Corsynth Audio Demos

video uploads by Corsynth

Playlist:

CORSYNTH C101 OTA LOWPASS FILTER - Audio Demos

Corsynth C101 and C101B audio demos. The C101 OTA Lowpass filter MKII is a four pole low pass filter based on four cascade OTA-stages. MU Format More info : http://www.corsynth.com

CORSYNTH C102 VC LFO - Audio Demos

The C102 VC LFO is a voltage controlled low frequency oscillator with five waveforms available simultaneously.

CORSYNTH C103 Frequency Divider / Multiplier MKII - Audio Demos

The C103 Frequency Multiplier / Divider MKII includes two frequency dividers and two frequency multipliers.

CORSYNTH C104 Odyssey of Sound VCO - Audio Demos

The C104 Odyssey of Sound VCO is a voltage controlled oscillator based in the discrete core of the ARP VCOs

CORSYNTH C105 VC Noise / Lo-Fi MKII - Audio Demos

The C105 VC Noise / Lo-Fi Machine MKII is a voltage controlled analog sample rate reducer , sample and hold and a VC Noise generator.

CORSYNTH C106 Dual Loopable VC AD Envelope - Audio Demos

The Corsynth C106 Dual Loopable VC AD Envelope it’s a really versatile module. It’s not only a Dual Voltage Controlled Attack / Decay envelope, it’s also a dual VC LFO, an audio generator, a complex contour generator, a dual pulse delay, a voltage controlled AD envelope with adjustable delay and more….

CORSYNTH C110 2044 VCF - Audio Demos

The C110 2044 VCF is a four pole low pass filter based in the classic filter SSM2044. This filter chip is responsible for the sound of some well known polysynths from the 80s like the Korg Mono/Poly, Korg Polysix, Korg Trident, PPG Wave 2.2 and 2.3, EMU Emulator I, Kawai K3 and Sx-240, Siel Opera 6….

CORSYNTH C113 West Coast Timbre - Audio Demos

A wavefolder is a non-linear waveshaping circuit that allows to create rich harmonic waveforms. Its a distortion circuit that folds back the signal when it reaches a certain level.

CORSYNTH C114 T-Mixer - Audio Demos

The C114 T-Mixer is a four channel transistor based mixer. The design is based on the classic Moog CP3 mixer but adapted to modern modular signal levels. The CP3 mixer was a key factor in the classic Moog modular sound.

CORSYNTH DR-01 Bass Drum - Audio Demos

The DR-01 Bass Drum is an analog drum module in MU format. The DR-01 has all you need to create bass drums , toms a many other sounds

CORSYNTH DR-02 Snare Drum - Audio Demos

The DR-02 Snare Drum is designed to synthesize electronic snare drum sounds of any kind. From the classic preset drum machines from the 70s to TR-XXX, electro snares, zaps…

CORSYNTH DR-03 Hi-Hats / Metal - Audio Demos

The DR-03 Hi-Hats / Metal is designed to synthesize Hi-Hats and metal percussion and even FX

Corsynth C106 Dual Loopable VC AD Envelope used as a noise generator

Published on Feb 5, 2015 Corsynth

"Showing how to use the Corsynth C106 as a noise generator
More info :http://corsynth.com/home/modules/c106..."

Corsynth C106 - The Krell Patch

Published on Oct 10, 2017 Corsynth

"A Krell patch using the C106 Dual Loopable VC AD Envelope.The Krell patch is an auto generative patch, that evolves over time without touching the the modular."

Corsynth C106

New Corsynth C106 Dual Loopable VC AD Envelope & More

You might remember the previous demos posted here, here and here.  Above is a new playlist and the details via Corsynth:

"The C106 Dual Loopable VC AD Envelope & more it’s a really versatile module. It’s not only a Dual Voltage Controlled Attack / Decay envelope, it’s also a dual VC LFO, an audio generator, a complex contour generator, a dual pulse delay, a voltage controlled AD envelope with adjustable delay and more….

The core of this module are two loopable voltage controlled Attack / Decay envelopes that can be interconnected in different ways to create different functions.

