MATRIXSYNTH: Search results for Stefan Stenzel Waldorf

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Showing posts sorted by date for query Stefan Stenzel Waldorf. Sort by relevance Show all posts

Friday, October 23, 2026

Now Available! The Official OPTIGAN Desktop Plugin!



"If you’re a fan of iOptigan, we’ve again partnered with Stefan Stenzel, this time to bring you the official Optigan Plugin for your desktop DAW environment!"

Features

Contains all 40 original discs and three prototype discs
Fifteen discs include multiple revisions
Can sync perfectly to DAW
Flex option for setting pitch independent from tempo
Chord detection to trigger chord buttons
Computer keyboard modes for chord and effect buttons
MIDI in and out for scale tones, chord and effect buttons
Panoptigon compatible
Upside-down disc loading
Spring reverb emulation
Optical metronome

The Optigan Plugin is now available! Click here to go grab it!"

Side note: some of you might remember Stefan Stenzel from Waldorf.

Sunday, March 08, 2020

Waldorf Micro Q - Stenzel's Signature Series SN *64400500694*

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"The power of the incredible Waldorf Q synthesizer in an affordable 2-unit rack module! This is a limited edition unit from the Stenzel's Signature series signed by Mr. Stefan Stenzel of Waldorf fame. It is literally the last unit of the series being #25 of 25. It's in excellent shape as the pictures reflect."

Thursday, August 30, 2018

Rare Optigan 15 Disc Lot W/ Book

Note: links to listings are affiliate links for which the site may be compensated.

Update: If you can find an Optigan for iOS at ioptigan.com, thanks to co-creator, Stefan Stenzel of Waldorf fame.

via this auction

"15 original Optigan discs, all in great shape, ready to use. Comes with book, box, sleeves, and of course the discs. Book and box show normal wear from age. Discs look mostly unused. Please feel free to ask any questions you may have. Thanks

Discs:

Bossa nova style

Polynesian village

Movin’!

Pop piano plus guitar 4/4

Latin fever

Folk and other moods guitar 4/4

Guitar in 3/4 time

The blues sweet and low 4/4

Banjo sing along 4/4

Waltz time 3/4

Nashville country

Rollin’ easy 4/4

Singing rhythm 4/4

Big top marching band

Romantic strings 3/4 time"

Saturday, March 24, 2018

Notes on the Waldorf Quantum vs the Q and Microwave/XT Series


The following is via Soviet Space Child who has a Q+, an XTk, and a Quantum coming. He spent some time with the manual and found that the structure of how sounds are built on the Quantum differs from the cohesive synth engines of the Q and Microwave series. Yes there are new synth engines on the Quantum, but is it a replacement for Waldorf's classic synths? Perhaps not. Note, I have not had time to check out the manual myself, so this is solely Soviet Space Child's take. Also, he is still excited about the Quantum as you can see further below. If you have an opinion, feel free to leave a comment. You can find the manual on Waldorf's website here.

"Just sharing a few initial impressions as someone who has been using Waldorf synths for over 15 years now...

Judging by the manual, there's a great deal that the Quantum can do which previous Waldorf synths cannot. The reverse is also true, in that there are features in older Waldorf synths, specifically the Pulse, XT, Q, and Blofeld, which do not exist in the Quantum. This new synth really makes it feel like theres been a generational leap akin to when PPG's legacy shifted to Waldorf, i.e. the difference of going from the PPG Wave to the Waldorf Wave, and then MicroWave II/XT. Where as Wolfgang Palm was no longer involved in the new series of Wave synths, similarly the Stefan Stenzel era has given way to Rolf Wohrman. That's not a bad thing, but it really feels like this new synth was developed by a new company.

In terms of specifics where the older Waldorf synths offer more robust features, the Quantum lacks modulation modifiers, whereby two modulation sources can have operations such as '+', '-', '*', 'min', 'max', 'and', 'or', and 'xor' performed on them. The Quantum's 'komplex' modulation source partially alleviates this, though. The Quantum also lacks a random patch generator. While this is seemingly a minor features, the random patch generator on the XTk and Q is a source of great fun. It's easy to get lost in those synths for hours at a time just due to that one feature. There's also the lack of stereo capabilities on the analog filters, which was available for the analog filters on the Q+.

