MATRIXSYNTH: Search results for ER-101


Showing posts sorted by relevance for query ER-101. Sort by date Show all posts
Showing posts sorted by relevance for query ER-101. Sort by date Show all posts

Friday, March 30, 2018

Orthogonal Devices ER-101 ER-102 Demo Patch Eurorack CV Gate Sequencer


Published on Mar 30, 2018 SonicVoltage

"Orthogonal Devices ER-101 ER-102 Warm Up Demo Patch - Eurorack CV Gate Sequencer (Full Review Soon)
In this ER 101 Sequenced eurorack patch, I am only using the ER 101.
The ER-102, Expansion Module, is not being used.

The ER-101 is a 4 tracks CV and Gate Eurorack Sequencer Module with one Gate and two CVs output per track.

Kick: Hexinverter Mutant Bassdrum
Snare: Hexinverter Mutant Snare
Hats: Mutable Instruments Branches + Analogue Solutions HH88 + Doepfer A-136 DIS

Pads:
Erica Synths Pico Voice + AJH Synth GEMINI 2412 Dual Filter

Lead Drone:
Erica Synths Pico VCO + Sputnik Modular Quand VCF/VCA + Erica Synths DSP + Doepfer A-143-2 Quad ADSR

Bass: Studio Electronics Tonestar 2600

Plucked String Type: Mutable Instruments Rings

Abstract Data ADE-32 provides external clock for the Orthogonal Devices ER-101 Sequencer.

Xaoc Devices Batumi provides a couple of LFOs"

Update:

Saturday, April 07, 2018

Orthogonal Devices ER-101 ER-102 Indexed Quad Sequencer REVIEW (1/2) Eurorack Sequencer Modules


Published on Apr 7, 2018 SonicVoltage

"Orthogonal Devices ER-101 ER-102 Review (Part 1) Euroroack Modular Indexed Quad Sequencer & Controller

The Orthogonal Devices (OD) ER-101 is a Eurorack Modular Four Tracks Gate and CV Sequencer with 1 Gate and 2 CV channels per Track.

The ER-102 is the Sequencer Controller expander module which augments overall sequencing and modulation capabilities and also adds CV/Gate Recording.

In Part 1 of this ER101 and ER102 Review video series,
(Subscribe to this YouTube Channel, do not miss next episode!), we take a look at the overall features of both modules and we focus more on the main features of the ER-101, from a high-level understanding of this unique Sequencer to hands-on examples including Step Editing, Math Transforms, Smooth, etc...

Does the Orthogonal Devices ER-101 Sequencer and User Interface Paradigm work?

In Part 2 we will focus hands-on on the Orthogonal Devices ER-102 Sequencer Controller module

Orthogonal Devices ER-101 ER-102 - Part-1 REVIEW INDEX:

Saturday, December 07, 2013

New Orthogonal Devices ER-101: Indexed Quad Sequencer Eurorack Module


ER-101 Indexed Quad Sequencer: Test Video from Orthogonal Devices on Vimeo.


via Orthogonal Devices (additional videos below) [note this is the first Orthogonal Devices post]

"Highlights
- 4-track sequencer
- stepped and smooth voltage transitions
- each track has 3 outputs: 2 CVs + 1 gate
- each track contains up to 100 patterns and each pattern can contain up to 100 steps
- steps can be 0-99 clock cycles in duration
- gates can be 0-99 clock cycles in duration
- CVs are chosen (indexed) from voltage tables of which there are 2 per track (A & B)
- built-in voltage tables: 12-tone equal tempered, 22 shrutis, linear 0-8V, exponential 0-8V, linear-exponential 0-8V and others
- voltage tables are user-editable and have 100 entries per table
- voltages between 0.000-8.192V at 2mV increments can be dialed in
- each track has its own adjustable loop points
- smoothing can be enabled for individual steps, entire patterns and/or entire tracks
- smoothed transitions are NOT simply slews but are adjusted to match the current tempo in real-time
- hold feature (complete double-buffering of device state) allows smooth musical edit-commit-at-will while the sequencer is running
- while in hold mode, committing changes to a running sequence can be either immediate or quantized to the beat
- reset can be either immediate or quantized to coincide to with the ending of the current track, pattern, or step
- stores up to 16 snapshots of the state of the entire device
- arbitrary insert/delete of patterns/steps with clipboard style copy/paste
- math button allows you to specify a mathematical operation to apply to a step, a pattern or a track.
- expansion port
- firmware upgradeable via USB

