MATRIXSYNTH: Vintage Synth Lab


Showing posts with label Vintage Synth Lab. Show all posts
Showing posts with label Vintage Synth Lab. Show all posts

Saturday, June 04, 2022

Vintage Synth Lab Eurorack modular synth demo


video upload by Vintage Synthlab

"Modular synth audio / video demo of various Vintage Synth Lab modules, including prototypes for VCO-81 and N-STH, and the existing VCF-74, D-ENV."

Wednesday, October 06, 2021

Vintage Synth Lab Eurorack Demo - Normal : TVOD inspired


video upload by

"Eurorack analog modular synth using primarily VSL modules for a classic two-voice/sequence analog synth sound. A partial TVOD cover by The Normal, for which inspired us to enter Eurorack."

Sunday, October 03, 2021

Vintage Synthlab Eurorack Analog Modular Synthesizer


video upload by Vintage Synthlab

"Demo of various Vintage Synth Lab modules:

VCF-74 : analog filter used for kick noise, snare noise, upper synth voice, lower synth voice.

D-ENV : Delayed Envelope Generator (ADSR / AR) used throughout.

AWM-3 : mixer / matrix-mixer / wave shaper.

VCO-81 : CEM3340 precision analog voltage controlled oscillator for kick body voicing, upper synth voice, lower synth voice.

N-STX : for white noise to snare, pink noise to kick, S&H to snare noise LP cut-off, S&H to upper voice HP cut-off."

Monday, June 14, 2021

Vintage Synth Lab demo Eurorack modular analog synth VCO-81 VCF-74 D-ENV


video by Vintage Synthlab

"Analog modular eurorack synthesizer demonstrating the fast envelope action of the D-ENV (Delayed Envelope Generator), with the VCF-74 Mk2 (analog diode-ring filter module based on the 1970s mini-Korg 700 700s), and our VCO-81 (CEM3340 precision, high-quality analog VCO - unreleased). Our N-STH (Noise + Sample/Track & Hold) is used to provide white noise for extra snare sound, S&H routed to the HP filter of the VCF-74, and Track & Hold from another N-STH is used to slew the pitch of the CV controlling the VCO-81 (pitch) 1v/octave.

The result is a warm, analog, singing mono-synth voice, full of endless possibilities of character to dial in whether live, recording, or used as a tool for deep sound design in the pro and commercial audio industries."

Monday, May 24, 2021

VSL AWM-3 Analog Wavefolder - waveshaper mixer compressor sound design tool


video by Vintage Synthlab

"Eurorack modular synth wave-folding, mixer AWM-3 by Vintage Synth Lab. The AWM-3 is a mixer, matrix mixer, compressor, wave-folder, and excellent module to accept multiple independent LFO sources for incredibly rich and warm analog chorus-like sounds. 16hp Made in Portland, Oregon, USA"

Additional AWM-3 posts

Sunday, December 06, 2020

Vintage Synth Lab - Eurorack modular analog synth wavefolder


Vintage Synthlab

"AWM-3 = wave-folder (3 channel cascaded configuration)

D-ENV = envelope generators"

Monday, November 09, 2020

VSL Eurorack analog modular synth demo JAWS theme wavefolder AWM-3, env gen D-ENV, filter VCF-74


Vintage Synthlab

"JAWS theme on Eurorack modular synth.

Here we have an AWM-3 wavefolding, while a D-ENV drives the front end (input) of the AWM-3 first stage to created dynamic wave folding (as opposed to static wavefold). Each stage has modulation injected to it's bias / threshold / offset CV input, allowing for a big, chorus-like sound.
The VCF-74 mk2 is our LP filter also being driven by independent D-ENV for both filter cutoff and VCA. The VCO-81 is our synth voice--being driven by the Beatstep Pro Sequencer #2 (yellow)."

Saturday, November 07, 2020

Vintage Synth Lab Eurorack Demo - Depeche Mode - To Have and To Hold


Vintage Synthlab

"Short demo of VSL Eurorack modules playing To Have and To Hold by Depeche Mode. Wavefolding is dynamic, driven by the D-ENV (delayed env gen module) VCA feeding the AWM-3 (wave folding mixer module), in triple-wave fold configuration.

Next we see three modulation sources, all injected into the three independent wave-fold stage bias or threshold (CV input). This creates a HUGE chorus sound. Think of it as the PWM for non-rectangular waveforms (sine, tri, ramp, saw).

And the use of our VCF-74 (analog filter) with additional D-ENV modules, creates the widest array possible for analog synthesis texture, dynamics, and overall character."

Sunday, November 01, 2020

Vintage Synth Lab Eurorack AWM-3 Halloween 2020


Vintage Synthlab

"Wishing everyone a safe, healthy, happy, and creative Halloween!

The AWM-3 is a 3 channel mixer, with additional features such as wave folding/shaping (for both independent positive and negative folding), per channel.

Channels can be chained together to create multi-folding, up to triple wave folding. A compressor allows for dynamic signals (VCA driven) to fine tune a wide array of new sonic character.

Bias is adjustable (threshold for wavefold action), as well as a level trim (6 total) for each channel's positive and negative bias modulation via the additional CV inputs.

Each channel also has a buffered output.

And last, master mix, and three matrix mix combo outputs are always accessible."

Monday, October 12, 2020

Eurorack modular synth VCF-74 VCO-81 D-ENV NSTH


Vintage Synthlab

"Eurorack modular synth demo including all-analog modules: VCO-81 (oscillators); VCF-74/mk2 (filters for synths, kick noise, snare noise); N-STH (uncorrelated W/P noise sources); D-ENV (Env Gen., w/ delay)."