The biggest area where the older synths might seem to shine more than the Quantum, though, is the lack of modulation capabilities between the oscillators and the filters. That is to say, there are currently no FM or sync capabilities between the three 'oscillator' sections, and there are no FM capabilities on the digital formers. Where the Q and XT each felt like one large complex timbre, with the option to layer simpler timbres per voice, the Quantum feels like each voice is up to three simple timbres layered on top of one another.

Stereo analog filters aside, most of these things can be added later via OS updates, and here's hoping that the Quantum has a long life ahead of it in terms of customer support is concerned. Anyone who sells a Q and/or XT with the intent of replacing either with the Quantum might be left disappointed though, at least until the Quantum OS is given some time to mature, and even then the core sound of the synthesizer might be different, especially considering how characterful the Q and XT are.

With all that said, my XTk's and Q+ are not going anywhere, and I'm very much looking forward to having them in the studio with my Quantum."

Thursday, November 30, 2017

iOptigan - Optigan for iPad & iPhone - Demo Song - BEEBO - Optiganally Yours


Published on Nov 29, 2017 optigandotcom

iTunes: iOptigan - Stefan Stenzel

"Pea Hicks of optigan.com and Stefan Stenzel of Waldorf present... iOptigan!

PLEASE NOTE: if you're listening to this demo on a mobile device, you may have trouble hearing the keyboard part in the right channel, due to a YouTube quirk. For best results, please listen on a regular PC.

This is a demo of iOptigan running on an iPad Air. The music is 'Beebo' by Optiganally Yours, which is an old song that appeared on the album 'Spotlight On Optiganally Yours.' The disc used is 'Big Organ & Drums.'"

Wednesday, November 29, 2017

iOptigan - Optigan for iPad & iPhone - Demo Song - PATIO - Optiganally Yours


Published on Nov 28, 2017

"Pea Hicks of optigan.com and Stefan Stenzel of Waldorf present... iOptigan!

Now available in the iOS app store!
https://itunes.apple.com/us/app/iopti...

PLEASE NOTE: if you're listening to this demo on a mobile device, you may have trouble hearing the keyboard part in the right channel, due to a YouTube quirk. For best results, please listen on a regular PC.

This is a demo of iOptigan running on an iPad Air. The music is 'Patio' by Optiganally Yours, which is an old song that appeared on the album 'Spotlight On Optiganally Yours.' The disc used is 'Bossa Nova Style.'"

Thursday, November 02, 2017

iOptigan - Optigan for iPad & iPhone - Demo Song - midori2tree - Optiganally Yours


Published on Nov 2, 2017 optigandotcom

iTunes: iOptigan - Stefan Stenzel

"Pea Hicks of optigan.com and Stefan Stenzel of Waldorf present... iOptigan!

Now available in the iOS app store!

PLEASE NOTE: if you're listening to this demo on a mobile device, you may have trouble hearing the keyboard part in the right channel, due to a YouTube quirk. For best results, please listen on a regular PC.

This is a demo of iOptigan running on an iPad Air. The music is "midori2tree" by Optiganally Yours, which is an old song that appeared on various compilation albums. The disc used is "Rollin' Easy.""

Tuesday, October 31, 2017

Introducing iOptigan! An Optigan for your iPad / iPhone In Collaboration with Stefan Stenzel of Waldorf


Published on Oct 31, 2017 optigandotcom

"In collaboration with Stefan Stenzel of Waldorf, we’re proud to announce iOptigan! It’s an Optigan on your iPad or iPhone, complete with all 40 original discs (25 included with app purchase, an additional 15 via in-app purchase) and all the scratchy lo-fi character and playability quirks of the original. What we didn’t include is all the headaches that tend to go along with the flaky old hardware!

