Showing posts with label Squarewave Parade. Show all posts
Showing posts with label Squarewave Parade. Show all posts
Friday, November 13, 2009
Turntable into The Squarewave Parade Teaspoon CAS with Frostwave Sequencer running
YouTube via thetonewrecker
"Turntable playing some random 45 with audio into The Squarewave Parade Teaspoon CAS with Frostwave Sequencer running CV/Gate to manipulate it. More experiments soon on this setup. Audio is just through the little camera, but you get the idea."
Saturday, September 19, 2009
Flower Electronics LBB Double and TSP Teaspoon
YouTube via thetonewrecker
"Just running 3 Osc on the Flower synth modulating each other a little bit. Signal passes through the Squarewave Parade Teaspoon lo-fi sampler/glitch/stutter box."
Machines push more sludge
" Frostwave sending CV into the Flower Electronics LBB Double. Also has TSP Molester getting its filter altered by a cv signal. Bryan B's new Ulti Mult is in there as well, splitting the CV signal to all 4 Oscillators from the single cv output on the Frostwave. Fantastic box he's made!"
TSP Teaspoon and Junky Guitar part one
YouTube via thetonewrecker
"Plucking some plain guitar strings through the TSP Teaspoon for some random playback."
TSP Teaspoon as gate keeper = hang on
"I decided to try feeding the gate signal from the Acidlab Bassline to control the MC-202, but feed it through the Teaspoon. The CV control for the pitch passes directly, but now I can control the resampling/repeats of the 202 playing back the pitch it is following from the Acidlab. I really like how it grabs part of the trigger pulse and you get these strange clunky chugging retriggers. The 202 is not the best synth to trigger externally since the CV and gate go through the digital section before it hits the analog synth , but it was what I had on hand. More soon."
Wednesday, September 16, 2009
Treating a Brass phrase through a tremolo, ring modulator and seek wah
YouTube via RothHandle
"Another relaxed quiet day in the studio. I am spending some time creating some moods for a possible soundtrack or a small Molesome album...who knows. Most of all I am enjoying myself listening and exploring.
This little film was made with my little Nokia phone at my Studio Roth Händle, This is where I record and produce artists and bands. If you are curious to find out more about the studio please visit www.roth-handle.nu It hasnt been updated for ages but you might find some stuff of interest there...
Thanks for watching...
// Mattias"
Recording Mellotron MK II moving celloes and violins
Treating a reversed Piano chord through Mother
Treated Electribe through bi n tic and teaspoon
Thursday, September 03, 2009
Subtle guitar treatments with the Teaspoon and Sherman filterbank
YouTube via RothHandle
"Tonight Ill be hosting a small get together at the studio presenting the Antkowiak album for the Pubhlishing company...But yesterday I decided that a guitar part needed to be straightened out once and for all. A bit of the Fuzz factory, some teaspoon and some sherman filterbank. Fun fun fun.
As usual there is a homepage. Hasnt been updated for ages. www.roth-handle.nu"
Monday, August 17, 2009
Livewire Dalek FOH Joystick SquarewaveParade Teaspoon
YouTube via opsysbug
"Jamming with LiveWire Dalek Modulator FOH Choices Joystick and early version Teaspoon pedal by The SquarewaveParade."
Livewire Dalak FOH Joystick Squarewave Parade Teaspoon
Wednesday, July 22, 2009
the squarewave parade CAS auctions
Four auctions on the quarewave parade forum
13 | http://la-ac.com/msbd/viewtopic.php?t=385
14 | http://la-ac.com/msbd/viewtopic.php?t=388
15 | http://la-ac.com/msbd/viewtopic.php?t=389
16 | http://la-ac.com/msbd/viewtopic.php?t=390
Description via the squarewave parade
"the teaspoonCAS [ creamandsugar ] can be called a window sampler, a granular sampling gate, a granular trigger or something along those lines. its main intention is as a handheld voltage controlled instant looping playback sampler. there have been a number of features added in an attempt to make it universally applicable. knobs cover gain, volume, storage size, granular window and feedback. toggles allow real time speed / pitch modulation, self triggering window, and window hold. then there is a larger set of controls inside the case featuring touch pads, circuit bends, range extensions, input conversions and feedback loops. the input / pre will accept anything from direct guitar input to lower synth level. the window input will take just about any active voltage you can feed it and together with the length and threshold knobs it allows control over the window with enough detail to respond to higher audio frequencies which can allow for options like voltage controlled wave shaping if the source is clean and loud enough. the SLF switch sends the main audio to the window input and uses it as the control source allowing you to walk away from rhythmically synced sample playback. this input can also be used with a common sustain pedal to allow remote use. the CV input gives remote control over the currently available size of the sampler which can reach roughly one second though at the expense of fidelity. like the window input it will accept both AC and DC sources [ 6vdc ~ +/-3v ] which means that those of you that do not yet understand CV don't really need to, you can use anything from standard modular control sources to DAW based audio editors to draw out shapes and just plug the audio out into the CV input and it will work, easy as can be, volume in your editor then become size. CV input sensitivity together with the huge size range allows for an effect not unlike ring modulation when in pitch mode, the modulation source needs to be rather loud though. you can also insert a passive expression pedal with no other changes needed allowing the CAS to operate hands free, but you can now just shake the CAS to trigger the window so it might spend more time in your hand"
