Patching in Sines

video upload by boxoftextures

"Sines, a new synthesizer from Cherry Audio. They're on a serious roll this year with new stuff! At first glance there's a billion controls and it seems like you'll never figure it out, but once you spend a few minutes with it things turn out to make a lot of sense. You have four oscillators, four LFOs, four envelope generators, and four slots in the modulation matrix. That last one may seem like an oddly small number but almost every control has its own mod routing, so in a way those four are like a few bonus extra ones.

The oscillators are, well, unique. For one, there's no waveshapes to choose from, it's all and only sine waves. Which seems odd at first! But like the mod matrix, you have a lot of controls to mess with the sines and create all kinds of different tones. It only took a few minutes of knob twiddling to see how it worked, and there's lots of possibility in the design. With all the modulation and tone shaping you can do I found that most of my early patches used only one oscillator. They just sound that rich. One of the patches in the video uses three of them, and I almost had to force myself to do that. And in fact, I'm planning on going back into that one and splitting it up, using the first two oscillators in a new patch and the third one in another.

So bottom line is that at first glance everything about Sines is just weird. Which is true! But it all makes sense and is really well designed, and the sound design possibilities are pretty deep.

As always, all patches are mine, and the end theme under the credits is two of the patches from the video over top of the drone I always use in my opening titles (which I made sometime in the distant past)."

Miniverse Module Set Quick Look

video upload by boxoftextures

"Well they did this one backwards, it seems. Usually Cherry Audio tweets out new product teases a week in advance, then they have a 30-second video reveal here on YouTube while at the same time putting the new thing up for sale on their web site. Which is all fine! But this time there wasn't a pre-announcement (although it's possible I just happened to miss it), and there wasn't a short video reveal, or a tweet or anything. I just happened to see there was a new Cherry Audio video on here and there it was. So I bought the Miniverse Module set for Voltage Modular and made a quick Mini. And here it is.

So far I've only built a 'Mini' with just a few effects, but again, because these are modules you can do all sorts of gnarly things with them. Which I shall proceed to do over the next few days. I mean, just being able to add three more envelope generators and half a dozen more LFOs make this worth the price of admission. And that's not even counting the polyphonic Mini module versions, which I haven't even had time to try out yet. Like I said, more to come.

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

Quick Demo of Five Augmented Voices Patches

video upload by boxoftextures

"Quick demo of five Augmented Voices patches I've made. Augmented Voices, along with Augmented Strings, are two of the new synths included in the just released Arturia V Collection version 9. Similar(ish) programming interface to Pigments, each patch has two layers, one "voice-y" layer and one "synth-y" layer, and each of those has two sound sources, kind of like oscillator equivalents. In a way they're simple to program but they're at the same time pretty deep as well. Lots of flexibility and all sorts of things you can do with the controls. Looking forward to spending more time with the Augmenteds.

Note that this is the very short version of this video just to demo the patches. There'll be a longer version in a few days that shows two of the patches being made start to finish.

All patches are mine, and the end theme under the credits is one of the patches from the video.

Recorded and edited in ScreenFlow https://www.telestream.net/screenflow/
Audio routing done in Rogue Amoeba Loopback https://rogueamoeba.com/loopback/

Twitter: https://twitter.com/selgart Patreon: https://www.patreon.com/boxoftextures"

Chromaphone Quick Patch Demo

video upload by boxoftextures

"Quick demo of some Chromaphone patches I've made. Was minding my own business when it occurred to me that my drummer buddy could make use of some of these patches. So I figured I'd make a 20 second demo so I could show him what I was thinking and then a few hours later somehow ended up here with a complete (quick) demo. It happens, I guess.

All patches are mine, and the end theme under the credits is 100% Chromaphone.

Featuring:
Chromaphone, from Applied Acoustics Systems https://www.applied-acoustics.com/chr...

Recorded and edited in ScreenFlow https://www.telestream.net/screenflow/
Audio routing done in Rogue Amoeba Loopback https://rogueamoeba.com/loopback/

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

Random Sequence Lengths

video upload by boxoftextures

Follow-up to this post.

"So I was minding my business the other day and checking out Matrixsynth.com, as one does, and came across a post about a video from OZ Hall. He had patched up a Eurorack version of a 960 sequencer so it would vary the sequence lengths. I hadn't even watched the video yet but just from what was in the description I was able to see the whole setup laid out before my eyes. I could make this work in Voltage Modular with randomized sequence lengths picked automatically each time through the sequence. So I set to work and an hour late I had this patch, and in this video I go through it step by step to show how it all works.