As shown in the video above, you can setup iOptigan with a MIDI keyboard to approximate the playing experience of a real Optigan (chord buttons on the iPad, keys on the keyboard), but there are also additional ways to control iOptigan via MIDI as well as on screen. iOptigan faithfully emulates the unique playback characteristics of the Optigan, ie the “constant loop” of both the chord section and the keyboard. You also get tempo, reverb and balance controls that also behave as the original hardware."


iTunes: iOptigan - Stefan Stenzel

"This is the Optigan for iOS.

The Optigan, short for Optical Organ, was a chord organ from the early 1970’s. It is remembered today for its unique system of sound reproduction using optical discs. These LP-sized film discs were optically encoded with 57 concentric tracks, which contained loops of musical combos playing chord patterns in different styles. Each disc contained a specific style of music (Bossa Nova, Big Band etc) which the user could control by pressing the chord buttons. Changing the discs was as simple as putting a new record on your turntable. Think of it as the 1971 version of GarageBand.

Despite this novel technology, the scratchy sound of the Optigan left a lot to be desired.

The iOptigan we present here truthfully recreates that lo-fi sound.

25 of the original 40 discs are included, the remaining 15 can be purchased individually or all together in the Complete Pak.

Specifications and Features:
• Disc loading rigth-side-up or upside-down
• Spring Reverb (virtual)
• Optical Metronome
• Audio Demo for each Disc
• MIDI in/out
• MIDI chord detection
• MIDI File Import
• Sequencer with Record and Playback
• Sharing for songs as Audio and MIDI File
• iTunes File Sharing
• Inter-App Audio
• Smart background audio
• Help overlay
• Headphone optimised stereo (optional)
• Radio Mode for Chord Buttons or Keyboard
• Comfortable speed control in semitones or BPM"

Wednesday, January 28, 2015

Nova Musik - Waldorf nw1 wavetable eurorack module with Stefan Stenzel at NAMM 2015


Published on Jan 28, 2015 Nova Musik

"Waldorf Music CEO Stefan Stenzel talks us through the features of Waldorf's new nw1 wavetable eurorack module and gives us a direct-in sound demo afterwards.

Waldorf nw1 is their first eurorack module and includes an advanced wavetable engine with independent control of spectral envelope and 'noisiness,' just like their popular Nave iPad synth.

A library of classic Waldorf wavetables are provided from the Microwave, Microwave II, Wave, and Q synthesizers. The nw1 sound engine also allows for onboard creation of user wavetables—all you need to do is connect any sound source to nw1 to transfer audio into a wavetable."

Nova Musik - Waldorf Zarenbourg piano with Stefan Stenzel at NAMM 2015


Published on Jan 28, 2015 Nova Musik

"Waldorf Music CEO Stefan Stenzel gives us a tour of the sound and interface on Waldorf's Zarenbourg piano, announced several years ago and now shipping in the US.

Boasting an attractive and distinctive design, Zarenbourg features an intuitive LCD-free user interface, a built-in 2.1 speaker system and a premium 76-key Fatar keybed. Its sound engine uses physical modeling for e-piano sounds and true FM synthesis for others. Among its onboard effects are a chorus, flanger, phaser, echo/reverb, auto-way, equalizer, overdrive and tremolo in both stereo and mono."

Friday, November 21, 2014

TSI / Waldorf: Schloss Ahrenthal 2002 [Waldorf in 2002]


Published on Nov 20, 2014 Sven Steglich

"Die TSI / Waldorf Zentrale auf Schloss Ahrenthal im Juli 2002

Siehe auch: www.synthmuseum.de und www.facebook.com/synthmuseum.de"

Googlish: "The TSI / Waldorf Center at Castle Ahrenthal in July 2002"

This one in via swissdoc.

"You see people like Holger Steinbrink, Wolfram Franke, Lu Wangard, Stefan Stenzel, Frank Orlich, Sven Steglich or Jörg Hüttner."

Access in there as well as they were both distributed TSI at the time. You'll find some great history on Waldorf on Wikipedia including the names mentioned above, and of course the Waldorf FAQ.