Specifications
Width: 26hp
Depth: 2cm from the back of the faceplate
Current Consumption: max 120mA from +12V or +15V
Digital Inputs: x2 (clock and reset, threshold=2.5V)
Digital Outputs: x4 (gates, LO=0V HI=9.9V)
Analog Outputs: x8 (CV-A and CV-B, 0-8.192V at 12-bit resolution or 4096 levels)
Latest Firmware Version: v1.08
Max Total # of Patterns: 400/snapshot
Max Total # of Steps: 2000/snapshot"

Monday, July 10, 2017

amygdala.exe | Eurorack Composition


Published on Jul 10, 2017 Head[Space]

"Modules used and some brief patch notes:

All sequencing is programmed on a pair of ER-101's, one of which is coupled to a ER-102 sister controller module.

Continuing on my journey of creating music solely on a modular synthesiser, this song has been in the works for a while (a lot longer than I would usually spend on a patch anyway) partially because i'm expecting an ER-301 any day now after a long lead time, I wanted to integrate the 301 as i'm interested how the 301 is going to affect the music I can create in a modular environment, i'm excited to sink my teeth into it. Secondly to that, I felt an emotional connection with this track i've enjoyed listening to it, exploring it and programming it.

At the heart of my rack is a pair of ER-101's that do all of the sequencing, each one has 4 tracks, each track has 3 outputs (CV-A,CV--B and GATE) I will often use CV-A for melody or pitch and CV-B for distributing control voltages to parameters around the rack, if however CV-A is on a track that is only outputting Gates that gives me 2 channels of CV that can be fine tuned to any value, lots of control just the way I like it. I've always written music in a DAW, and the ER-101 pair allows me to approach sequencing in a similar, reserved and meticulous way.

They provide me with all the brushes I need for my paintings.

There are 3 main voices,
- Elements in Ominous Voice mode 4x4 FM operator, which is the main melody. Damping controls the amount of filter modulation from the internal envelope on the output of Elements, so to add accents and introduce more frequency content. CV-B track 3 on the ER-101 controls damping, and the entirety of track 3 controls Elements.
- Loquelic Iteritas - in SS mode playing chords with rings. Some modulation sent from Ornament and Crime controls FOLD (introducing more frequency content) using the same gate to trigger a different envelope.
- Rings in 2x2 FM operator mode, tuned to a nice interval for nice dispersion of harmonics. This plays chords with Loquelic (and itself, polyphony is set to 4 voices), small amount of modulation to the POSITION on Rings, controlling the feedback between oscillators creating some really nice beating on the lower frequencies. Rings is sent to the Erbe-verb which is always modulating itself so the internal Lfo is set to 11.30, decay is set to 12.00, Depth at 14.00 decreasing the depth of modulation, Tilt at 10.00 filtering out some of the upper harmonics and absorb is at 12.00 also filtering / dulling, ultimately thickening the sound the Erbe-verb is fantastic.

Clouds is processing Loquelic, creating random grains and adding reverb

DPO - is used for the kick created using Streams as a VCA / Envelope combo Exponential envelope and a second envelope from MATHS to modulate the exponential FM input on the DPO for a sharp descending pitch.

DPO second oscillator FINAL output is used to create the percussion, fm sent from VCO-A to VCO-B FM index all the way up, Exponential attenuator full lock, linear at 10.00. Sent to Dual looping delay, the DLD's parameters are modulated by the ER-101.

Braids is used to create a snare, using its internal envelopes / modulation. Also sent to the DLD, delay time is modulated from really short times to slower, to create fills.

Belgrad is filtering the Loquelic Iteritas' more digital harmonics out. with 2 different resonant peaks, allowing me to pick out the harmonics I thought sounded best.