The major difference between my version and what OZ Hall did is that I added a Random Task module and a couple of switcher modules so it could switch sequence length on its own without me having to manually do it. Could totally be done in hardware given the proper modules, of course.

To make this work what I've done is to connect each sequencer step's trigger output jack to an input on a switching module. Then, every time the sequencer hits step 1 it sends a clock to the Random Task module, which makes it pick a random voltage. That gets sent to the 1x8 Switch module which picks the output based on the voltage level. That voltage gets sent to the switching module which sends a voltage for the chosen step into the buss module and then on to the trigger input of the sequencer, forcing it to start over from step 1.

So every time the sequencer hits step 1 it essentially picks the step which triggers the reset to step 1 and you get random sequence lengths, picked by the Random Task.

So I'd like to thank both Matrix and OZ Hall, and there are links below to both the post on Matrixsynth.com and to the YouTube video that set all the bells off in my head.

Matrixsynth post: https://www.matrixsynth.com/2022/04/b...
OZ Hall video: https://youtu.be/1RBgkFnQRe0https://youtu.be/1RBgkFnQRe0

Modules used:
From Cherry Audio
960 Sequential Controller
962 Sequential Switch
Random Task
1x8 Switch
SynthVoice
Mini LFO
Stereo Delay

From Andrew Macaulay
Micro MixBus
Fixed DC

From Playertron
Switchboard

From haslo
HÄÄSchen

Lastly, just to make this super clear as I don't explicitly bring it up in the video, say you want to have a four step sequence. In that case, you'd want to patch the output jack of step 5 to the input jack of step one, What we're doing with the switching mechanism is having *all* the output jacks connected at once through the buss but we're letting the Random Task module choose which switch it closes on the switching module to let one of those signals through. So in a sense we're using a module to repatch the bottom row of jacks on the sequencer on the fly.

Featuring
Cherry Audio Voltage Modular https://cherryaudio.com/products/volt...

Recorded and edited in ScreenFlow https://www.telestream.net/screenflow/
Audio routing done in Rogue Amoeba Loopback https://rogueamoeba.com/loopback/
Sennheiser XS Lav USB-C microphone https://en-us.sennheiser.com/xs-lav-u...

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

Patching in Dreamsynth

video upload by boxoftextures

"I love this thing. I live for making textures, and Dreamsynth truly brings it. It's not your mega-giant synth which some software tends to head towards—and which I indeed enjoy—but it has a good helping of what you need and lots of ways to modify things. Almost everything can be modulated, and there's loads of mod sources available. Same with the oscillators. There's three oscillators, two waves each, and hundreds of waves to choose from. In addition, each oscillator has its own independent pitch LFO, completely separate from the three regular LFOs. Throw in a complex multi-mode filter, five effects, arpeggiator, and I haven't even gotten around to the string section yet.

This video shows me making two patches from scratch. I did another patch before those two but I didn't "film" it, alas, although I did include the patch so you could see what it sounds like. There's pretty much no editing out of any long boring knob twiddling. What you see is what I did. Working with the synth is easy and fun; nothing hidden, everything on the panel. These are my first three patching attempts, too. Saw the intro video, immediately downloaded it, and then made these three patches. Very satisfying.

Featuring
Dreamsynth, from Cherry Audio https://cherryaudio.com/products/drea...

Edited in ScreenFlow https://www.telestream.net/screenflow/
Audio routing done in Rogue Amoeba Loopback https://rogueamoeba.com/loopback/

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

Dreamsynth Quick Minute

video upload by boxoftextures

"New from Cherry Audio.

Only had this a few minutes and already feel totally at home in it. Just made these three patches and wanted to get this out there so folks could get an idea of what it's about. This is the short version just to hear the patches though, the longer version will show how I built them. Might take me a day or three to get that edited though.

This thing's a winner. Three oscillators, each with dual waves with hundreds of choices, three LFOs, easy and flexible modulation and routing, sounds great. It's deep yet at the same time simple to operate. Recommended.

Featuring
Dreamsynth, from Cherry Audio https://cherryaudio.com/products/drea...