Friday, July 25, 2014

Waldorf Streichfett String Synthesizer Now Available - New Demo


Published on Jul 25, 2014 WaldorfMusicChannel

"Waldorf announces availability of Streichfett String Synthesizer

REMAGEN, GERMANY: having opened many eyes and ears when being premiered at Musikmesse 2014 in Frankfurt, Germany, high-quality synthesizer developer Waldorf is proud to announce availability of the Streichfett String Synthesizer — successfully bringing back to life the extinct string synthesizer sounds of yesteryear with a modern-day musical twist — as of July 25...

Back in the Seventies and early-Eighties, keyboard players wishing to create (not necessarily authentic-sounding) string sections often turned to so-called string machines making use of top octave divider technology to produce polyphonic pitching for each key played. Popular in their heyday, these distinctive-sounding string synths can be heard all over classic recordings by both electronic music innovators, prog rockers, and pop acts of the time — think French synth showman Jean-Michel Jarre’s multi- million-copy-selling Oxygene, or even adult movies of a similar vintage — think German synthmeister Klaus Schulze’s soundtrack to Bodylove, but died a death when more authentic-sounding sampling technology took hold. However, now Waldorf has successfully brought back to life those extinct string synthesizer sounds of yesteryear with a modern-day musical twist thanks to the Streichfett String Synthesizer, a colourful desktop module that surely stands out far from the musical crowd!

Who better qualified, then, to touch upon the whys and wherefores of string machine revival (with a cultural culinary knowing nod and a wink) than Waldorf Music CTO Stefan Stenzel: “We had a string machine in our office, and, although it was malfunctioning, we enjoyed playing it. Everything sounded like it could serve as a soundtrack to an Eighties ‘sensual’ movie! We thought it would be fun to create something similar, so we listened to many different string machines to figure out the sweet spots of each individual machine. Quickly the name ‘Streichfett’ stuck, and we decided to revive the extinct species of string synthesizers.”

As such, Streichfett brings the distinctive string synth sounds of those now-much-missed machines to today’s discerning musicians by cleverly combining the best of yesteryear’s classics with today’s technological advances — all neatly squeezed into an attractive compact and cost-effective package with everything to play for. Indeed, its dual sound engine features a 128-voice polyphonic STRINGS section (with Choir, Organ, Brass, Cello, Viola, and Violin presets) and an eight-voice polyphonic SOLO section (with shimmering-sounding, slightly percussive Bass, E-Piano, Clavi, Synth, and Pluto presets that blend well with the STRINGS section) — essential for creating those velvety smooth sounds with high-fat content! Essential, even, for creating ‘vintage’ adult movie soundtracks — Parental Advisory Explicit Lyrics optional! The Ensemble effect handles lubrication of the STRINGS section while the EFFECT section adds adjustable Phaser or Reverb. Alternatively, the EFFECT section can be used to Animate the STRINGS register, resulting in spectacular sound morphing effects.

While those presets bear little resemblance to their real-world instrument namesakes, that’s not the point here. Just like yesteryear’s classic string synthesizers, Streichfett delivers distinctively rich and creamy pads unobtainable on any modern-day instrument and succeeds in doing so with a simple and easy to comprehend user interface that belies the somewhat complex sound engine that lies beneath. But despite being blessed with relatively few controls, quite an array of sounds can quickly be dialled in, so it’s just as well that Streichfett can store 12 user-programmed patches in its MEMORY. More reasons to be cheerful and take it on stage, surely?

Streichfett’s robust, roadworthy casing matches its cheerfully-coloured Rocket Synthesizer and 2-Pole Analog Filter siblings, and, of course, comes complete with MIDI In and MIDI Out plus USB connectivity for equally easy integration into any modern-day DAW- based recording setup. Left/Stereo and Right/Mono Audio Out and a headphone output ensure that the outside world can clearly hear its distinctive sounds in all their ear-opening glory.

Go check one out at an authorised Waldorf dealer today. To see and hear Streichfett is to surely want one... velvety smooth with high- fat content for sure! So why not spread some Streichfett all over your tracks today. They deserve to sound rich and creamy, don’t they?


