ABBA - Gimme Gimme Gimme(live in Wembley, 1979)

YouTube via realfellow. Via Chris.
"From the "ABBA in concert" DVD, live performance of Gimme! Gimme! Gimme! (A Man After Midnight) in Wembley Stadium."

White Minimoog and Yamaha Piano. Not seeing the white Prophet-5 pictured here. The white mini spent some time at Roth-Handle studio [pictured here]. You might recognize the name Roth Handle from these videos.

Update via DustySchematics in the comments: "No Prophet 5 because they were rollin' with the GX-1"


ABBA "Summer night city" Live

YouTube via elroslleida
"Videoclip recorded in 1979 at Wembley. The song's "Summer night city"; one version very strong and awesome!"

ABBA's Minimoog

via Niklas of NEriks Audio

"The white Minimoog to the left in the picture belongs to Benny Andersson, ABBA. The picture was taken last time I had it in my workshop for service. Benny Andersson still owns the Minimoog but it currently resides in a studio in Stockholm called Roth-Händle."

BTW, you might recognize the name Roth Handle from these videos.

ARP Odyssey MkIII Shots

via this auction

One pretty "interesting" detail below; well to me at least. : )

Details from auction:

"Reconditioned by Than Muir, this rare & classic synth is in immaculate condition, cosmetically and functionally. Serial # 2825 0005. The Odyssey is a duo-phonic, fully analog synth developed in the 1970's. It is a simplified, non-modular yet more gig-able version of their famous 2600 modular mono-synth (sharing many of the same components). This is the mark 3 version, distinguishable by its orange and black facia detailing. It is considered the superior revision of the Odyssey for its sound (-24db filter), technical capability, reliability and service-ablity (see: http://matrixsynth.blogspot.com/2006/01/why-white-arp-odyssey-is-not-always.html). Includes colour spiral-bound copy of user manual and patch sheets. Electronic copy of service manual also available. Famous users include ABBA, Depeche Mode, Bomb The Bass, Ultravox, Gary Numan, Vince Clark, LTJ Bukem, Air, Tangerine Dream, 808 State, Apollo 440, Nine Inch Nails, Astral Projection, Chick Corea, George Duke, Josef Zawinul, John Foxx, Vangelis, Elton John, Jethro Tull, Jimmy Edgar, DEVO, R.E.M. and Herbie Hancock. Please don't hesitate to contact me for more info. Includes colour spiral-bound copy of user manual and patch sheets. Electronic copy of service manual also available. Famous users include ABBA, Depeche Mode, Bomb The Bass, Ultravox, Gary Numan, Vince Clark, LTJ Bukem, Air, Tangerine Dream, 808 State, Apollo 440, Nine Inch Nails, Astral Projection, Chick Corea, George Duke, Josef Zawinul, John Foxx, Vangelis, Elton John, Jethro Tull, Jimmy Edgar, DEVO, R.E.M. and Herbie Hancock. Please don't hesitate to contact me for more info."

Yep, my first "reference" on the *bay. That shot of Pete pretty much captured my reaction when I saw it. And no, I don't mind being referrenced to one bit.

SEARCH /Broadcasting Tijuana Electronic Music to outer space

YouTube via pepemogt.

"Manglano-Ovalle transformed the bullfight ring of Tijuana located at the border in to a Radio telescope searching for "aliens". He suspended an antenna above the building and a receiving dish below, Live Electronic Music was brodcasted in the building, on the web, FM radio and into space. This project makes reference to the social situation of Mexican "Aliens".

In the video Pepe Mogt(Latinsizer, Fussible, Nortec), Ramon Bostich(nortec Collective) and Leslie(Dream addictive) were making music with digital and analog sequencers and synths(Arp Odyssey, Oberheim), the audio out of this machines was sent to Manglano-Ovalle Transmiter in real time in to outer space.

info about synths used:
The ARP Odyssey was and still is a very popular synth because it is a powerful lightweight version of the awesome ARP 2600. It was also ARP's response to the Minimoog and the Odyssey became the most popular synth ARP ever sold! The Odyssey is a 2-oscillator analog synth (with duophonic capability) which sounds really nice; the Minimoog has 3 oscillators and is considered fatter. The Odyssey comes well equipped with all the tweakable features you'd expect: resonant low pass filter, ADSR envelopes, sine or square wave LFO and even a sample-and-hold function. It also added a few new features such as a highpass filter in series with the lowpass, oscillator sync capability and pulse width modulation. It is a very professional and expressive machine that can create nice analog basses, interesting leads and great effects and sweeping sounds or noises!