ER-101 x2 - Orthogonal Devices
ER-102 - Orthogonal Devices
TEMPI - Make Noise
Ears - Mutable Instruments / Music Thing Modular
Ornament and Crime
Belgrad - XAOC Devices
Clouds - Mutable Instruments
Dual Looping Delay - 4ms
Erbe-verb - Make Noise
A-138b - Doepfer
Elements - Mutable Instruments
Rings - Mutable Instruments
Loquelic Iteritas - Noise Engineering
Optomix - Make Noise"

Thursday, May 21, 2015

Sequencing with Probability (Advanced Techniques for the ER-101/102)


Sequencing with Probability (Advanced Techniques for the ER-101/102) from Orthogonal Devices on Vimeo.

"A user asked on the forums how one can introduce probabilities into the ER-101/102 sequencing and thus this video was made to explain one method. The video is a quick tutorial on how to have individual steps trigger (or not) according to a (per-step) probability.

You can do this with the non-destructive transforms of the ER-102 groups because these transforms get re-evaluated every time the step is played. The trick is to get the ER-101/102 to threshold the output of the random operators. In other words, to get different probabilities just use the fact that parameters are clamped to be at least greater than zero and then combine the subtract operation with either the jitter (jt) operation or the (rd) operation.

For example, suppose we have 8 steps that are all the same DURATION=16 but have the following TRIGGER lengths (i.e. GATE lengths but track is set to TRIGGER mode):

1. 21
2. 0
3. 8
4. 6
5. 21
6. 0
7. 15
8. 5

Then we add these steps to GROUP #1 and set the X/LOW transform of GROUP #1 to

A = -20 (i.e. subtract 20)
rd = 20 (i.e. add a random number between 0 and 20)

The steps with the larger TRIGGER lengths will have a higher probability of being greater than zero after the group transform is applied. This way you can set the effective probability of a non-zero TRIGGER length per-step. In the example above, steps 1, and 5 will always fire but steps 2 and 6 will never fire. The other steps will fire with probability proportional to their TRIGGER length with anything greater than 20 having 100% probability. It's quite fun and allows you to create ever changing rhythms that nevertheless have a clear groove, in fact any groove that you want. Finally, you can use the MOD bus to control the 'probabilities' with external CV."

Wednesday, August 09, 2017

ROLAND SH-101 + KORG ER-1 ~ Will They Pair? Ep.21


once upon a synth
Published on Aug 9, 2017

"Pairing the Roland SH-101 with a Korg ER-1. The SH-101 is a vintage analog monophonic synthesizer from the 80s. The ER-1 is a digital drum machine from the 90s. Together they ooze vintage 90s techno/house vibes which I explore in this video. I'm largely using preset patterns on the ER-1. The ER-1 is outputting MIDI clock which I then convert into CV and feed into the clock input of the SH-101 to synchronize the sequencer. The SH-101 is then run through the ER-1 via its external audio input."

Saturday, December 20, 2014

Endorphines meets Er-101..


Endorphines meets Er-101.. from London Modular on Vimeo.

"Furthrrrr Generator/ ER-101/Tides/Galileon Moons/Borg/Opto Mix

An awesome selection of modules that I am having endless fun with.."

Saturday, April 26, 2014

Testing O|D ER-101 new beta doing Boc Kaini cover


Published on Apr 26, 2014 kastilmusic·1 video

"Testing ER-101 new beta update doing a simple cover of the fantastic Kaini Industries by Board of Canada. Love this sequencer!"

via Philippe Paris on The MATRIXSYNTH Lounge

"Nice vid with my fav EURO sequencer ER-101 from Orthogonal Devices"

Sunday, December 14, 2014

Orthogonal Devices: An ER-102 Overview


An ER-102 Overview: PARTS from Orthogonal Devices on Vimeo.

"A quick and dirty overview of the PARTS section on the ER-102 Sequencer Controller."


An ER-102 Overview: GROUPS from Orthogonal Devices on Vimeo.

"A quick and dirty overview of the GROUPS section on the ER-102 Sequencer Controller."


An ER-102 Overview: RECORDING from Orthogonal Devices on Vimeo.

"A quick and dirty overview of the RECORDING section on the ER-102 Sequencer Controller. The ER-102 is an expander module for use with the ER-101 Indexed Quad Sequencer."

Monday, June 29, 2015

Orthogonal Devices ER-101 & ER-102 as a trigger sequencer


Published on Jun 29, 2015 Robotopsy Robotopsy

"Here's a short patch using the ER-101 & ER-102 as a trigger sequencer."