13 | http://la-ac.com/msbd/viewtopic.php?t=385
14 | http://la-ac.com/msbd/viewtopic.php?t=388
15 | http://la-ac.com/msbd/viewtopic.php?t=389
16 | http://la-ac.com/msbd/viewtopic.php?t=390
Description via the squarewave parade
"the teaspoonCAS [ creamandsugar ] can be called a window sampler, a granular sampling gate, a granular trigger or something along those lines. its main intention is as a handheld voltage controlled instant looping playback sampler. there have been a number of features added in an attempt to make it universally applicable. knobs cover gain, volume, storage size, granular window and feedback. toggles allow real time speed / pitch modulation, self triggering window, and window hold. then there is a larger set of controls inside the case featuring touch pads, circuit bends, range extensions, input conversions and feedback loops. the input / pre will accept anything from direct guitar input to lower synth level. the window input will take just about any active voltage you can feed it and together with the length and threshold knobs it allows control over the window with enough detail to respond to higher audio frequencies which can allow for options like voltage controlled wave shaping if the source is clean and loud enough. the SLF switch sends the main audio to the window input and uses it as the control source allowing you to walk away from rhythmically synced sample playback. this input can also be used with a common sustain pedal to allow remote use. the CV input gives remote control over the currently available size of the sampler which can reach roughly one second though at the expense of fidelity. like the window input it will accept both AC and DC sources [ 6vdc ~ +/-3v ] which means that those of you that do not yet understand CV don't really need to, you can use anything from standard modular control sources to DAW based audio editors to draw out shapes and just plug the audio out into the CV input and it will work, easy as can be, volume in your editor then become size. CV input sensitivity together with the huge size range allows for an effect not unlike ring modulation when in pitch mode, the modulation source needs to be rather loud though. you can also insert a passive expression pedal with no other changes needed allowing the CAS to operate hands free, but you can now just shake the CAS to trigger the window so it might spend more time in your hand"
Sunday, June 21, 2009
Tuesday, May 19, 2009
the squarewave parade TeaspoonCAS KINK Edition
"KINK edition extras
internal paint
black pcb
CAS shirt - image and colors below
unicorn blood - i owe everything i have to it - do not consume
handmade bag - thanks mom and little sis
printed manual - clear blue plastic cover sheet - six pink pages - fits inside back panel
3 year warranty - 1 year standard
the teaspoonCAS [ creamandsugar ] can be called a window sampler, a granular sampling gate, a granular trigger or something along those lines. its main intention is as a handheld voltage controlled instant looping playback sampler. there have been a number of features added in an attempt to make it universally applicable. knobs cover gain, volume, storage size, granular window and feedback. toggles allow real time speed / pitch modulation, self triggering window, and window hold. then there is a larger set of controls inside the case featuring touch pads, circuit bends, range extensions, input conversions and feedback loops. the input / pre will accept anything from direct guitar input to lower synth level. the window input will take just about any active voltage you can feed it and together with the length and threshold knobs it allows control over the window with enough detail to respond to higher audio frequencies which can allow for options like voltage controlled wave shaping if the source is clean and loud enough. the SLF switch sends the main audio to the window input and uses it as the control source allowing you to walk away from rhythmically synced sample playback. this input can also be used with a common sustain pedal to allow remote use. the CV input gives remote control over the currently available size of the sampler which can reach roughly one second though at the expense of fidelity. like the window input it will accept both AC and DC sources [ 6vdc ~ +/-3v ] which means that those of you that do not yet understand CV don't really need to, you can use anything from standard modular control sources to DAW based audio editors to draw out shapes and just plug the audio out into the CV input and it will work, easy as can be, volume in your editor then become size. CV input sensitivity together with the huge size range allows for an effect not unlike ring modulation when in pitch mode, the modulation source needs to be rather loud though. you can also insert a passive expression pedal with no other changes needed allowing the CAS to operate hands free, but you can now just shake the CAS to trigger the window so it might spend more time in your hand" more info and samples
internal paint
black pcb
CAS shirt - image and colors below
unicorn blood - i owe everything i have to it - do not consume
handmade bag - thanks mom and little sis
printed manual - clear blue plastic cover sheet - six pink pages - fits inside back panel