There were many versions of the Odyssey over the years, each a little different. Pictured above is the Odyssey I (Model 2800). These original white-faced Odysseys used a tinny 2-pole VCF filter design (Model 4023) similar to old Oberheim SEM modules. They also used a rotary knob for pitch bending. These models were produced between 1972-74. Odysseys have been used by ABBA, Bomb The Bass, Ultravox, Gary Numan, LTJ Bukem, Air, Tangerine Dream, 808 State, Apollo 440, Nine Inch Nails, Astral Projection, Chick Corea, George Duke, Josef Zawinul, John Foxx, Vangelis, Elton John, Latinsizer, Jethro Tull, Fussible, Nortec Collective, Jimmy Edgar, DEVO, R.E.M. and Herbie Hancock

TR-808
The TR-808 is a classic drum machine that used analog synthesis to create its sounds. The sounds have a very thin and pure quality and aren't grungy like it's successor the TR-909. In fact, the 808 has become the signature beatbox used in most R&B and hip-hop as well as a lot of dance and techno music. Booming bass kicks, crispy snares and that annoying cowbell sound made famous during the 80's are all part of the 808 and its famous sound.

Its 16 drum sounds include the famous boomy low kick, snappy snares, low/mid/hi toms, low/mid/hi congas, rimshot, claves, hand clap, maracas, cowbell, cymbal, open hihat, closed hihat and accent. All of the sounds can be edited and/or tuned and have individual outputs. Unfortunately it is not MIDI equipped but it does use Roland's DIN Sync.

The TR-808 was OK in its time. It just didn't sound like real drums. When the Linn Drum machines appeared, the 808 seemed doomed. But its unique sound and analog allure have found it a long-lasting home in many forms of music. Clearly the 808 has been one of the more important and famous drum machines in the history of music, spawning imitators (ReBirth, DrumStation) and band names (808 State). Famous users include Orbital, Uberzone, Download, Aphex Twin, 808 State, BT, Bomb The Bass, Sense Datum, The Prodigy, Josh Wink, Faithless, Skinny Puppy, Bushflange, Jimi Tenor, A Guy Called Gerald, Eat Static, Dr. Dre, Jimmy Edgar, Nortec Collective, Freddy Fresh, Richie Hawtin, Jean Michel Jarre, Cocteau Twins, Bostich, Marvin Gaye, Latinsizer, Luke Vibert, Ice Cube and Puff Daddy."

Binary Music ARP Odyssey For Kontakt 4

ARP Odyssey For Kontakt 4 by BinaryMusic

www.binarymusic.co.uk
"Consisting of 101 presets made up of approximately 1,400 individual samples, the ARP Odyssey library is an incredibly detailed recreation of a classic vintage synthesizer.

The patches cover a wide range of sounds including bass, leads, pads, percussion and effects, all with the unique Odyssey character. There's also a selection of sounds from the original ARP Odyssey patch book and a set of sounds that were sampled with different filter settings mapped to velocity.

The History
There were three main versions of the Odyssey. The first white-faced models were manufactured from 1972, then the black and gold face from 1974.
The model that we've sampled is a black and orange faced 2821 from about 1979. This has the advantage of more stable oscillators - though nothing like the stability that we take for granted in modern gear. The Odyssey has attracted an eclectic mix of players: Herbie Hancock, Chick Corea, George Duke, Portishead, Pink Floyd, Kraftwerk, Ultravox, Gary Numan and Abba!

The Process
Throughout the entire sampling process, the aim has been to be faithful to the sound at source. No filtering or effects processing has been applied within Kontakt. Where there is filter/frequency modulation, it has been created on the Odyssey and then recorded in samples long enough to retain the movement. There's also a selection of
'Multi VCF' patches, where different filter cutoff settings have been sampled and mapped to different velocities."

Squidfanny - Circuit Bent AMSTRAD CKX100 (may 2010)

YouTube via squidfanny — May 12, 2010 — "Lush sounding Wavetable/Glitch synth from the 1980's. Now modified well beyond it's factory specifications.............
I love this machine, but there's a whole pile of them in my workshop patiently awaiting some tender 'bending, so this one's going up for sale on ebay in a day or two.....

+36 Glitch mods (with instant reset button) housed on rotary switches, toggles and push buttons to make to best use of the limited space.
+Precision oscillator with 2 x LFO's, Sweep knob, Fine tune knob and Photo-cell.
+An array of flashing LED lights, and LED's next to each switch so that you can see what you're doing in the dark.

The Amstrad CKX100 is a great vintage machine with loads of character and a unique sound. It has chord managment features like an Omnichord, Grainy digital drums, simple sequencer and loads of rhythms, accompanyment, auto harmony, Strange midi output, tape save and 10 electronic instruments which obviously sound nothing like their acoustic counterparts."