Connection modes:

Two independent Attack / Decay envelopes ( single shot or looping )
Envelope A triggers the Envelope B after reach the end of the Attack phase
Envelope A triggers the Envelope B after reach the end of the Decay phase
Envelope B triggers the Envelope A after reach the end of the Decay phase
Envelope A triggers the Envelope B after reach the end of the Attack phase and Envelope B triggers Envelope A after reach the end of the Decay phase
Envelope A triggers the Envelope B after reach the end of the Decay phase and Envelope B triggers Envelope A after reach the end of the Decay phase

Special
Corsynth C106 Dual Loopable VC AD Envelope & More
Each envelope has four manual controls, Attack/Decay time and Attack/Decay shape, continuously variable from exponential to logarithmic. The A/D times can be voltage controlled using the three available modulation inputs, one for the Attack time, one for the Decay time and one that controls the Attack and Decay times simultaneously.

Attack / Decay times without voltage control:

Exponential Attack : from 0.5 ms to 7.5 s
Logarithmic Attack : from 5.5 ms to 68 s
Exponential Decay : from 4 ms to 10 s
Logarithmic Decay : from 37 ms to 94 s
Each envelope has an envelope output (0 to 5V), a bipolar output ( +/-5V ), an END pulse output (outputs a short pulse every time the envelope reach the end of the Decay stage) and a gate/trigger input.

There are also another two common outputs with special functions :

A+B output: outputs the addition of the Envelope A and Envelope B. This function is really useful to create complex envelopes, delayed envelopes …
A-B output: outputs the subtraction of the Envelope A and Envelope B. Using this output you can get inverted envelopes, complex waveforms…
This module is built using high quality electronic components, Switchcraft jacks, NKK switches, Cosmo knobs (the same used in the Moog Modulars) , black anodized aluminium front panel…."

Corsynth C106 - 303

"Only three modules were used
Corsynth C106 ( prototype version )
Corsynth C101 OTA Low Pass Filter
VCA"

5U Modular System

Note: Auction links are affiliate links for which the site may be compensated.
Published on Nov 12, 2019 Dave Olson

via this auction

Modules Included:
Corsynth C104 Odyssey of Sound VCO
Corsynth C101 OTA Lowpass filter MkI
Corsynth C103 Frequency Dividers
Corsynth C107 Quad Linear VCA / VC Mixer
Corsynth C106 Dual Loopable VC AD Envelope
Moon Modular M501 D Dual Oscillator
Moon Modular M501 M Oscillator Mixer
Moon Modular 551 Midi CV
SSL Synthetic Sound Lab 1200 VCO
SSL Radio Music Model 1440
SSL Quad LFO Model 1250
SSL Model 1520 Seqwencer IV
Free State FX FSFX 102 Granular Audio Processor - Clouds
Synthesizers . Com Q106 VCO
Synthesizers . Com Q106 VCO
Synthesizers . Com Q107 State Variable Filter
Synthesizers . Com Q150 Transistor Ladder Filter
Synthesizers . Com Q112 4 Channel Mixer
Synthesizers . Com Q109 Envelope Generator
Synthesizers . Com Q109 Envelope Generator
Synthesizers . Com Q109 Envelope Generator (modded)
Synthesizers . Com Q105 Slew Limiter
Synthesizers . Com Q108 Amplifier (VCA)
3 Synthesizers . Com Box 11 Cases with Walnut sides & Hardware
Synthesizers . Com QPS5 External Power Supply for 66 Spaces
2 Korg SQ1 Step Sequencers"

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5U // Corsynth - C106 Dual Loopable VC AD Envelope & more

Published on May 18, 2017 DiscoverNoise

"DiscoverNoise 093-
5U 020-

Demo of the Corsynth C106 Dual Envelope."

Hordijk 24dB Filter Test Jam (w/ MU Modular Synth, Volca Beats & SQ1) #TTNM

Published on Aug 4, 2015 The Tuesday Night Machines

"Borrowed a Rob Hordijk 24dB Filter for my 5U Modular Synth system to try it out. I think I like it :D

Questions or comments? Go ahead and post them below! :) Thanks for watching! Check out my channel for more Synthesizer Music.