Sunday, December 14, 2014

An ER-102 Overview: RECORDING


An ER-102 Overview: RECORDING from Orthogonal Devices on Vimeo.

"A quick and dirty overview of the RECORDING section on the ER-102 Sequencer Controller. The ER-102 is an expander module for use with the ER-101 Indexed Quad Sequencer."

All parts here.

Thursday, October 18, 2018

twinCUSSION 4


Published on Oct 18, 2018 vermonagear

"This video presents a small patch using only the available space within our Modular Case 104. If you follow our performance, you will find us mainly playing this patch using the modules’ switches and buttons. While we were pleased with the sound of this patch and found it worth being published we also found it worth showcasing such method of patch control where we cannot mess anything up as switches and buttons allow for jumping between settings at no risk.

twinVCFilter

The twinVCFilter is driven into self-oscillation on both sections, forming a dual sine wave oscillator. The first sections’ frequency modulates the second section for enhanced timbre control.
Both filter sections are controlled by the ER-101.
The filter’s output is fed to the Morphing Terrarium’s (MT) sync input while the output of the MT is used to amplitude-modulate the twinVCFilter’s output. Mostly we let the MT run at lower frequencies to misuse it as an envelope generator in this patch. This does not work just perfect, but it also shows how flexible modular can be.

twinCUSSION 1 (left)

Section A is pitch-modulated by a mix of its envelope output and its sine wave output. This allows bending the waveforms symmetry while retaining the pre-patched pitch bend. Toggling the frequency range switch to HI while shortening the envelope’s decay drastically down gives a nice and sharp click sound and makes up for an excellent alternative to the voluminous kick, that we achieve when setting the range switch to LO position while increasing the decay again.
Section B receives CV-data from the ER-101 sequencer. We also routed a voiceover into the square wave output, where it gets mangled with the internal waveform. By toggling the waveform switch, we can drastically change the final output of this section.

twinCUSSION 2 (right)

Section A receives the noise output of twinCUSSION 1 which is being amplified using the twinVCAmp. This way we trim the mix ratio between internal and external signals. Thus we can select between clean and noisy sounds to switch between drums and snare.
Section B generates the hihats and is amplitude-modulated by its sine wave outputs resulting in some tremolo-like effect.

The sum of all drum sounds is amplitude-modulated by an envelope to achieve global dynamic control over the drums itself and the inserted voice sample.

We hope you enjoyed this patch and that we could lift your imagination in modular ways.
Thanks for watching!

Your VERMONA crew from the
Elektroakustischen Manufaktur, Erlbach"

Tuesday, April 18, 2017

Orthogonal Devices ER-101 Analog 4 Track Sequencer for Eurorack Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This ER-101 has the 'original flavor' style of faceplate, with black screenprinting on top of a matte grey paint finish."

Pic of the back.

Monday, January 20, 2014

Braids First patch with ER-101 with drunk camera man


Published on Jan 20, 2014 Robotopsy Robotopsy·13 videos

"Static sequence with Orthogonal Devices ER-101
Simple nothing deep with the Braids only getting familiar with.
Braids with his new friends. Asteroid BD + Piston honda + Bionic Lester + Korgasmatron + Malgorithm + Double Andore + DPO + ZDSP + Echophone"

Sunday, December 28, 2014

Arctic Slithers Heed Nue Year Drippings


Published on Dec 28, 2014 kuxaan sum

"CLOCK/ROUTING: Pamelas Workout, 4ms RCD, WMD expanded SSM, Intellijel Mutamix, SSF Mixmode & Topobrillo Mixiplexer/Quantimator

SEQUENCERS: AD ADM06, Intellijel Metropolis, O|D ER-101, Xaoc Moskwa & Bytes Expanded Rainbow Turing Machine

OSCILLATORS: SubCon M52 Vampire & M15, Makenoise DPO, Intellijel Rubicon, Cwejman VCORM2, SynthTech Morphing Terrarium, Mungo w0 & WMD PDO

FILTERS: AMS Snowfall, Cwejman MMF1, BlueLantern M4250, Manhattan Analog MA35, uVCF & STG Post Lawsuit Filter

PERCUSSION: Mungo p0, Makenoise Mysteron & Noise Engineering Basimilus Iteritas

EFX: Modcan DualDelay, Makenoise Erbe-Verb & Echphon routed through expanded Intellijel DubMix