Streichfett is available to purchase from Waldorf dealers worldwide with an SRP of €279.00 EUR (including tax). Check out the dedicated Streichfett webpage for more detailed info here: http://www.waldorf-music.info/streichfett-overview"

Hi-Res pics:

Monday, July 21, 2014

Waldorf Streichfett Magic Explained


Published on Jul 21, 2014 WaldorfMusicChannel

Waldorf's Stefan Stenzel explains the magic behind the sound of the new Waldorf Streichfett. I am impressed.

Streichfett deutsch

Thursday, March 13, 2014

Musikmesse 2014 - Waldorf Music Streichfett Synthesizer Demonstration.


Published on Mar 13, 2014 justmusicvideo·104 videos

"Stefan Stenzel, Waldorf Music Geschäftsführer und Chefentwickler, führt uns auf der Musikmesse 2014 den neuen Synthesizer "Streichfett" vor."

Musikmesse 2014 - Waldorf Music Streichfett Synthesizer.

Published on Mar 13, 2014

Wednesday, June 12, 2013

New Waldorf Nave Videos & Official Press Release - Available Now!


Nave Sound Demo Published on Jun 12, 2013 WaldorfMusicChannel·3 videos

iTunes link: Nave - Waldorf Music

"Pure Nave sounds, no external FX, no external processing!
All sound examples were directly recorded in Nave´s 4 track recorder."

Programming a Nave Sound in 120 seconds
Published on Jun 12, 2013

"This tutorial shows how to program a wavetable sound within a short amount of time."

"Waldorf advances wavetable synthesis to iPad with Nave

'Nave is wonderful — by far the most impressive iOS synthesizer I have laid my hands on to date.'

- Richard Devine, 2013 (electronic musician and sound designer)


BAD NEUENAHR, GERMANY: high-quality synthesizer developer Waldorf is proud to announce availability of Nave, its first synthesizer app for Apple’s all-conquering iPad, as of June 13...

Jointly created by Stefan Stenzel (audio algorithms), Rolf Wöhrmann (iOS development), and Axel Hartmann (graphic design), Nave transforms any iPad into an advanced wavetable synthesizer fit for truly mobile 21st Century composition, performance, and sound design!

Speaking of which, Nave comes complete with over 500 presets from highly acclaimed sound designers like Richard Devine, Sacha Dikiciyan (of Sonic Mayhem fame), Laurence Rapaccioli (Arksun), David Boldini (7 Skies), and Fletcher Kaufman (Sunsine Audio), amongst many others. All seriously showcase the depth and diversity of this impressive and inspirational iOS synthesizer — so much so, in fact, that Richard Devine was suitably moved to create no fewer than 95 presets alone, all of which are included for free!

For the benefit of those who want to indulge in some serious sound design of their own making, Nave does not disappoint. Its powerful sound engine includes two trailblazing wavetable-based oscillators, leaving all previous attempts at wavetable synthesis severely wanting. While the sound spectrum can cleverly be transposed independently of pitch, the waves can be rendered from perfectly periodic to very noisy and anywhere in between.

Nave’s clear-cut GUI invites both beginners and advanced users alike to experiment both sonically and musically while the hosting iPad’s generous display helps make wavetable creation and editing a blast! Besides integrated speech synthesis, wavetables can also be formed from analysing audio files. Furthermore, stretching, rotating, and shifting in the spectral domain allows wavetables to be refined or distorted in the fullscreen Wavetable Edit Mode. Here users can edit and fine-tune the wavetables using several 3D views that are as easy on the eye as they are to use. And in a reverential nod to Waldorf’s illustrious past and present, factory wavetables from the breakthrough Microwave, mighty Wave, and price barrier-breaking Blofeld synthesizers are all present and accounted for, complemented by an abundance of tasty new ones that make extensive use of those enhanced possibilities!

