YouTube via bigcitymusic "Yes, the Jomox 888 (and 999) analog drum machine has a built-in MIDI sequencer. In this video we're sequencing the uber-powerful Cwejman S1 Mk2 semi-modular synthesizer. Love that filter! It is possible to change your sequences on the fly (with a little practice;), making the XBase a great performance piece.
images via this auction "Sequential Circuits Pro-One synthesizer that's had a lot of work put into it. The price is a little higher, but it reflects the work put into it so that you know you will be getting a Pro-one that will last. This is also the most desirable version that has the J-wire keyboard and chassis mounted transformer. Here is some of the work that has been put into it:
Brand new keyboard bushings installed Keys aligned so they are all level (VERY uncommon on any SCI synth) All electrolytic capacitors have been replaced by brand new ones (so no leaky caps for many years) Pots cleaned so that there are no noisy ones when you turn them and other small things replaced and cleaned
Only issue of note and visible from the pictures is that one key has been glued back together (it split in two), but it still plays fine. If this ever bothers you new keys are still available from Wine Country."
"I had read rumors of the MOTU 828MKII being able to send out low frequencies, low enough to be used as control voltages. So I had to try it to see if it works. Well, it does. The control signal is a little aliased, looks like a 8-16 bit signal. Not too steppy, fester than MIDI by far (but not precisxe for any real scale, need more tests to see how that is. But a very successful test to see if the MOTU 828MK2 could send out low frequency signals to control the modular synth without MIDI, a la VC. I patched together a simple little patch from the LFO tutorial on the Cycling 74 website (I'm a lazy ass programmer would would rather copy/paste). The 4 scopes on the left green side of the patch are the waveforms and clicks. The two waveforms on the scopes on the right are simple combinations of the 2 LFOs on the left. My camera sucks and the menus got overexposed. I'll cover what's going on in the annotations once again. I like watching videos for sound and music with no talking, so I make mine that way now that annotations are on youtube.
This is not meant to be a flex of my musical prowess or anything like that, just searching for interesting sounds, and testing out Max/MSP MOTU828MKII control of the PlanB modular.
Everyone who ever read those postings, but didn't want to shell out cash to test a theory, well, here's the proof it does, and now I have almost unlimited quick and dirty analog LFOs. At least good enough for almost unlimited 8 to 16 bit LFOs (that's about the resolution it looks, still better than an Arduino or other ATMEGA controller with a resister ladder DAC which is what I was going to try invstingating again next if this didn't work. It worked OK for teh theremin to Max before. Now on to integrating Max and the modular . Digital logic meets analog logic (Grenader & crew meets Zicarelli and crew). :)
I think one of my next MaxB tests will have to be making it stutter, afterall, isn't t a rule I have to make something stutter in real time as a Max user?"
via audible "TRANSLATION FROM synthoma.net The élkorus is an analog chorus module that re-creates the legendary ensemble effect that identifies some string machines from the seventies. Emulation is not achieved with any DSP technology or software. The élkorus sounds analog because it is analog. It features three delay lines and two sinusoidal LFOs that, conveniently summed and phased out, modulate each one of the three delay lines. Frequency is adjustable for both LFOs within a wide range (1-30 Hz for the ‘high’ LFO and 0.2-8 Hz for the ‘low’ LFO) - so is amplitude (0-max). The ‘high’ LFO has a ‘clipping’ parameter that turns the sinusoidal wave into quasi-trapezoidal. This produces a slightly grainier, older sound.
The three delay lines feature individual level and pan controls, as well as two switchable EQ settings. The pan controls allow for stereo chorus effects with far more control than the old ensemble circuits which this unit re-creates. The three delay lines are symmetrically out of phase (120 degrees). Thanks to the ‘line 2-3 phase’ switch, phase between lines 2 and 3 can be switched to 180 degrees, to emulate ensemble circuits that used only two delay lines (level should be all the way down in line 1).
By the combination of all these settings, different chorus/ensemble effects can be obtained, be them emulations of old string ensembles or new original stereo modulation effects.
"Here is a new YUSYNTH module: The Clock Divider which provides three independent decimal counter that can be selected to divide clock signals by 1, 2, 3, 4, 5, 6, 7 or 8. Very handy to control and synchronize two or three analogue sequencers or to trig events at regular steps.
"The keyboard players in my band were spacier than Sun Ra, more abstract than John Coltrane and brought more sheer, squalid anarchy to the stage than GG Allin and the Sex Pistols combined. When they weren’t playing music they were either feeding, fighting, or shitting on the floor – and they managed to do a lot of that onstage, too. But they didn’t just act like barnyard animals, they were barnyard animals: the keyboard players in my band were two chickens named Kitty Wells and Patsy Cline."
bassline: Moog Minimoog (Lintronics Midi) sequenced by the MFB Step64 step sequencer, sync with the TR-707 and transposed by the DX-7 II
lead and sync sounds: ARP Odyssey MK3
drums: Roland TR-707
Some pricing for the archives: "every single Blacet module ever produced, with the exception of the Hex Zone, Window Comparator, and Mini Wave, all still in production and easily available.
I/O $140 Scanner $75 Splitter $45 Mixer $45 VCO $215 Stonz $150 EG1 x3 $170/each Bar Graph $75 Klang Werk $190 Binary Zone $160 Dual Filter $140 Final Filtre $175 Filthy Filtre $190 Micro LFO x2 $110/each Multi/Atten x3 $25/each QuadMix VCA x2 $140/each Frequency Divider $200 Sequential Switch $75 Improbability Drive $170 Time Machine Rev.B $500 Mixer Processor x2 $110/each Dark Star Chaos Rev.B $250 Blacet Frac Rack x2 $65/each Blacet PS500+PSCONN $85 ----------- Total: $4315 20% Off: $3452 Please note that the original price of $4175 is still WAY WAY lower than new retail pricing. This is based on used module pricing for each one."
YouTube via musicsoluble. via Modd3d "Bring your guitar playing to a new dimension with The Electric Pick Synth. A one of a kind new instrument that utilizes the natural picking style to send out two different audio signals:
1- The pick itself is a passive circuit that has a percussive attack at the output. This signal can be routed to any pedal or effect for interesting results. This signal can also trigger MIDI notes through devices with CV input
2- The Synth is a light sensitive oscillator circuit that is controlled by the pick with a photo-cell and contact to the guitar. It has a switchable range capable of "low creaks" sweeping to "high screams". It runs on a 9volt battery and has a built in speaker.
The unit is seated near the tail of the guitar behind the bridge. The guitar contact hookup wire is connected to the bridge. The pick's natural plucking produces the attack at the pick output. The synth voice is "cut" when a string is struck and the photo-cell varies the pitch at the synth output.
This is an experimental instrument with a range of possibilities.
Ideas for use: -Route the pick into a reverb and a wah-wah pedal for an instant analog filter -Dazzle the your band-mates with 3 outputs from one guitar -Trigger MIDI instruments and ambiences -Turn that annoying "pick-tick" into an original sound -Summon alien vessels and let their flashing lights play your synth!
YouTube via bigcitymusic "I wanted to call this 'March of the A-holes' but Stephi thought some of you might take it for a NIN reference, good or bad.
The snare is running into the Metasonix TM-6 Multimode filter and the kick drum is having its scrotum smashed by the TM-7. The Analogue Solutions SEMblance is just being a tool in the corner. The Jomox 888 provides the analog kick and snare as well as the dry hi-hat, all via separate outputs. We tried to get really artsy but it ended up looking like this instead.