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"I'm not sure what patching a PWM input to a SYNC input will do, but I'll let her give it a shot."
EVERYTHING SYNTH
flickr by wooster_synth
via audible
Frequency is adjustable for both LFOs within a wide range (1-30 Hz for the ‘high’ LFO and 0.2-8 Hz for the ‘low’ LFO) - so is amplitude (0-max). The ‘high’ LFO has a ‘clipping’ parameter that turns the sinusoidal wave into quasi-trapezoidal. This produces a slightly grainier, older sound.
SOME PICS HERE:
"Here is a new YUSYNTH module: The Clock Divider which provides three independent decimal counter that can be selected to divide clock signals by 1, 2, 3, 4, 5, 6, 7 or 8. Very handy to control and synchronize two or three analogue sequencers or to trig events at regular steps.
"The keyboard players in my band were spacier than Sun Ra, more abstract than John Coltrane and brought more sheer, squalid anarchy to the stage than GG Allin and the Sex Pistols combined. When they weren’t playing music they were either feeding, fighting, or shitting on the floor – and they managed to do a lot of that onstage, too. But they didn’t just act like barnyard animals, they were barnyard animals: the keyboard players in my band were two chickens named Kitty Wells and Patsy Cline."