The signal goes like this:

Audio:
Curetronic VCO Sine - VCA 1 - Main Output
Curetronic VCO Pulse - Hordijk 24dB Filter LP In
Curetronic VCO Light Pulse - Hordijk 24dB Filter BP In
24dB Filter output - VCA 2 - Main Output

Modulation:
Corsynth C106 signals - VCA 1 & 2 CV in, Filter 1V/Oct in, LFO FM in
Yusynth Dual VC LFO signals - VCO PWM inputs, Filter Resonance Mod in, Filter Cutoff Mod in


Audio gear used:
- 5U MU Modular Synthesizer (Curetronic VCO, VCO Light, Multiples, Rob Hordijk 24dB Filter, Oakley Dual VCA, Corsynth C106 Dual VC AD Envelope, Yusynth Dual VC LFO)
- Korg SQ1 Sequencer
- Korg Volca Beats (drum machine)
- Tascam DR-40 (recording)


Filmed with a GoPro Hero 4 Silver."

Corsynth C106 - Percusive Sounds

"Few percussion examples using the snappy C106 envelopes.
The bass drum sounds were created using Env1 to control the VCA and the second Env2 to modulate the pitch of the VCO.
The open-closed hit-hats were created using the Decay CV input connected to the 1V/Oct keyboard output , higher notes creates longer decay times."

MU - Dark Dream

Published on Aug 17, 2019 Precarious333 Music

"Stressful dream. Dark presence. Infinite dimly lit corridors. What does it mean?

Recorded as 4 tracks into Ableton Live 8. EQ, compression, panning and effects added in post.

Patch Notes:

BASS - Q106A saw wave and Corsynth C104 soft clipped saw sequenced by SymplSEQ 1 into Q105 low pass modulated by C106 channel B and AD ENV. C104 starts out static with no CV to pitch until 45 seconds in.

CHIME - Noise Engineering Basimilus Iteritas Magnus controlled by a second SymplSEQ.

MELODIC - Noise Engineering Ataraxic Iteritas Magnus through Q107A low pass filer modulated by AD ENV. Also sequenced by the second SymplSEQ. I love the Noise on this module. Not standard noise but adds instability to the pitch. It's a really nice effect.

GATED - Same Noise Engineering Ataraxic Iteritas Magnus but through Q107A high pass filer into Oakley Deep Equinox modulated by C106 A-B Out then VCA gated 16th notes.

The MELODIC and GATED components coming from the same source and running through the same multimode filter are balanced by the filter frequency knob with GATED high pass fading at high frequency settings and MELODIC fading as the low pass filter closes.

TIMING - MIDI to clock pulse supplied by Buchla 225e syncing Oakley LFO multed to SymplSEQ 1 and CGS01 Sub Oscillator acting as a clock divider/gate mixer creating the odd cadence of SymplSEQ 2. Irregular gate pattern from SymplSEQ 1 triggering an ENV and channel A of C106. Irregular trigger pattern from SymplSEQ 2 runs to sync of the other Oakley LFO re-triggering the cycle. This allows me to control the gate length by using the square out of the LFO at low rate and adjusting the pulse width adding sustain time to the ENV and NE BIM it triggers. The sine out of this LFO modulates wave shape on NE AIM."

Synthesizers.com Portable 22

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Here's a complete entry to the realms of 5U modular (or and addition to you setup of course)

I have now completed the system so it is very close to a 2022 Portable 22. It has a few exceptions though:

The Midi interface is the older Q104
The envelopes have been replaced with the Corsynth C106 Dual Loopable VC AD Envelope which adds some fun and functionality. On request I will replace the module with two Synthesizers.com Q109 Envelope Generators.
I have also added a Synthesizers.com Q120 Connector Module for easy integration with Eurorack.
The power supply is not integrated in the rack and consist of two QPS4 Desktop PSUs with power harness to power all modules (see photo)"

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Corsynth C106 - Delayed VCO Demo

"VCO1 to VCA1 - Envelope A controls VCA1
VC02 to VCA2 - Envelope B controls VCA2
VCA1 + VCA2 connected to the filter C101

The Envelope A triggers the Envelope B after reach the end of its Attack and Envelope B trigger Envelope A after reach the end of the Decay.

The Envelope A has a long decay so two VCOs can be heard during the decay of Envelope A.

And LFO is modulating the Envelope A (Attack and Decay)

The filter cut-off frequency is controlled using the A+B output."

Corsynth C106 Prototype Test

Corsynth C106 - Complex Modulation Pattern