Update: via this auction.: "First part of demo is Glitched Drums with a little bit of instrument.
3:54 Shows Pitch Modulation, LFO's and Light Sensor played with the GLITCHED Chord.
5:14 is a quick run through of some of the GLITCH arpeggios and other strange effects played with Chord and Instruments.
6:57 Shows the Auto Accompanyment being GLITCHED/Downgraded to bare digital Noise.
8:03 Shows how to completely destroy an Abba song.......
(It's possible to record your own sequence into the CKX100 and destroy it in a similar manner)"

"AMSTRAD CKX100 is a sweet sounding digital machine with a warm and pleasing LO-FI sound.
10 electronic instruments with Vibrato and Sustain, Grainy and Rough digital Drums, Lush Chord with OMNICHORD style features, Rhythms with Accompanyment, Auto Harmony, Single Finger Chord, 8 high quality corruptable demo's and a simple 'Play and Record' Sequencer with Tape Save facility and a strange MIDI OUT.

36 Glitch modifications and a bunch of new circuitry expand this classic wavetable synth into a Bitchin', Pitchin', Glitching Digital Mega-Beast.

A total of 53 Modifications (yes I did say 53!) have been made to the original machine, including a new Precision oscillator circuit for ultra-stable pitch modulation. New Punk LFO circuit, Light Sensor (Opitcal Theramin) and 11 Flashing LED Lights.

Internal Speakers have been removed and replaced with 16 new Knobs, Toggles and Rotary Switches to access the full array of brand new weird and wonderful sounds...
New controls are mounted on nice shiney green PCB (Circuit Board), and gleefully adorned with rusty metal, round washers and shiney pieces of engineered steel for cool Industrial Glitch/Manga look......

* 4 GLITCH Buttons and a toggle switch drive Granular Drum synthesis (similar to those Aphex Twin sounds heard in modern electronic music)on the drums and all kinds of mangling and destruction when used on the chord or instruments. Use the toggle switch to LOCK the Granular effect in place leaving hands free.

* 2 x 6 way Rotary Switches contain 12 Increasingly dramatic GLITCHES which allow a Range of complex Glitch Arpeggios, Textures, distortion, Flanging, Echos, Noise and Extra Oscillation. Each Rotary Switch has a Toggle next to it to allow the Glitch to be turned instantly ON or OFF. The Glitches can be combined for increasingly complex sounds.

* Another Silver Rotary Switch and a 2 way toggle switch contain 18 Ring Mod Glitches which provide tonal filtering when used with the instruments and Ring Mod effects when used with the drums.

* Instant Reset Button allows the user to completely Glitch & destroy the sound and then instantly return it to it's normal Non-Glitched state by pressing the button. This can be done LIVE as it doesn't Crash the machine or Stop the music (mutes the sound only for the duration of the button press).

* Punk LFO's are selected using a 2 way toggle switch and modulated using the soft touch knob next to it. The Toggle switch has 2 Flashing LED lights below it to indicate which LFO destination is active.

* Fine tune knob

* Big Pitch sweep Knob, which is also used to set the low pitch for the light sensor.

* Light Sensor (Photo Theramin) is used to modulate the pitch of the machine with light and shadow. It also modulates the machine's Tempo, which is handy for DJ effects.

* Light sensor Switch, used to activate the Photo theramin, and has an Orange LED light to indicate ON or OFF position.

* An array of very nice WHITE and BLUE Flashing LED lights which dance along with the sound.

* Most of the switches have LED lights next to them.

This AMSTRAD CKX100 is Very Reliable and totaly stable. It doesn't ever crash or Lock up and the addition of an Instant Reset Button means that the machine never needs to be re-booted or powered off.
Although some of the machine's Glitching is chaotic, it is also very predictable, and as such is easy to work with making this machine a powerful live performace instrument."

Gösta Berlings saga recording Mini Moog

YouTube via RothHandle
"For the first session of 2009 I was very lucky and happy to have swedish prog band Gösta Berlings saga come to the studio to do some overdubs for their second album which is due out in March. The band is a four piece.

During this first day of recording we did a lot of really fun classic prog stuff. Mellotron MK II Brass section, Male choirs and even a moog melody line for good measure. The Moog we used in this clip is the old Abba Mini Moog as used by Benny Andersson. That is why it is painted white. But we also recorded some pastoral Celeste stuff, pump organs as well electric guitar noise walls. Well if you are curious about this band please check out their myspace page. http://www.myspace.com/gostaberlingssaga They are a really solid good band and we had a lot of fun throughout the day.