3 year warranty - 1 year standard
the teaspoonCAS [ creamandsugar ] can be called a window sampler, a granular sampling gate, a granular trigger or something along those lines. its main intention is as a handheld voltage controlled instant looping playback sampler. there have been a number of features added in an attempt to make it universally applicable. knobs cover gain, volume, storage size, granular window and feedback. toggles allow real time speed / pitch modulation, self triggering window, and window hold. then there is a larger set of controls inside the case featuring touch pads, circuit bends, range extensions, input conversions and feedback loops. the input / pre will accept anything from direct guitar input to lower synth level. the window input will take just about any active voltage you can feed it and together with the length and threshold knobs it allows control over the window with enough detail to respond to higher audio frequencies which can allow for options like voltage controlled wave shaping if the source is clean and loud enough. the SLF switch sends the main audio to the window input and uses it as the control source allowing you to walk away from rhythmically synced sample playback. this input can also be used with a common sustain pedal to allow remote use. the CV input gives remote control over the currently available size of the sampler which can reach roughly one second though at the expense of fidelity. like the window input it will accept both AC and DC sources [ 6vdc ~ +/-3v ] which means that those of you that do not yet understand CV don't really need to, you can use anything from standard modular control sources to DAW based audio editors to draw out shapes and just plug the audio out into the CV input and it will work, easy as can be, volume in your editor then become size. CV input sensitivity together with the huge size range allows for an effect not unlike ring modulation when in pitch mode, the modulation source needs to be rather loud though. you can also insert a passive expression pedal with no other changes needed allowing the CAS to operate hands free, but you can now just shake the CAS to trigger the window so it might spend more time in your hand" more info and samples
Thursday, May 07, 2009
Frisco Audio Technology AdvancedBitCrusher 1
YouTube via opsysbug
"New small company Frisco Audio Technology. The FAT ABC Bit Crusher pedal. WSG mini synth making a modulated low tone to start. Fooling w/ the bit depth and sample rate knobs. I like this one-it has a different quality then both the Bugbrand and Squarewave Parade crushers and has CV foot control for both knobs. This company is one to watch. http://www.friscoamps.com/"
Frisco Audio Technology Advanced Bit Crusher
"Frisco Audio Technology Advanced Bit Crusher FAT ABC. Here the WSG Synth is making a clear tone. Playing wth bit depth and sample rate knobs. See other vid for more info.
http://www.friscoamps.com/"
Friday, May 01, 2009
Squarewave Parade BLINK
YouTube via opsysbug
"Yea that's it. It BLINKS. Screws up your whole mix and sounds like a shorted cable. Why make NICE if you can make
MESSY !?
Buy one now and stop trying to be so GOOD !
www.thesquarewaveparade.com"
Friday, April 24, 2009
Squarewave Parade Teaspoon KINK version. 1
YouTube via opsysbug
"Squarewave Parade Teaspoon KINK version #2.
This one is on auto-trigger setting with live radio. An amazing pedal. This is my first 1/2 hour with it. On the otherside underneath are some touchplates to play as well. I'll be up all night !!"
Squarewave Parade Teaspoon KINK .2
Monday, April 13, 2009
the squarewave parade TeaspoonCAS
"the teaspoonCAS [ cream and sugar ] is a handheld voltage controlled degenerative looping granular lofi sampling engine, or something like that. i've taken a few liberties with it in an attempt to make it as universally applicable as i could manage. knobs cover gain, volume, storage size, granular window and feedback. toggles allow real time speed / pitch modulation, self triggering window, and window hold. then there is larger set of controls inside the case featuring touch pads, circuit bends, range extensions, input conversion and feedback loops. the input / pre will accept anything from direct guitar input to synth level. the window input will take just about any active voltage you can feed it and together with the length and threshold knobs it allows control over the window with enough detail to respond to higher audio frequencies which can allow for options like voltage controlled wave shaping, etc... the SLF switch sends the main audio to the window input and uses it as the control source allowing you to walk away from rhythmically synced sample playback. this input can also be used with a simple sustain pedal to allow remote use. the CV input gives remote control over the currently available size of the sampler which can reach nearly one second though at the enjoyable cost of fidelity. like the window input it will accept both AC and DC sources [ 6vdc ~ +/-3v ] which means that you can use anything from standard modular sources to DAW based audio editors to draw out shapes. CV input sensitivity together with the huge size range allows for an effect not unlike ring modulation when in pitch mode, the modulation source needs to be rather loud though. you can also insert a passive expression pedal with no other changes needed allowing the CAS to operate hands free, but you can now just shake the CAS to trigger the window so it might spend more time in your hand"
you can find more info at the squarewave parade.
you can find more info at the squarewave parade.