MODULATION/ENVELOPES: Makenoise Maths x3/Function, O|D ER-101, AD ADM06, Jelly Dixie/Quadra/Dr. Octature/DualADSR, SubCon M37, Doepfer A143-1/A-143-9/A-145 PlanB Model 24 Heisenberg Generator, Cwejman PH-4, Bubblesound uLFO, MI Frames/Peaks/Tides, Modcan Quad LFO/Quad Envelope, Topobrillo Sport Modulator, DinSync ModSeq x2 & Modulation Orgy"

Friday, January 10, 2014

ER-101 Orthogonal Devices Fun with First Patch


Published on Dec 31, 2013 Robotopsy Robotopsy·11 videos

"Orthogonal Devices Indexed Quad Sequencer with a bunch of Makenoise & Harvestman & Intellijel modules. Various clock from Ableton LIVE
Still learning the ER-101"

Wednesday, March 02, 2016

Do Modular Synthesizer Dream of Patch Cables?


Published on Mar 2, 2016 RaveAngst

https://soundcloud.com/raveangst

"Patch Description:

Kick Drum: Alm Dinky's Taiko triggered from Octatrack/ Mutable Instruments Yarns.

Snare Drums: Mutable instruments Peaks with Dead Mans Catch Firmware in FM Drum Mode. One Channel for the Main Snare with Lexicon PCM91 for Reverb, the other Channel for the Noise Snare, both triggered from Orthogonal Devices ER-101.

Wooden Percussion: Mutable Instruments Rings with a little Modulation from SSF URA triggered from one Channel from Noise Engineerings Zularic Repetitor with a fx Send patch into my mixing desk with Eventide Time Factor modulated from Octatrack and into Make Noise Erbe-verb with a little Modulation from Make Noise Wogglebug MK2.

Metallic Stabs: Noise Engineering Basimilus Iterates Trigger and Pitch from Octatrack/ Mutable Instruments Yarns into WMD/SSF MMF LP out with Eventide Space for Reverb.
HP out from the MMF into Make Noise FXDF and then into Clouds in Granular Mode for the strange pitched FX sounds.
FM from the MMF and Clouds Pitch/Size are modulated with the Verhulst's Logistic Map from the Xaoc Devices Batumis latest Expert Firmware.

Saturday, December 20, 2014

Er-101 Plays Avril 14th


Er-101 Plays Avril 14th from London Modular on Vimeo.

"Programming some loops from Aphex's Avril 14th..

Nice one Jamie for helping with this..

I did notice I forgot to put the h in 14th, I deleted the files and didn't want to crop the video"

Wednesday, May 27, 2015

Pale Gloves ( ER-101 - QU-BIT Nebulae - Shapeshifter ... )


Published on May 27, 2015 RaveAngst

"Little random Patch from last Night, first one with the Orthogonal Devices ER-101.
Modular only except for two Sequencer Tracks from my Octatrack triggering the Mutable Ins. Peaks in Drum Mode for the 808 Kick/Snare and some Eventide Timefactor and Lexicon PCM91 for Delay and Reverb."

Monday, December 18, 2017

ER-301 / Morphagene / Eurorack Ambient Guitar Synthesis


Published on Dec 18, 2017 Drink The Corpse Vomit

"DRINK THE CORPSE VOMIT PRESENTS - GORE GAS

Patch Notes:

More guitar tones made from scratch. Raw tones through a few ER-301 Convolution units sound really convincing to my ears. The pick sounds are pitched independently to the sustained notes adding further depth.

The sounds for each of the 2 'guitar' voices are 4 voice polyphonic and triggered with the new Bump unit to let the notes ring out. I think this is called 'hocketing' and works similarly to the Intellijel Shifty. The lead voice is played badly by hand, the supporting voice is sequenced by the ER-101 via the ER-102 real time record function.

The lead voice is through the Fairfield Circuitry Shallow Water and Lofi Junky. The supporting voice is through the Chase Bliss Warped Vinyl 2.

Morphagene is graining a pre-prepared 'string' section of some wavefolded sines. Into a Cwejman saturation chain ( MMF-6 etc. )

Each separate track is printed to an Orion 32 via a Praxis Snake Charmer - A pristine audio route that is wasted on this filth."
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