Edited in ScreenFlow https://www.telestream.net/screenflow/
Audio routing done in Rogue Amoeba Loopback https://rogueamoeba.com/loopback/

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

2¼ Minutes of Exquisite Distraction

video upload by boxoftextures

"Well, it was 2:15 in length when I started, but then I had to let it play longer so there'd be enough to keep going under the credits. I'm putting this in the "demo" category even though it's also actual music, but it may be quite some time before it's filled out, added to, totally finished.

So basically this is one way to work on the iPad. Four synths, effects, clips being launched, mixing, etc. Well, two synths I guess as the bass and the piano are pretty much set. And using presets kind of goes against the grain for me but the Other Desert Cities rhythm/echoes thing was just so juicy when I was flipping through the list looking for mine that I had to keep it. And then I used it again LOL. It just makes the thing come alive somehow.

So this tune shows how it all comes together on the iPad, at least for me. Everything in AUM (AUM as a platform?), with launchable MIDI clips in Atom Piano Roll 2. The first clip is just "on" by default, meaning it automatically starts up when the AUM play button is tapped. The others come in when manually launched. It may appear that they're not immediately starting when the button is pressed, mainly because that's true. The clips start on the beat, so if you're careful things can easily be kept in sync. And I'm not going to mention a take or two where I was not as careful as I needed to be and things were on beat two or three instead of on beat one. There's settings to deal with that if you care to, but I don't usually.

Bass courtesy of iFretless Bass, the closest to a Chapman Stick you can get without getting a Chapman Stick. As I've said before, always wanted one and may someday actually do it. There's a black 10-string Railboard (with aluminum dot inlays and a MIDI pickup) with my name on it somewhere off in the possibly distant future. But I digress. Weird but entrancing "clapping" rhythm provided by adding Other Desert Cities onto the bass. Flipping through the presets and I literally did a "whoa" when I stopped on that one. Piano chords from Ravenscroft; it just feels like a piano to me when I play it. Extra added space courtesy of Eos 2, kind of my go to. Then some ridiculously thick and moving textures from Flowtones. Only had it a little while but it's already one of my favorite synths, enough so that I'm probably going to get the Mac version too. And then I decided I needed a little bit more of some punchy rhythm so I went for Laplace and cranked up some resonator action. And then I sent that through the same Other Desert Cities preset and on into Shimmer for added texture. As one does. And then we'll see what happens after that once it's given some time to develop.

Featuring
AUM http://kymatica.com/apps/aum
Atom Piano Roll 2 (x4) https://discchord.com/appDB/id1536259776
iFretless Bass http://www.ifretless.com/ifretless.php
Other Desert Cities (x2), Eos 2 https://www.audiodamage.com/collectio...
Ravenscroft 275 https://www.vilabsaudio.com/ravenscro...
TB Flowtones https://www.toneboosters.com/tb_flowt...
RE-1 Virtual Tape Machine https://numericalaudio.com/re1/index....
Laplace https://icegear.net/laplace/
BLEASS Shimmer https://www.bleass.com/bleass-shimmer/

Edited in ScreenFlow https://www.telestream.net/screenflow/

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures

With the sincerest of apologies to David Torn, who wrote 3 Minutes of Pure Entertainment. I never intended to name it something like this, it just sorta happened organically."

Philip Glass Riff Automaton

video upload by boxoftextures

"In which we create a Philip Glass Riff Automaton in order to be able to simply put our feet up and listen forever.

About a week ago I saw a random tweet of a YouTube video organ piece from Satyagraha, and for some reason it came to me that I could have the riff play and then alternate between two different versions of it. Well, it took me almost that whole week to get it working but I'm pretty happy with the results. I could see taking this and going much further with it—having more than two parts , for example, as well as adding harmonies, counterpoints, and bass drones—but for now this is a good proof of concept showing it's indeed possible to get it working. Had to figure out how to get all the logic flowing properly, and luckily Voltage Modular has a good selection of switching and logic modules available.