Friday, April 10, 2009
Thursday, April 09, 2009
The Squarewave Parade, GetLoFi Analog hybrid synth w/CV
via this auction
"TSP Falter, Shudder and a GetLoFi Atari Punk 2.0 deluxe console - heavily modified and CV controllable in one monster of a box. Lots of controls, lots of possibilities. The sound sample below is the box being triggered by a Frostwave sequencer while tweaking various knobs. The CV can also be switched off.
Sound sample"
All of the basic controls for each component are present, with additional controls for FM/Feedback and Starve (the lovey skull knob), plus the capacitor bank switches on either side of the skull knob for MASSIVE BASS!. Runs on a Boss-style 9Vpower supply
"TSP Falter, Shudder and a GetLoFi Atari Punk 2.0 deluxe console - heavily modified and CV controllable in one monster of a box. Lots of controls, lots of possibilities. The sound sample below is the box being triggered by a Frostwave sequencer while tweaking various knobs. The CV can also be switched off.
Sound sample"
All of the basic controls for each component are present, with additional controls for FM/Feedback and Starve (the lovey skull knob), plus the capacitor bank switches on either side of the skull knob for MASSIVE BASS!. Runs on a Boss-style 9Vpower supply
Tuesday, March 03, 2009
the squarewave parade
Just a fun shot of some all passive analog devices from the squarewave parade
click the image of course
Update: blogger shrunk the larger image as well. Click here instead.
click the image of course
Update: blogger shrunk the larger image as well. Click here instead.
Monday, March 02, 2009
The electribe vs the Sonic Alienator and the Teaspoon
YouTube via RothHandle
Friday, February 20, 2009
Dr. Ronald Chevalier - Inspiring Oneself
Dr. Ronald Chevalier - Inspiring Oneself
"Description:
Renowned author Dr. Ronald Chevalier (Cyborg Harpies, Brain Cream) has produced a brand new instructional video about the role of music in his creative processes. Enjoy! For more creative rejuvenation, visit www.ronaldchevalier.com"
Suzuki Omnichord. via the squarewave parade
"Description:
Renowned author Dr. Ronald Chevalier (Cyborg Harpies, Brain Cream) has produced a brand new instructional video about the role of music in his creative processes. Enjoy! For more creative rejuvenation, visit www.ronaldchevalier.com"
Suzuki Omnichord. via the squarewave parade
Sunday, February 15, 2009
the squarewave Amnesio SL-1 lo-bit circuit bent looping sampler
via this auction
"lo-bit circuit bent looping sampler / destroyer
This is the ONLY one of its kind.
Very limited production by the squarewave parade. Full description and samples are still available on the squarewave parade website under his product archive.
------ knobs:
pitch / speed "course"
pitch / speed "fine"
filter cutoff
filter resonance
modulation speed - LFO (also works as pitch control when used as a separate synth)
modulation depth - LFO (also works as volume control when used as a separate synth)
filter input volume - (for direct inputs)
mix - filter / original
output volume
------ switches:
record / off / play - sampler
momentary play
LFO shape - sqr / tri
crash - heavy distortion glitch bend
lo-tion - flange / slapback bend
hi-tion - phaser / distortion bend
LFO / HPF - power
------ jacks:
(2) input – mono ( any level device – mic / line)
(2) output – mono ( may also drive a pair of headphones or a small speaker )
filter input - audio in
direct LFO / synth output
NOTE: original text copied from: thesquarewaveparade.com"
"lo-bit circuit bent looping sampler / destroyer
This is the ONLY one of its kind.
Very limited production by the squarewave parade. Full description and samples are still available on the squarewave parade website under his product archive.
------ knobs:
pitch / speed "course"
pitch / speed "fine"
filter cutoff
filter resonance
modulation speed - LFO (also works as pitch control when used as a separate synth)
modulation depth - LFO (also works as volume control when used as a separate synth)
filter input volume - (for direct inputs)
mix - filter / original
output volume
------ switches:
record / off / play - sampler
momentary play
LFO shape - sqr / tri
crash - heavy distortion glitch bend
lo-tion - flange / slapback bend
hi-tion - phaser / distortion bend
LFO / HPF - power
------ jacks:
(2) input – mono ( any level device – mic / line)
(2) output – mono ( may also drive a pair of headphones or a small speaker )
filter input - audio in
direct LFO / synth output
NOTE: original text copied from: thesquarewaveparade.com"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH