Introducing Behringer GRIND

video uploads by Behringer

"Dive into the world of Hybrid Semi Modular Synthesis with the Behringer GRIND, the latest addition to the Behringer Producer series. With a multi-engine digital oscillator, classic analog ladder filter and 24 digital oscillators including 15 Mutable Instruments Plaits engines there's no tone you can't create with this synthesizer."

Playlist: 1. Y'all Ready For This? Introducing Behringer GRIND
2. Full Breakdown | How the GRIND Song was created
3. GRIND | Extended Demos (no talking)



"This new hybrid synth is a jack of all trades and you’re going to be the master of all of them! The Behringer GRIND is an amazing sound powerhouse that can do anything from percussion, searing lead tones, thunderous bass lines, drones and dreamy soundscapes.

At the heart of GRIND is its 24 digital oscillators which includes 15 Mutable Instruments Plaits engines that can be used to create several different sounds from ethereal pads, lush chords and some funky bass lines.

Engines include:

Virtual Analog
Waveshaper
FM
Grains
Rain
Noise
Dust
DX7
TD-3 Bassline
Wave Generator
Vox
Versatile VCF
Versatile VCF

GRIND’s classic 24 dB ladder filter, lets you freely experiment with the Cutoff Frequency, Resonance and Modulation to dial in the perfect sound. The filter Mode switch can be set to either Lo- or Hi-pass for selecting the range of your choice.

Onboard Sequencer and Arpeggiator
GRIND’s sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern.

Truly Analog LFO
Thanks to its dedicated and fully analog Low Frequency Oscillator (LFO), GRIND lets you choose from either triangle or square waveforms and features an LED that provides visual feedback of the adjustable LFO Rate."

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Sequential Circuits Prophet VS Vector Synth - 80’s Music - MikeSynth

video upload by Mikus Pilatus

The DARK Art's let get Experimentall with Oberheim TEO-5

video upload by James Dyson

"The DARK Art's let get Experimentall with Oberheim TEO-5
Did 3 patches earlier I'll play those then from scratch.
This could end up sounding like crap so be warned! :)"

UNO Synth PRO Desktop Ik Multimedia Analog synth in action - no talking

video upload by Blossom Bisquits

"UNO Synth Pro gives you the power to create almost any analog synth sound you can imagine. With its unique dual filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connectivity, and more, UNO Synth Pro opens up new avenues for music producers.

Available in two versions to suit every musician’s needs: stage-ready with a metal chassis and the best Fatar semi-weighted keyboard; or ultra-portable, USB-powered, and with a capacitive keyboard, UNO Synth Pro brings the next generation of analog sound design to everyone, in a smart format that fits any space or budget."

Moog Minimoog Model D 1974 Walnut Vintage Original Synthesizer w/ Hard Case SN 6295

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E-MU Systems Drumulator Drum Machine SN3856 w/ Factory Soundset

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Pics of the inside below.

"This Drumulator has the Factory EPROM Sound Set. Fully working unit, battery still having a good 3v and saving patterns well. Purchased this one locally earlier this year, got the button contacts cleaned up and replaced A and B drum triggers and a couple of control buttons since they were totally shot. So while the case interior indicates some markings of interesting provenance, but really doubt it was used by any bands potentially called EMF but who knows? I can't prove otherwise. Anyway...refer photos for cosmetic blemishes, scratches."

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Oberheim Xpander Desktop

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Korg MS-10 w/ SQ-10 Sequencer SN 130170 & 151111

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"The Korg MS-10 is an analog, semi-modular monophonic synthesizer made by Korg in the late 70's. It is essentially a single oscillator, single filter version of the more famous MS-20. One valuable feature the MS-10 has, that the MS-20 does not, is pulse width modulation. It has the same classic low-pass filter of the MS-20 and you can patch any audio source through it."

"The SQ-10, produced in 1978, is a classic analog sequencer from Korg's MS series. It offers 12 steps (max 24), 3 channels of voltage (2 CV & 1 Gate), portamento, 6 cycle options, individual trigger outputs, and external control."

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Vermona Mars & Mars Control

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"The Vermona M.A.R.S is a compact synthesizer that is just a single rack unit high and 2.5-inches deep. It was released in 2006 and Vermona opted to keep the front panel design just as simple and compact as the unit itself. It features a stylish silver design with knobs, LEDs, and LCD.

The first knob is the PROG/PARAM, which is turned to select presets and pushed to activate them in Play Mode. It is also used to select parameters in Edit Mode, as well as change between modes, which is accomplished with a push and hold. Next is the Value knob, which is turned to adjust values. It can also be used to audition the active preset and clear the internal note memory by pressing it. There's also a Brilliance knob for adjusting the cutoff frequency in a smaller range and a Volume knob for setting the main output level of this synth. Between these four knobs, a lot can be accomplished and by limiting their numbers Vermona has kept the front panel uncluttered.

The only other things on the front panel are the 2-line LCD, the section LEDs that show which synthesizer section is being edited in Edit Mode, and a set screw that is used for tuning the synth. The screw is a rather interesting addition to the synth, but provided you warm up the M.A.R.S sufficiently it stays stable, so you don't have to mess with master tuning too much. The back panel of the M.A.R.S is just as clutter-free with only a Footswitch/ENV 1 Out, 9-12V AC jack, MIDI In Jack, MIDI Out/Thru jack, and output jack.

The Vermona M.A.R.S features a total of 128 onboard patches, but all of these can be overwritten with your own if you wish. It features the usual assortment of leads, sound effects, and basses that give analog monosynths their distinctive sound, and tweaking everything to your own liking is a simple process. For those who find programming the M.A.R.S via its front panel to be too simple, Vermona also released a special optional control unit. This 2U rackmount module has 56 small knobs that can be used for tweaking all the addressable parameters of the M.A.R.S unit. The unit itself is not quite as stylish or solid as the M.A.R.S but offered an inexpensive way for greater control of the M.A.R.S for those who didn't already have a MIDI controller box.

Overall, the Vermona M.A.R.S was a decent synth for its time that offered powerful analog sounds in a very compact unit."

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Cwejman VCO 6 Eurorack Oscillator Module

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You can find additional listings from the seller here.

"Amazing and much sought after module that sounds so rich."

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