The video that got me started:
Satyagraha, Act III - King: Part 3 https://youtu.be/8sF2ykI-ong

Featuring
Voltage Modular, from Cherry Audio

Other Modules Used
From Playertron: Switchboard
From HetrickCV: Flip-Flop, Boolean Logic
From Andrew Macaulay: Trigger Delay, Micro Switch, Dual Counter, Micro Envelope VCA
From P-moon: Buttons 2/1
From haslo: Hääschen

Screen capture video recorded and edited in ScreenFlow
Audio routing done in Loopback, from Rogue Amoeba
Voiceover recorded in Felt Tip Sound Studio, using an Audio Technica BPHS1 broadcast headset

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures

Chapters
00:00 The Manual Switching Version
11:59 The Logic Diagram
14:26 The Automatically Switching Version"

BLEASS Omega Patching

video upload by boxoftextures

"The new BLEASS Omega synthesizer is a 4-operator FM synth that's pretty easy to program and kind of fun to use. And it's colorful! Which actually helps with the patching as each operator is color coded so you can keep them all straight. The synth has 16 algorithms, which gives you a good bit of flexibility. There's also a modulation page that has two LFOs and a spare envelope generator, a motion sequencer page, and a waveshaper and filter page, as well as an effects page. Somehow when new apps are released I always want to record my first efforts but I never seem to remember that when I'm busy unwrapping a new toy. So I missed the first patch, a nice chorus-y string-y pad. I got the next several patches though—lead, bass, and cheesy electric piano. As a bonus there's a crazy bleeping and blooping thing that happened when I clicked the randomize button, which can sometimes result in great fun.

So bottom line is I was pleasantly surprised how quick and easy it was to make usable and interesting patches with the BLEASS Omega synth. Everything's clearly laid out and even though there are things on different tabs it's all easy enough to get to without any menu diving needed. The video's about 20 minutes, with the three patch constructions being about 4 or 5 minutes each.

I recorded this demo on a Mac but note that the iPad app is identical and with a little work (via importing/exporting) you can share patches between them.

Featuring
BLEASS Omega https://www.bleass.com/omega/

Edited in ScreenFlow https://www.telestream.net/screenflow/ Audio routing done in Rogue Amoeba Loopback https://rogueamoeba.com/loopback/

Twitter: https://twitter.com/selgart Patreon: https://www.patreon.com/boxoftextures

Chapters
00:00 Creating the Juicy Lead patch
07:02 Cheesy Electric Piano patch
12:47 FM Bass patch
19:28 Random Bloops patch LOL"

Loopy Pro AUv3 Effects

video upload by boxoftextures

"Loopy Pro is great fun on its own but you can add AUv3 effects in several different ways. First is when you're recording (not shown in this video), second is adding an effect to an already existing loop, and third is by adding an effects bus and then sending other channels through it. Just a quick how-to to show how it's done."

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures

Surge XT Quick Minute

video upload by boxoftextures

"Well, this was not the video I was expecting to upload today but was surprised with the release yesterday of Surge XT. New and improved! I really liked the original (non-XT version) and I really like this one; can do all sorts of things with it as it's easy to use but super deep. This is just a minute or so, basically just a shimmering pad (my usual I suppose). Gimme a few weeks and who knows what'll happen! 100% Surge XT, nothing else.

https://surge-synthesizer.github.io

Audio routing done with BlackHole16
https://github.com/ExistentialAudio/B...

Screen capture, audio recording, and video editing all done in ScreenFlow
https://www.telestream.net/screenflow/

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

Cherry Audio Quadra demo tune—The Four

video upload by boxoftextures

"Recently got Quadra from Cherry Audio, a modern software recreation of the ARP Quadra. In a way it's a pretty limited instrument, but that's what the Quadra was. You got four basic elements—bass, strings, poly synth, and lead synth—and they all had a few controls for each, some more than others. The beauty of the Quadra was that for the price of one instrument you had access to all of those sounds, so in a sense it was a real bargain back in the day.

The Cherry Audio Quadra does a good job of recreating the instrument, and it adds a number of things, as usual. There are more effects modules, an arpeggiator, and programmable keyboard zones for separate or overlapping sounds, for example. And pitch and mod wheels (!). And the thing sounds darn good.

This tune was originally supposed to be just the four pure tracks, one for each of the Quadra sections, all my own patches of course. But I couldn't leave it be and had to add a fifth track with another lead section, and I couldn't leave well enough alone and had to make it an impure not-Quadra-only track by adding a pedalboard and a Nembrini Audio Sound Master amp simulator. Just had to get that biting lead sound. Because that's how I roll. As usual. And I make no apologies for it either!

