Saturday, April 20, 2024
Casio MT-100 graphic equalizer demo
video upload by Alfonse
"A quick demo of how the 5-band graphic EQ on the MT-100 affects the sound. You can apply it to just the voices or to everything including drums and accompaniment. The 5 bands are 350Hz, 500Hz, 1KHz, 4KHz and 10KHz.
Hear a full track made with the MT-100 [posted here]
Store: http://alfonse.bandcamp.com
Website: https://www.alfonsemusic.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic"
Can one single synth patch really inspire us to create?
video upload by Scott McAuley Sounds
Groove Synthesis 3rd Wave videos
"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk
Decided to quickly put together a synthwave styled track , based on Patch 100 from 3rd Wave - Dynamica Volume 1 - Patch Name 'SM Love the Wave'
Only spent a few hours on this tonight, so far from a completed masterpiece, mainly just to let folks see that inspiration or ideas CAN come from one patch that may inspire you, or trigger something that leads you to create something special!
To accompany the patch - I added a few other custom sounds, from
1 - OB6 filtered Sweep Pad on left (Patch O23 - SM Big Sky Me from Venture Vol.1)
2 - Take 5 - sizzle pad on right ( Patch D01 - SM Film Poly from Ethereal Vol.1)
3 - Prophet 6 - Synced Lead (Patch006 - SM Daft Sync from Divinity Vol.1 - )
4 - Prophet 6 - Main Lead (Patch048 - SM Smooth Lead - from Divinity Vol.1)
5 - UB-Xa Sub When Main Lead Comes in - (patch 58 - SM Reese Bass from Sonorous Vol.2)
6 - UDO Super-6 - Bell like arp (PatchB3 - SM Check That Pulse from Virtuality Vol.1)
7 - Drums are LM1
Enjoy
© Scott McAuley. All rights reserved."
8 Patches with Fors TELA
video upload by DATABROTH
"Read my full review here: https://www.databroth.com/blog/tela-r...
check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"
Yamaha CS-60 Polyphonic Synthesizer SN 1087
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
"Recently serviced, cleaned, calibrated, and tuned. Fully functional and tested at the shop. However, while all of the voicings work, there is one particular voice that is somewhat affected by a faulty filter IC. The shop was unable to find a replacement filter. This was the only issue that they found. To reiterate, all voicings are functional. The D2 key was replaced and is fully functional. There are a few marks on either side of the keyboard face as shown in the pictures. The back input jacks are fully functional but the "external" knob is a bit loose. The top of the case has a decent amount of wear on the top, but again, does not affect the playability of this rare synth. Serial number is 1087."
via this listing
"Recently serviced, cleaned, calibrated, and tuned. Fully functional and tested at the shop. However, while all of the voicings work, there is one particular voice that is somewhat affected by a faulty filter IC. The shop was unable to find a replacement filter. This was the only issue that they found. To reiterate, all voicings are functional. The D2 key was replaced and is fully functional. There are a few marks on either side of the keyboard face as shown in the pictures. The back input jacks are fully functional but the "external" knob is a bit loose. The top of the case has a decent amount of wear on the top, but again, does not affect the playability of this rare synth. Serial number is 1087."
Roland Jupiter 6 Polyphonic Analogue Synthesizer SN 354197
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
"Featuring 6 voice polyphony, 12 oscillators at two per voice, 2 LFO's with four waveforms (sine, tri, ramp, random), 24 db/oct 4-pole low pass/high pass filter or 12 db/oct 2-pole bandpass with individual ADSR envelopes, arpeggiator, patch memory (48 tones/32 patches) and midi.
Includes custom aluminium-cornered flight case & 2 x Midi cables & IEC. (Original 240v model).
Serviced prior to sale."
via this listing
"Featuring 6 voice polyphony, 12 oscillators at two per voice, 2 LFO's with four waveforms (sine, tri, ramp, random), 24 db/oct 4-pole low pass/high pass filter or 12 db/oct 2-pole bandpass with individual ADSR envelopes, arpeggiator, patch memory (48 tones/32 patches) and midi.
Includes custom aluminium-cornered flight case & 2 x Midi cables & IEC. (Original 240v model).
Serviced prior to sale."