And if that’s not enough to get your creative juices flowing then Nave additionally includes a classic oscillator with an ultra useful selection of basic waveforms, plus a super-fat-sounding Überwave function for beefing up sounds by up to eight individually detuned oscillators a la Waldorf’s recently released Rocket synthesizer. Nave is, indeed, truly a sound designer’s dream machine!

But, Waldorf being Waldorf, that’s not all: Nave’s flexible Filter section delivers that high-quality synthesizer sound recognisable right away by anyone at all familiar with Waldorf’s noteworthy name, and, as such, features LP (low-pass), BP (band-pass), and HP (high-pass) filter types with either 12 dB or 24 dB slope settings. Its neighbouring Drive section offers contrasting characteristics by being positioned Pre Filter or Post Filter or as a summing overdrive Pre EQ or Post EQ — perfect for those who prefer harsh and screaming sounds rather than delicate wavetable sweeps.

An extended modulation matrix and diverse realtime control functionality also awaits anyone wishing to animate any Nave sound in any desired direction. In addition to the classic virtual chromatic keyboard, Nave can be played with the Blades that allow for dynamic triggering of polyphonic modulation by simply sliding fingers in X and/or Y direction.

Yet more flexible fun is to be had on the FX & Arp page with pro-quality ModFX (Phaser, Flanger, Chorus), Delay, Reverb, parametric Equalizer, and a highly effective Compressor all adding to Nave’s sound and performance possibilities, as does a full-featured Arpeggiator. And last, but by no means least, the Tape & System page plays hosts to an old school, four-track recorder — replete with virtual tape spools. Use it to record complete compositions or simply sketch some musical ideas inspired by the superlative sounds of Nave!

So how does Nave naturally sound, then? Totally in a class by itself. Just like Waldorf! After all, the well-known Waldorf name has been synonymous with high-quality synthesizers for nigh on 25 years; indeed, its innovative position in the musical instrument marketplace dates back to 1989 with the release of the wavetable-based Microwave, an extraordinary reincarnation of the legendary PPG Wave series — arguably amongst the most coveted high-end synthesizers of the early Eighties. Time and technology stand still for no one, of course, and today Nave takes those heady heavyweight hardware developments of yesteryear — and a whole lot more besides — and serves them up to thankful iPad-adoptees at a fraction of the cost of its forebears.

Any adventurous musical iPad owners out there intrigued by the creative possibilities of wavetable synthesis surely owe it to themselves to check out Nave, the advanced wavetable synthesizer from Waldorf. Going for a song on Apple’s App Store, right here, right now!

iPad owners can purchase Nave directly from Apple’s App Store for a five-day special introductory price of €10.99 EUR/$11.99 USD. (Thereafter it will rise to €17.99 EUR/$19.99 USD.)"

iTunes:
Nave - Waldorf Music

Saturday, May 26, 2012

NAMM 2012: Waldorf Pulse 2


YouTube Uploaded by musicradartv on Jan 21, 2012

Looks like I missed posting this one before now. That's Stefan Stenzel, the CEO of Waldorf.

Thursday, January 26, 2012

NAMM 2012: Waldorf Music Booth Pics

NAMM 2012: Waldorf Music Booth
flickr set by MATRIXSYNTH

Waldorf were primarily showing their Zarenbourg electric piano which was working this time. A Blofeld and the new Pulse 2 were present. The Pulse 2 wasn't plugged in but it felt like a real unit in weight and metal enclosure. Note the number of knobs in the main programming matrix section of the Pulse 2 is six while the Blofeld is four. You can see Stefan Stenzel showing the Zarenbourg to a gentleman who apparently was well known in the industry. If anyone can ID him let me know.

Thursday, January 20, 2011

Nova @ NAMM! - Waldorf Zarenbourg


YouTube via Novamusik | January 20, 2011

http://www.waldorfmusic.de
http://novamusik.com/
Novamusik on eBay

Axel Hartmann is the man behind the Hartmann Neuron and various synth UI designs ranging form the Moog Voyager to the Waldorf Wave. You can find a list of companies he designed for here - scroll bar to the right in the site itself.

