40235 Filter Demo [ARP 4023, 4035 & 4075 Filter Comparison]

Published on Jan 15, 2015 Lackan110f

"A short demo of the three different Odyssey filters. All three installed in my ARP Avatar.

Joachim Verghese [ARPtech] designed a nifty 40235 filter combining the ARP 4023 and 4035 filters, and this video shows some of the characteristics between these two, and the original 4075-filter."

Korg Monopoly, Elektron Octatrack and Analog 4

Published on Jan 15, 2015 Dylan Nau

"Here I have the Octatrack sequencing the Mono/Poly utilizing the Midipoly kit which lets me play the Korg with midi and I can play it paraphonically which can be pretty sweet! Using velocity numbers, I can choose which voice plays on the Monopoly. Drums are on the Octatrack and and I have the Korg running into the A4. Melody and a little bassline I have sequenced on the A4. For those who don't know the A4 is the little black box on the left, the Octatrack which serves as the brain, is the small box on the right.
sputnikviper.bandcamp.com for some free music. thanks!"

Electribe 2 - meet me in montauk (cover) & deep house

Published on Jan 15, 2015 john bree

"First cover on new electribe"

Korg Electribe2s on eBay


Electribe 2, first deep house try

Submersive sublime sounds

Published on Jan 15, 2015 rezzy blips

"Triton dolphin string jam thought if my listener are in a chilled mood they should like this as I have expanded to a new synth"

Roland Airas on eBay

do what

Published on Jan 13, 2015

"stay tuned for more all animation and music by spen"

Wha' da funk.

Modular Synth - Turing Machine Sequencer + Bytes

Published on Jan 15, 2015 isvisible / isinvisible

"Turing Machine with Bytes expander.

2 cv outputs from Turing to the Doepfer A-156 Quantizer.

Klee sequencer. CV output A controlling the transpose of the A-156. CV output B controlling sequence length in Turing Machine via Bytes.

1 cv output from Turing to cv A-106-6 filter.

2 x Doepfer A-110 oscillators. One for bassline, one for melody.

Doepfer A-106-6 filter for melody.

Doepfer A-101-2 LPG for bassline.

One output from A-106-6 to Ibanez AD-202 Analog Delay (rackmount), stereo out.

One output from A-106-6 to Synthesis Technology E580 Delay, stereo out.

Two outputs from A-106-6 to Tip-Top ZDSP with Shimmer Reverb loaded, stereo out.

Drums provided by Touched by Sound Syncussion DRM-1, triggered by Mutable Instruments 'Grids'.

The Rainbow Turing Machine was originally built by Eli at Circuit Shaman, he also did the Bytes upgrade for me. Top notch build and service.
www.circuitshaman.com

www.isvisible.co.uk"

Dapayk's Live Setup (Elektron Octatrack, Rytm, Analog Four, Arturia Microbrute)

Published on Dec 14, 2014 Dapayk Solo

"This short video shows my live setup and is the start of a series of under-3mins-videos, we call 'The Nerd Sessions'. ;)"

Elektrons on eBay

Dapayk & the Teenage Engineering OP 1

Published on Jan 15, 2015 Dapayk Solo

For those on headphones, there are some pops/clicks at the start of this one.

"Sunny winter day in Berlin... looping around with the OP-1"

via musikgear

HARMS MAC16 MIDI Analog Converter

Here's one from obscure synth history. I found this on Florian Anwander's website when updating this post.  This is the first post on MATRIXSYNTH to ever feature the HARMS brand.

"The Harms MAC16 is a rare MIDI-to-CV/Gate converter which was made by a small one man company Harms in Hamburg Germany in the late nineties. The original price was around 1250 Deutschmarks (about 600 Euro). It provides 16 channels, which can be configured for any kind of MIDI to analog conversion. Basically there are five modes:

VCO (CV) - which converts note data, pitchbend into either Oct/V or Hz/V Voltage. Portamento can be added. There is also the possibility of microtuning, octave spread (for mistuned or non standard synths!), pitch offset and keyboardsplit zones

VCF - converts basically the note info into a voltage; then a SoftEnvelope, a SoftLFO, and one MIDI controller (modwheel or aftertouch) can be added; the amount of the envelope and/or the controller can be controlled by the velocity of the corresponding note. The converter channel can get its information either from a MIDI channel in general (using the last note) or can be assigned to a dedicated VCO-channel for polyphonic setups (* see below); keyboard splitzones are possible

VCA - same as VCF, only with other name

Aux - same as VCF, only with other name

Lite - similar as VCF, but no assignment to a dedicated VCO

Gate/Trigger - creates a gate (positive or inverted) from a note on event. Again it can use either the last note information from all notes of one MIDI-Channel or it can be assigned to a dedicated VCO-channel for polyphonic setups (* see below); splitzones are possible too of course
DIN-Sync out from MIDI-Clock"

See Florian Anwander's page on the Harms MAC16 for a pdf of the manual and more.

Baumann BME-700 - Ultra Rare German Synthesizer from 1976

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

This is the only BMD-700 I have ever seen for sale. There was a general post on the BME-700 back in 2006 here, and there was actually a software emulation of the BME-700 posted here. There is only one other BME post which features the Rattlesnake here.

This is as rare as it gets.

Ultra Rare E-Pro Spirit Vintage Dutch Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Googlish:

"The Spirit is working properly and is in very good technical and optical condition

This is a real rarity only very few prototypes were made by the Dutch manufacturer E-pro.

Epro was a Dutch producer who had also built the little-known and lesser "Minisynth"

Wurdem built by Minisynth still about 40 h, the Spirit was but a few prototypes much less frequently (not to be confused with Crumar Spirit)

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