Roland G-505 Guitar Synthesizer Controller, GR-300 Polyphonic Guitar Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
"Up for sale, a 1980s Roland G-505 Guitar Synthesizer Controller and GR-300 Polyphonic Guitar Synthesizer [SN 090427] in 100% original condition and in perfect working order,
complete with the original 24-pin cable. First introduced in 1980 as a follow-up to the GR-500, the GR-300 is perhaps best known for its usage by Pat Metheny; produced at the venerable Fujigen factory in Japan, this versatile guitar synth can deliver a huge range of decidedly unique sounds, with a hexaphonic fuzz circuit, VCO synth, and combinations of the two. This GR-300 comes complete with the G-505 Guitar Controller, taking its design cues from a Strat with a sleek ash body, one-piece maple neck, and a trio of single coil pickups alongside the synth pickup.
The G-505 Guitar Controller guitar has plenty of natural sparkle and shimmer, and the Roland PU-134S pickups deliver a bevy of Strat-style tonalities via the five-way selector switch. Weighing 8lbs 12oz, the G-505 has been professionally setup here at Mike & Mike’s Guitar Bar with 10-46 strings, low action, and spot-on intonation.
The maple neck has a slender C-shaped profile carve with good shoulders, gaining appreciably more heft and roundness in the upper registers, measuring .810” deep at the 1st fret and 1.015” at the 12th. The fretboard exhibits light finger wear through the gloss, and the slender fretwire ostensibly benefits from a level and crown in this guitar’s lifetime, showing virtually no wear. This Roland plays cleanly up the 25 1/2“ scale with a straight neck and a responsive, optimally-adjusted truss rod, and the nut measures 1.650” (42mm) in width. The headstock features a bullet truss rod nut and gold “GR” logo, and the Gotoh tuning machines function reliably. The back of the headstock retains the silver foil serialized sticker.
The electronics on the guitar controller are untouched, with a control scheme including Master Volume, Guitar Tone, Guitar/EG Balance (Blend), VCF Cutoff Frequency, VCR Resonance, and LFO (Vibrato) Depth knobs. Additionally, the three-position Mode toggle enables on-the-fly switches between Hexaphonic Fuzz only (Mode 1), Fuzz and VCO synth tandem (Mode 2) and Synth only (mode 3). The controls are capped by the original sextet of knobs with ridged grips for easy adjustments, and the three-ply white pickguard rounds out the plastics.
Cosmetic wear on the gloss Metallic Blue finish includes a number of nicks and dings on the body as a whole, most prominent along the lower bout perimeter, with some finish chipping adjacent to the output jacks, and some very subtle texturing in the finish on the top. The neck profile retains its smooth gloss, with a handful of shallow marks that have no impact on playability.
via this listing
"Up for sale, a 1980s Roland G-505 Guitar Synthesizer Controller and GR-300 Polyphonic Guitar Synthesizer [SN 090427] in 100% original condition and in perfect working order,
complete with the original 24-pin cable. First introduced in 1980 as a follow-up to the GR-500, the GR-300 is perhaps best known for its usage by Pat Metheny; produced at the venerable Fujigen factory in Japan, this versatile guitar synth can deliver a huge range of decidedly unique sounds, with a hexaphonic fuzz circuit, VCO synth, and combinations of the two. This GR-300 comes complete with the G-505 Guitar Controller, taking its design cues from a Strat with a sleek ash body, one-piece maple neck, and a trio of single coil pickups alongside the synth pickup. The G-505 Guitar Controller guitar has plenty of natural sparkle and shimmer, and the Roland PU-134S pickups deliver a bevy of Strat-style tonalities via the five-way selector switch. Weighing 8lbs 12oz, the G-505 has been professionally setup here at Mike & Mike’s Guitar Bar with 10-46 strings, low action, and spot-on intonation.
The maple neck has a slender C-shaped profile carve with good shoulders, gaining appreciably more heft and roundness in the upper registers, measuring .810” deep at the 1st fret and 1.015” at the 12th. The fretboard exhibits light finger wear through the gloss, and the slender fretwire ostensibly benefits from a level and crown in this guitar’s lifetime, showing virtually no wear. This Roland plays cleanly up the 25 1/2“ scale with a straight neck and a responsive, optimally-adjusted truss rod, and the nut measures 1.650” (42mm) in width. The headstock features a bullet truss rod nut and gold “GR” logo, and the Gotoh tuning machines function reliably. The back of the headstock retains the silver foil serialized sticker.