Update: and of course the other man is Stefan Stenzel, the director of research and development for Waldorf - both the new Waldorf and previous.

Tuesday, December 21, 2010

Waldorf Micro Q Stenzel Signature Series (21 of 25)


via this auction

"Here is an ultra rare Waldorf Micro Q Signature Series synth. Signed by Stefan Stenzel of Waldorf fame. Only 25 of these were made. This one is #21 of 25."


Wednesday, November 03, 2010

Waldorf PPG Wave 3.V Officially Announced

"New launch of a classic: Waldorf delivers PPG Wave 3.V

Waldorf PPG 3Waldorf PPG 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, composers and listeners. While back then it was your choice to spent your money either for a vehicle or the PPG, the new PPG 3.v renders this breathtaking sonic character very affordable, comfortably to use for every VST or AU Host.

PPG Wave 2 was the very first digital Wavetable synthesizer with analog filters that allowed completely new worlds of sound and endless sonic possibilities. Shortly afterwards, the successor PPG 2.2 came out and was born to make history. With a gigantic arsenal of waveshapes, it could not only reproduce known analog sounds, but also brilliant choirs, bells and whistles. The digital sounds of wavetables had been unheard until then and offered sensational sonic evolutions by smoothly going through 64 waves back and forth.

But the technical possibilities also produced harsh artifacts such as aliasing and others, which could not be omitted back then. Today, although technology is some steps further, Waldorf engineers even managed to get the harshness back in order to recreate the character of the beast.

Wolfgang Palm, the inventor of Wavetable Synthesis, assisted during the development process in order to recreate the PPG as close as possible. "We are very thankful for Wolfgang's very informative advice and insight during development." Says Waldorf CEO Stefan Stenzel.

The combination of digital waveshapes and analog filters of the PPG was responsible for an unparalleled fat and thrust boosting character. This has been very accurately recreated in PPG 3.v up to the smallest resolution of detail. With PPG 3.V, it is actually possible to switch between several version of the original. Besides PPG Wave 2.2 and PPG Wave 2.3,
PPG Wave 2.V and their subtle differences in aliasing and other sources of harshness are adjustable.

Waldorf PPG Wave 3.V is capable of delivering up to 256 voices of polyphony, depending on the host computer. Each voice offers two Wavetable oscillators with optional sample playback with either 8, 12, or 32 bits of resolution. Samples can easily be loaded by Drag & Drop. An 8 part multimode allows multisamples to be used with the same charme and ease of use that the original offered.

Sound is further shaped by a selectable 12 or 24 dB lowpass filter, which is an authentic recreation of the classic PPG Wave 2.2/2.3 Filter, followed by an optional overdrive for extra fuzz. Besides the LFO, three envelope generators serve as modulation sources, either for the original rude or the contemporary smooth modulation.

The up to eight parts can be arranged in poly, dual, quad and mono unison modes, with separate semitone adjustments for automatic chords or melodies. Thanks to the multimode with eight stereo outputs, the instrument is well suited for both studio environment or live on stage.

The Arpeggiator offers up and down modes, besides this an alternate mode and with "cascade mode" a true PPG specialty. For further refinement, several effects are available simultaneously, among these a 4-band equalizer, several overdrive modes, a phaser with up to 12 stages and a chorus with up to six taps. Flanger, stereo delay and reverb are also available.

The original PPG featured a unique user-interface, the "Analog Control Panel" offered direct access to many parameters, while digital menus were edited with somewhat cryptic acronyms that you had to look up in the manual in your lap.

PPG 3.v features the very same concept, with the slight enhancement of comprehensible parameter names and values. Almost all parameters can be subjected to host automation and convenient MIDI regulation by assigned control numbers. This makes it very easy to integrate PPG Wave 3.V into any existing production environment.

Thie Waldorf PlugIn runs on both Windows and Apple computers. On Windows, it requires Windows XP or better, on Mac, OS X version 10.3.9 or higher is needed.

Waldorf PPG 3.V will be available middle of November for a MSRP of 169,- Euro."

via Waldorf
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