizer 'inspired by' the Roland Jupiter 8. Both sounds in this track are played at the same time using the dual layer mode. The first patch is sequenced by 'Stepic' by Devicemeister. I added effects from Valhalla DSP (Delay & Room).

This machine was kindly borrowed for making this video. No money changed hands and Black Corporation has no say over the content of this video."

Roland SH 101 meets Chase Bliss MOOD MK1

video upload by Nicolas Melis

0:00 - 1:22. 1
1:23 - 1:55. 2
1:56 - 3:26. 3
3:27 - 4:39. 4

Real World Interface by Verbos Electronics - Overview & Demo

video upload by Stazma

"Today I'll be showing you the new Real World Interface by Verbos Electronics.
This is sort of the first contact with the module, trying all the things I thought i could do and listening to different stuff processed throught it.
It's a very interesting and deep module, and there's so many ways to use it that I'll do a second video with a few more patch ideas soon.

Have fun!"

00:00 Intro
01:11 Fast forward unboxing & first patches
02:41 Module Overview
04:23 Patching a compressor
06:04 Pre-amp & saturation test
08:22 Drum machine driven patches
14:17 A.G.C, Fundamental & Locked VCO outputs
17:54 Stereo pre-amplification & enveloppe follower
22:38 End talk

The Real World Interface is a 3 channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the center channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sound into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960’s. The Locked Oscillator plays a sine wave at the same pitch as the input signal.

Additional posts

Cherry Audio PS-3000 Patching Techniques - Hosted by Tim Shoebridge

video upload by Cherry Audio

"In this follow-up to the overwhelmingly popular PS-3300 tutorial. [Introduction video here]

Tim Shoebridge digs deeper into the semi-modular nature of PS-3300, and demonstrates a number of patching techniques to get more out of this monster synthesizer."

Multi Rhythmic Patches with Midicake ARP

video upload by midicake

"Using multiple arpeggios on different meters and sequence lengths can make for very interesting results.

In this video, I go through the parameter settings used to create a lazy but rhythmically complex patch. Its varying rhythms make the focal melody constantly shift between different arpeggios/instruments.

Let me know what you think in the comments."

New member of Oceanic, the FlangerBot in charge.

video upload by sonicLAB

"Flanging, by definition, is an undulating sound effect produced by mixing two identical signals together, with one signal delayed by a small and gradually changing period. This creates a sweeping comb filter effect, with peaks and troughs in the resultant frequency spectrum. The motion of trochoidal waves on the Oceanic, with their natural ebb and flow, perfectly mirrors this undulating characteristic. When applied to modulate flanger parameters, trochoidal waves not only enhance the flanging effect but also make it feel more organic and alive.

The FlangerBot presents 5 distinct oceanic flangers and by modulating the delay rate of each flanger, introducing undulating filtering effects, and triggering tap delay lines with wave heights, the FlangerBot offers a sound processing experience that is both intricate and expansive.

On the video, a simple Jupiter8 pad is being processed and then 2 Fundamental3 presets. No additional effect has been applied."

Also see: Oceanic, a deep dive into the sound of waves.

GOLDEN MASTER PEDAL by ENDORPHIN.ES

video upload by Endorphin.es

"We proudly present the GOLDEN MASTER PEDAL: a 24-bit 96kHz multiband processor effect unit that redefines the art of sound manipulation.

AVAILABLE NOW from ENDORPHIN.ES directly and worldwide retailers: [see the dealers on the right]

Crafted with the discerning needs of both live musicians and studio virtuosos in mind, this pedal stands as a testament to punch and power. At its core, the Golden Master boasts 32-bit internal processing, delivering pristine audio that enriches stereo mixes and imparts life to individual elements.

This pedal brings a plethora of features including an classic 3-band equaliser with selective compression, end-of-chain limiter, multiband sidechain and stereo image widener with dry/wet control. Such a versatile array of tools makes the Golden Master an indispensable instrument for adding energy and clarity to your music - whether you are a guitar or bassists player or just mastering the whole mix directly into venue PA.
Innovating further, the per-band EQ can be controlled externally using an expression pedal or the sidechain envelope follower derived from an external audio source. This ground-breaking technique empowers you to harness granular control over the spectrum sculpting frequencies and dynamics with unparalleled precision.

Compact and lightweight, the GOLDEN MASTER PEDAL seamlessly integrates into live setups, allowing you to achieve commanding, stageready mixes effortlessly.
With the capability to store and recall 3 presets, morphing between soundscapes becomes an intuitive one-handed experience, ensuring your creativity flows unhindered.
Moreover, the Golden Master's high impedance inputs and pseudobalanced outputs transform it into an exceptional DI box for minimising
noise when interfacing with large PA systems."

GHOST PEDAL by ENDORPHIN.ES x ANDREW HUANG

video upload by Endorphin.es

"We're thrilled to unveil the GHOST PEDAL: a collaborative masterpiece born from our ongoing synergy with Andrew Huang.

AVAILABLE NOW from ENDORPHIN.ES directly and worldwide retailers: [see the dealers on the right]

Tailored for audacious sound designers and electrifying live performers, the GHOST PEDAL embarks on an odyssey of multi-dimensional audio effects.

Prepare to be captivated by its arsenal of effects, including distortion, cabinet simulation, bitcrushing, and a trio of reverbs that span from lush halls with infinite freeze and shimmer to reverberating springs and ethereal reverses. A distinctive delay section takes centre stage, featuring a single delay line that can be harnessed for looping, stereo choruses and resonant textures.

The Ghost Pedal's expansive filter suite offers three distinct types – state-variable LP/HP, Band Pass, and a comb filter that morphs into a resonator with high resonance settings. Immerse yourself in sonic exploration as you modulate effects using the built-in multi-shape LFO or external sources such as the envelope follower, expression pedal or MIDI.

But what truly sets the Ghost Pedal apart is its Routing Matrix, providing six versatile routing options that redefine the sonic journey. With a simple button press, you can reshape the order of effects in the audio processing chain, from cataclysmic subharmonics to celestial shimmer reverbs.

The Ghost Pedal is a haven for creative expression, offering 9 presets that can be seamlessly morphed and recalled on the fly. Sharing and evolving your sound is effortless, as presets can be exchanged between users via SysEx messages opening the doors to endless sonic horizons.

The Ghost Pedal redefines convenience with its compact design, offering also an all-in-one solution for both pedal boards and multi-effect processors.

It boasts a carefully chosen selection of intuitive hands-on controls that eliminate the need for cumbersome menu diving, steep learning curve or connectivity overkill."