The electronics on the guitar controller are untouched, with a control scheme including Master Volume, Guitar Tone, Guitar/EG Balance (Blend), VCF Cutoff Frequency, VCR Resonance, and LFO (Vibrato) Depth knobs. Additionally, the three-position Mode toggle enables on-the-fly switches between Hexaphonic Fuzz only (Mode 1), Fuzz and VCO synth tandem (Mode 2) and Synth only (mode 3). The controls are capped by the original sextet of knobs with ridged grips for easy adjustments, and the three-ply white pickguard rounds out the plastics.
Cosmetic wear on the gloss Metallic Blue finish includes a number of nicks and dings on the body as a whole, most prominent along the lower bout perimeter, with some finish chipping adjacent to the output jacks, and some very subtle texturing in the finish on the top. The neck profile retains its smooth gloss, with a handful of shallow marks that have no impact on playability.
Building a Buchla 248 MARF with Stages, Stages, Stages and Marbles
video upload by Cinematic Laboratory
"Sorry about that title. The MARF is short for the Multiple ARbitrary Function generator, a huge Buchla design carrying the model number 248, and is part of the 200 series. It's not easy to compare it with anything, but you could see it as a 16 step 0-CTRL, a Rossum Control Forge and maybe even the 250e circular Dual Arbitrary Function generator (DARF) like Frap Tools USTA. I contacted Todd Barton (thanks so much!) to be able to study a few MARF images. The sliders made me think of Mutable Stages, and the control section reminded me of Marbles. While getting lost on the way, I finally got a patch that sounded similar: 'music that sounds like dancing butterflies'.
The recipe involves variable timing, notes, a quantizer, and a transpose. You may also need a trigger or gate when a segment runs or finishes. There's a lot to explore here, and I don't think you can find a MARF in a single eurorack solution. I tried to approximate it, but I also needed Maths to do envelopes and gate extraction. It took a while to make this video and I wasn't sure about the results until the very end. Then suddenly, it worked.
You'll need a lot of stuff to do it, but there may be smaller solutions. I'll revisit this idea when my Control Forge arrives and I'll be able to combine USTA with the CF.
This is a complex video so I hope it will make a bit of sense. It would have been better to figure all this out and then make a video. But you'd be missing the fun of exploration. There are plenty of useful examples of how 'factory' Stages can be used, but I installed the Qiemem firmware for max flexibility. In the end I only used its 'random segment' feature in this video, but it doesn't play a role in the MARF patch. You can do this with factory Stages but it still requires a chain of 2 or 3. You can use any sequencer with a clock input for this. A DFAM will also help you to cover the time/level sequence.
Installation requires playing a .WAV into the module which can be bit of a drag. I recommend using a eurorack sample player like the BitBox for a high success ratio. Using a phone, PC or pad can be a nightmare. Also, I am not sure if the firmware works on a clone, please comment if you tried it.
https://github.com/qiemem/eurorack/re...
I am still trying to wrap my head around it. Even though Stages and Marbles are now discontinued, they're easy to find as fully functional clones. With Eurorack, we have the 'power' to build our own synths, or get inspired by designs which are still amazing and modern after +50 years. I hope it inspires you too."
Fervour - Live Industrial Jungle Doom - Ableton Push 3 Standalone, Perkons HD-01, Tasty Chips GR-1
video upload by Abre Ojos
"134bpm Industrial Psychedelic Jungle Doom
Live hardware jam with Ableton Push 3 Standalone, Perkons HD-01 and Tasty Chips GR-1 Granular Synth.
Perkons & GR-1 fed into the Push with some Roar and Hybrid Reverb.
Video processed live through Resolume
Shot with GH5 MKII
Dark ambient audiovisual stuff: https://abreojos.net
Noisy layered drone techno: https://dronskot.net"
CircuitTracks J-6 / Original / Jam
video upload by cocolobeat / ココロのサケビ
Novation Circuit Tracks
Roland AIRA Compaact J-6
Melodic House
Progressive House
Techno Pop
Melodic Techno
Electronica
instrumental
Dawless
Jam
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