These little snippets were recorded at the Roth Händle studios in Stockholm. This is where I spend my days recording and producing bands. The studio started 1998 in my apartment with a akai dps-12, an acoustic guitar, a Mellotron and some stomp boxes. Since then it has been steadily growing and the studio is now housing Orchestrons, Optigans, Pipe organs, modular synths, Stylophones et.c et.c The idea of sorts is to blend good songs with unusual sounds so both sound better. If you are curious about the studios or the recordings that are made there please stroll by www.roth-handle.nu or www.myspace.com/Molesome If you have any questions about the studio please dont hesitate to drop me a line.

Take care and have a wonderful 2009.

// Mattias"

Arp Odyssey MKIII Analog Synthesizer Vintage 1978-1981 demo of sounds 2

video upload by Andy Whitmore

"ARP ODYSSEY MKIII Analog Synthesizer Vintage 1978-1981 Sounds | HQ DEMO & TUTORIAL

The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example. It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series. One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great."

ARP ODYSSEY MKIII Analog Synthesizer Vintage 1972 Sounds | HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

Update: note the video does feature the later model, so there are no 1972 sounds in this video. See the comments in this post for some additional info.

"The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example.
It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series.
One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Check out a tour of his synth collection back in 2009 here, and 2008 here.

NECROMONKEY - KNOCK KNOCK HORNETS NEST - MUSIC VIDEO

Published on May 24, 2013 RothHandle·1,606 videos

Some great synth spotting in this one including I believe the eowave Persephone and a mixed synthesisers.com based modular. Those of you that have been coming to MATRIXSYNTH for a while will recognize Mattias of RothHandle Studio from his numerous gear videos here on MATRIXSYNTH. On a synth trivia note ABBA's white Minimoog resided at RothHandle (see these posts). I'm not sure if it is still there.


"ARTIST: Necromonkey
SONG: Knock knock hornets nest
ALBUM: Necroplex

Music video by Martin Gustafsson (www.vimeo.com/gusse)

This is the first video from Necromonkeys debut album, Necroplex.

Necromonkey consists of David Lundberg (Gösta Berlings saga) and Mattias Olsson (Änglagård, Pineforest Crunch, Roth Händle studios).

In this video you can also see two of musicians that are heavily featured on the album Einar Baldursson (Guitar) and Michele Benincaso (Bass and Moog Taurus pedals).

The band is currently working on a series of four eps that will later on be compiled to an album. There are also plans for more videos and live concerts.

If you are interested in getting a copy of the album please drop the band a line at Necromonkeyness@gmail.com."

72 ARP Odyssey Whiteface Vintage Analog Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"If you're here, you know the Odyssey is like a mini-ARP 2600, but with added VCO sync capabilities, dual-voicing, and dedicated LFO. Kraftwerk used this exact model of Odyssey on all their early tracks, and can be heard especially on Autobahn. YouTube videos of this synth abound. It was also used by bands like Alphaville, YMO, Ultravox, ABBA, Jean Michelle-Jarre, John Foxx (Metamatic), Tangerine Dream, Klaus Schultze, Devo, and many more. It is one of the top 10 classic analog synths ever made, and rarely found in this condition. In my opinion, the whiteface ARP blows away the Minimoog. You can duplicate the Minimoog sound with an Odyssey, but can't duplicate an Odyssey with a Minimoog. This is a must-have synth for any vintage synth aficionado...

PHYSICAL CONDITION:

The synth is near mint. Face of synth is a matte cream, as when new. Most old Odysseys show wear marks to the black print or have a shiny white surface from fingers rubbing against the paint. This one looks nearly brand new. Sliders move easily and smoothly and are not glitchy. The octave switch works perfectly and is not yellowed like on most old Odysseys. All knobs and switches function as they ought to. Power switch light actually works, a rarity on this synth. The synth is perfectly in tune (but adjustments can move during shipping so tuning is not guaranteed) and works great from external CV/GATE. Keys trigger perfectly. All keys had bushings replaced, keybed aligned, keys polished and leveled, springs and bus bar cleaned. It now plays like butter and triggers perfectly on every key.