So bottom line, Quadra from Cherry Audio sounds great. I never had an ARP Quadra back in the day, but now I've got those sounds.

Featuring:

Quadra from Cherry Audio
With a side helping of Sound Master from Nembrini Audio

Recorded in Logic Pro
Screen capture video recorded and edited in ScreenFlow
Audio routing done in Loopback, from Rogue Amoeba

Cherry Audio Quadra https://cherryaudio.com/products/quadra
Nembrini Audio Sound Master https://www.nembriniaudio.com/collect...
Screenflow from Telestream https://www.telestream.net/screenflow...
Loopback https://rogueamoeba.com/loopback/

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

VM900 Pseudo Clocks

video upload by boxoftextures

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures

"In one of my previous videos I was bemoaning the fact that the 960 Sequential Controller modules—henceforth to be called sequencers, as is right and proper—did not have clock inputs. And while technically true, at some point in a week or so of having given up on the idea and not thinking about it, it somewhat randomly occurred to me that you could make use of the Shift input to essentially clock the sequencer. The "proper use" of the Shift input is to force the sequencer to advance to the next stage when it sees an input voltage. It's not exactly a true clock because technically the sequencer clock would not actually be running but the effect is more or less the same; when the Shift input sees a pulse, it advances the sequencer to the next step. Sort of like a clock.

So normally what one does with a running sequencer is have it send out voltages on each step that get converted into notes by an oscillator. However, while that's the usual there's no reason you have to actually use it that way. In this instance, we're using the second row of voltage knobs to send out 2 volts on the first step and 0 volts on the others. Essentially this means that if the sequencer is set to 4 steps we've now divided that by four if we only send out a voltage on that first step. Voilà, we just made a 4-to-1 clock divider using only analog circuitry.

But that's just the beginning. Let's say Sequencer 1 is set to three steps and Sequencer 2 is set to five steps. If they're both being clocked by the same external oscillator, you now have a 5 against 3 rhythm going on. But what if you turn up knob 4 on that second sequencer? Now you have 1 and 4 out of 5 playing against the 1 out of 3 of the first sequencer. And now we're headed for polyrhythms. But why stop there? You can add in a third sequencer, for example. Or you can start ratcheting some of the steps to make even more complex rhythms. Or what would happen if you used the voltage of one of the sequencer steps to change the frequency of the clocking oscillator? Or how about doing all of these sorts of things and also have the sequencer's internal clock running as well? That's the beauty of modular; you can do all sorts of things.

I haven't explored all of those options in this particular video because if I did it would've been three hours long. Perhaps next time. What I've done this time though is go through all of the steps to get something like this working, more than enough to get you started if you're so inclined.

Featuring

Cherry Audio Voltage Modular VM900 Collection: https://store.cherryaudio.com/bundles..."

Animoog Z Quick Minute

video upload by boxoftextures

"Well, this was not the video I was expecting to upload today but Moog surprised us with the release of Animoog Z. New and improved! I really liked the original and I really like this one; it's a bit of an odd synth, but you can also make some incredibly unique textures. This is just a minute or so, basically the first thing I did with it. Gimme a few weeks and who knows what'll happen! 100% Animoog, nothing else used."

See here for aditional Animoog Z posts.

Voltage Modular VM900 System 35 Sequence

video upload by boxoftextures

"Built a Moog System 35 modular system using the VM900 Collection modules in Voltage Modular. Essentially the System 35 is one row of modules, but in this case I've also added the Sequencer Complement B Expansion Cabinet as well. I've also built the larger System 55, which adds another row of modules to the cabinet, and am planning to make the smaller Model 15 as well. Can't quite duplicate them exactly but they're darn close. One of the things that's not the same is the signal routing modules, which aren't in Voltage Modular, although to be fair you don't at all need them in the software version the way you do in hardware. Another difference is that there's "only" a selection of modules as opposed to everything Moog ever made. That's also not a problem either. As an example, the 921ABB dual oscillator module in the System 35 isn't included in the VM900 Collection, but the 921ABBB from the System 55 is, so while not 100% authentic you can just pretend your System 35 doesn't have those extra B oscillators. Another difference is the keyboard interface modules, but again, because this is software that's not really a problem. Lastly the half-height row of the cabinet, the one at the bottom with the Console Panels, isn't part of either Voltage Modular or the VM900 Collection. But once again, that's not really an issue as you do have the functionality of those modules in the software regardless.