Wednesday, May 06, 2020

Farewell Florian Schneider - Vintage Synth Lab tribute - The Model - Das Model


Published on May 6, 2020 Vintage Synthlab

"Farewell tribute to Florian Schneider of Kraftwerk. Dad Model excerpt on Eurorack, by Vintage Synth Lab."

Kraftwerk's Florian Schneider Has Passed Away

Wednesday, June 26, 2019

VCO-81 percussion / tom drum synthesis demo 20160625


Published on Jun 26, 2019 Vintage Synthlab

"Two VCO-81s, utilized as the main body voicing of the percussion sound (tom drums in this case). A modulation and equal tracking of exp FM is applied via a D-ENV env gen. One of the VCO-81s is also receiving a slight Lin FM of ~2 Hz..

AWM-3 used as attenuators / gain for CV routing to VCF-74's LP filter cutoff (of white noise portion of drum sound) to allow for custom spread, aka 'keyboard tracking' mixed with a D-ENV env gen.

A huge percussive sound can be synthesized and shaped in a very wide variety of drum sounds, metallic, organic, wood, small to large."

Wednesday, June 19, 2019

VSL VCO-81 Prototype CEM3340 & VCF-74 Jams


Published on Jun 19, 2019 Vintage Synthlab

"VCO-81 prototype CEM3340 VCO, VCF-74 filter, D-ENV delayed env. gen., AWM-3 wave folder / mixer."

Friday, May 17, 2019

Eurorack precision CEM3340 oscillator prototype: VCO-81 :Visiting The Upstairs Room


Published on May 17, 2019 Vintage Synthlab

"Eurorack VCO-81 prototype 12hp CEM3340 (2 x VCOs) visiting a piece of The Cure's The Upstairs Room."

Tuesday, May 07, 2019

VSL VCO-81 Prototype


Published on May 7, 2019 Vintage Synthlab

Playlist:

1. VSL VCO-81 prototype (x3 voices) with SYNC and FM interaction CEM3340 analog
VCO-81 prototypes with brief SYNC modes and FM explored.
2. VSL VCO-81 Eurorack 12hp precision analog VCO CEM3340 4-voice unison tracking demo
Here we have 4 of our VCO-81 prototypes sharing the same CV (1v/oct) source, acting as one quad VCO voice in unison. Tracking for our design is the most accurate and linear response of any CEM3340 on the synthesizer marketplace as of today. Pricing and availability TBA soon.

Monday, March 25, 2019

VSL prototype CEM3340 single VCO : Demo 1


Published on Mar 25, 2019 Vintage Synthlab

"CEM3340 based single VCO, precision analog, high quality, with HS+/-, SS1/2, LIN/EXP FM, and 5 independent waveform outputs : sine, triangle, ramp, square / PWM, sub.

Price: TBD
Availability: Stay tuned via VSL social media (IG, YT, FB or vintagesynthlab.com )

In this first demo video, we illustrate just how accurate our CEM3340 VCO design is. All analog, precision trim-pots, high quality ICs, high quality film caps and 0.1% resistors used in critical circuits ...even those areas that other designs overlook!)

RANGE switch: LFO-1; LFO-2; 64', 32', 16', 8', 4', 2'

CLUTCH switch: when yellow (default) allows RANGE switch to operate freely; when red (engaged) latches RANGE switch to current selection. Switch can be rotated without affecting VCO, until released (push of the CLUTCH switch again... i.e. toggles between both modes).

HARD SYNC features: Hard Sync +, Hard Sync can be engaged independently.

SOFT SYNC features: SS1 and SS2 mode allows negative sync signal to reset VCO (tri-core). SS2 mode is weaker, however both will allow the VCO to interact in interesting ways with ext mod sources (as seen in this video demo)."

First featured here.

Thursday, October 11, 2018

Vintage Synth Lab Eurorack VCO-2 with TZFM _breadboard_phase_ 20181009


Published on Oct 11, 2018 Vintage Synthlab

"Our VCO-2 with TZFM on the breadboard."

Tuesday, August 14, 2018

AWM 3 Wavefold Mixer Module by Vintage Synth Lab


Published on Aug 14, 2018 Ken Flux Pierce Fluxwithit

"Here I give a bit of a demo on how the AWM3 has some extensive wavefolding control. be sure to check out the last 6 minutes as I get into some tasty detail of how positive and negative modulations effect the wavefolding."

Sunday, June 10, 2018

The SynthSummitShow Episode 23: Vintage Synth Lab


Streamed live 3 hours ago Ken Flux Pierce Fluxwithit

"The SynthSummitShow is a live interview show dedicated to putting a face to the gear we use and love.
Vintage Synth Lab is a eurorack module manufacturer who focus on creating usable musical modular devices.

Host Ken Flux Pierce is a Sound designer, producer and music tech consultant. Follow along at Fluxwithit.com
you can support by liking , sharing and also visiting shop.Fluxwithit.com. Sound packs are also available through Sounds.com and BigFishaudio.com"

Tuesday, May 29, 2018

Eurorack delayed envelope VSL D-ENV self-cycling looping feature demo


Published on May 29, 2018 Vintage Synthlab

1. Jump the GATE IN jack and D-G IN jack with a stackable.
2. Set the DELAY to maximum, and the HOLD to about 50%.
3. Use another cable plugged into the jumper at the D-G IN jack and momentarily connect to the INV OUT jack (this takes advantage of the INV OUT's resting or nominal +8V for a positive trigger feed into the D-G IN jack which in turn feeds the DELAY timer a signal to start the timing process.
4. In less than one second after initially connecting the INV OUT to the trigger cable, move it over to the D-G OUT jack before the HOLD L.E.D. goes out. If you connect before then, you should have a self-cycling D-ENV!

The above procedure is safe to perform on the D-ENV module. Any deviation from this method, including different voltages, different systems, or modifications are not recommended by VSL.
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