FULLY REFURBISHED AND CALIBRATED:

No expense has been spared to bring this synth to fully-functioning, near mint, fully-calibrated, original condition:

1) Every key bushing was replaced and lubricated. The keys now play like butter.
2) Every key spring was cleaned and for perfect key triggering. Busbars were cleaned.
3) Every key was disassembled and hand-polished to a mirror-like finish
4) The keybed was painstakingly levelled so that every key lines up vertically with the next, with equal spacing between keys. The keyboard maintenance alone took over 6 hours to accomplish.
5) Original slider caps were sourced and are very clean. The synth also includes the rare original pink caps.
6) All sliders were hand-cleaned (not using any spray) and now slide perfectly without much effort. Do a search for "kraftwerk world of tomorrow" on YouTube to see Kraftwerk using a whitefaced Odyssey on Autobahn. You will notice the sliders move easily with one finger in the video. That's how the sliders should work on an ARP Odyssey.
7) A new old stock tuning knob was sourced and is in mint, shiny condition
8) Synth was gone over with a fine-toothed comb by my synth tech and calibrated. All features are working perfectly and the synth is in tune, including the dual-voice feature.
9) To make the synth even easier to control, a Kenton CV/GATE kit was added with 4 jacks (top-bottom, CV, GATE, TRIG, FILTER). The kit works perfectly and the synth can be controlled from most CV/GATE converters.

MINOR ISSUES:

1) Two rubber feet are missing from the bottom. These can be sourced online. I probably have a couple similar type rubber feet in my junk drawer that are non-original ARP feet that I could include if the new owner wants them.
2) A couple light scratches along the back of the synth
3) A couple small nicks on the face of the synth
4) Small mark on black plastic along top right edge of synth"

CLICK FOR MORE »

YAMAHA EX1 FOR SALE POLYSYNTH ELP VIDEO

YouTube Published on Jun 14, 2012 by MarkJenkinsMusic

Update: according to Wikipedia the EX-42 was the stage model of the GX1, not the EX1.

Update: for those pressed on time, don't miss the slide out programmer at 20:14, the inside with the front panel removed/hinged up at 22:22, and the horizontal vibrato at 13:00 for the small keyboard. 13:47 reminded me of Beastie Boys Intergalactic.

"YAMAHA EX1 POLYPHONIC SYNTHESIZER FOR SALE.

My Yamaha EX1 is now for sale. In extremely good playing order, it's located in central UK. Buyer will collect and will need a large van ideally with tail lift.

The Yamaha EX1 is the theatre version of the GX1 as played by Keith Emerson (with Emerson Lake & Palmer on 'Fanfare for the Common Man'), by Led Zeppelin, Stevie Wonder, Abba, Ekseption and more recently by Hans Zimmer. It's thought that maybe a dozen GX1's and 40 EX1's were manufactured.

While the GX1 was fully programmable (with difficulty) and featured a pitch bend strip, the EX1 is easily programmed for three overall patches using a slide-out front panel, and has polyphonic glide and, on the solo keyboard, a unique side-to-side movement for modulation.

The EX1 features two fully polyphonic keyboards (with organ tabs and polyphonic analog synthesizer sounds) which can be slaved together, a top keyboard monophonic analog synthesizer which can be slaved to the upper organ manual, and a monophonic analog synthesizer bass played from the included pedals, or slaved to the lower keyboard. Also included is an analog drum machine, auto chord accompaniment section, and arpeggiator.

Included with this EX1 is the original double width pearl white matching bench, and the user manual. I never took delivery of the matching speakers which are enormous - there are various audio outputs to use Leslie-type rotary speakers, or such effects can simply be added by digital fx units.

Playing condition is exactly as shown in the video, shot in mid-June 2012, and while there are very very minor questions the instrument is basically in full working order. One or two keys are intermittent on some but not all sounds, but are by no means dead and probably just in need of a clean, a couple of panel light bulbs are dead, and it's possible one of the several modulation shapes on the solo synth is non-functional - but then again, it's possible I may have misunderstood some functions, and it's certain that most controls need to be DOWN rather than UP as you'd expect for full level.

To collect the synth you'll need a large and ideally tail-lift van able to reach central UK. The bass pedals, bench and bench legs are all separately boxed. Please do not ask me about shipping of any kind - it's not possible.

Substantial offers please including details of your arrangements for collection. Obviously no dubious payment methods such as Western Union or PayPal will even be considered.

Another good EX1 demo starts here [embed below]

www.markjenkins.co"

Yamaha EX-1 Mega synth / organ tutorial by Miguel Kertsman! (part 1)

Uploaded by MiguelKertsman on Nov 28, 2011

"Composer and Keyboardist Miguel Kertsman demonstrates / explains the legendary Yamaha EX-1 Electone Organ / Synth in this detailed three-part tutorial, including live performances and improvisations!"

More videos here: https://www.youtube.com/user/MiguelKertsman/videos

ABBA's White Prophet 5

Title link takes you to the video on YouTube.



This on in via DVDBorn's David Vandenborn on AH.