This video was recorded uninterrupted from start to finish, with no cuts or edits in the video at all. Note that it takes a few minutes to patch together enough modules for the thing to actually make noises, perhaps around 5 minutes or so. Also, I start from the bare System 35 and patch it all from scratch, with captions and highlights to show what I'm doing. Downloadable patch files will be posted for my Patreon subscribers shortly, so if you'd like to grab those head on over there and join up if you'd like."

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures

Voltage Modular VM900 Tangram

video upload by boxoftextures

"Well I've always loved the Tangram sequence. It's iconic, what I think of when think of sequencers. From the Tangerine Dream album in 1980 of the same name. It's four patterns of 7 notes, each played twice. I even already did a video about it several weeks ago, except I used "standard" digital modules to do it. Three sequencers, the kind where you put in note names (such as A3, B5, etc.), and were you have digital clock modules controlling everything. Makes things easier! Except now that Cherry Audio's come out with the VM900 Collection of Moog-style modules, I now have a real (LOL) sequencer to work with. Totally analog, nothing digital. Which means you can't say something like, "give me 96bpm," you have to figure out the precise voltages you'll need to get the results you want. And you have to use analog logic and programming to get all your events happening when you want them and all in the proper order. Endless fun! (No, I mean it!) It's not that it's harder to do, it's that it makes you think differently to get things working. Wouldn't have it any other way.

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

Voltage Modular VM900 Random Ratcheting Deep Dive

video upload by boxoftextures

"I suppose I should've started giving these VM900 videos chapter numbers. This one's Chapter Three. The first two were a basic sound demo and the second was a brief ratcheting demo. This one is definitely not brief. It's a deep dive into the 960 Sequencer module, how to patch it to get controllable ratcheting, and then how to patch together a set of modules essentially doing analog programming in order to generate random ratcheting entirely in the analog domain.

00:00 intro
01:30 patch basics - module tour
04:00 sequencer intro
10:40 ratcheting explanation
21:05 ratchet randomization concepts
22:45 randomization patching explanation
26:30 analog domain vs. digital domain ratcheting
29:10 outro"

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures

Voltage Modular VM900 Ratcheting

video upload by boxoftextures

"Well, been playing almost nonstop in Voltage Modular with the VM900 module collection, basically a pile of Moog-style modules from Cherry Audio. So what does one do with a Moog modular? For my part I'd head straight for the 960 sequencer. And what does one do once you've gotten that working? Well, ratcheting is the next step, of course. Voltage Modular does have a number of ratcheting modules, and the clocks to drive them, but I wanted to do it analog-style, not any of this new-fangled modern digital stuff (ignoring for the moment that this is all in computer software, of course). Was pretty satisfying to get it working. To be totally transparent the ratcheting aspect of the patch was not my original design. Many years ago Roger Arrick of synthesizers.com did a demo video of his Q960 sequencer module and how to use the 962 switch and an oscillator to make the ratcheting pulses. That video has been in the back of my mind for years, and in my bookmarks, but I don't quite have the Euro hardware for it and there hasn't really been a 960-style sequencer in Voltage Modular. Until now, that is.

So I took Arrick's basic concept, which is pretty ingenious, and adapted it to the slightly different modules in Voltage Modular. Turns out doing ratcheting in the analog realm is a lot more work than using a digital ratcheting module. Surprise! Was incredibly happy to get it working.

In this setup I'm using Row A of the sequencer for the notes and Row B for voltages used to generate the extra triggers. And it's great fun to play with the knobs and change the number of ratchets and which notes in the sequence get them. However, that's a lot of manual labor, and I wanted to take it a step further and make the ratchets happen on their own at random steps. That is not in this video, alas, but fear not, I've been able to patch it up and that's what the next, more in-depth video will be about. Still done entirely in the analog module realm though, for authenticity's sake."

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures

Voltage Modular VM900 Quick Demo by boxoftextures

video upload by boxoftextures

"Saw a tweet from Cherry Audio about the newly released set of VM900 modules about two hours ago, instantly purchased them, and then made this video as a quick demo. Nothing fancy, single oscillator, no LFOs, minimal envelope count, but it still sounds fantastic. For me it was a no-brainer instabuy. Will certainly make some more in-depth videos of the VM900s, just wanted to get this out there."

Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures