Monday, August 29, 2005
Phoenix
Interesting connection to Syd which I posted about earlier. Antonio Tuzzi, author of a software synthesizer named Phoenix developed in 1997 for the Mac, dropped by to post a comment on the Syd.
"I think I've seen for the first time Syd in 1996. Was my inspiration: I wrote a couple of emails to Jim and after that I decided to write a virtual analog real time synth and by the 1997 I had Phoenix up and running on MacOS9.
Phonenix is (was) a very powerful tool! It was used in couple of schools.
If you have a powermac still running MACOS9... let me know
the url contains a snapshot of Phoenix running"
I find the very first software synthesizers fascinating. I remember when I saw Dave Smith's Seer Systems Reality for the first time. I thought this is it. The time has finally come for synthesizers in software, the realization of the PPG Realizer. I remember thinking the next step would be less powerful but more accessible shrink wrapped synths in software. Now we have thousands of software synthesizers available to us, many even free.
Update: you can get the software here: link. Install and use at your own risk. Antonio Tuzzi sent this my way with the following comments:
"Hi M,
attached phoenix...
remember, was a development stage application (used in digidesign in
1997~1998...)
is written for MACOS9 (but still run with some chocking on MACOSX calssic mode)
is a RAR file that contais a DMG image, file should be copied in
alocal directory on the final computer
there is pratically no documentation. but the synth is still able to
create real time AIF files that can be reused in samplers or in
composign software (ProTools ?).
implemented oscillators tables filters string filters delays reverb
analyzer and room simulators
ciao
antonio"
Buchla Complex Oscillator
In via AH:
"I've been gathering some bits for a web page on the Buchla Music Easel
which isn't done yet. However, I've posted an example of the complex
oscillator here:
http://www.alt-mode.com/buchla/sounds/Waveshape_Example.mp3
There are 9 sounds in this example. Each sound has the "timbre" swept
by the pulser. The sounds are in groups of three for each position of
the waveform switch (narrow pulse, square, and triangle). For each of
these waveforms, I recorded the sound with the waveshape knob fully
counter-clockwise (sine), 12 o'clock, and fully clockwise. [I hope that
made sense.] No filters were used in these examples at all and it is
just one oscillator!
Anyway, the complex oscillator in the Music Easel is like nothing else I
have ever heard. This basic example shows just some of the possibilities.
Eric"
"I've been gathering some bits for a web page on the Buchla Music Easel
which isn't done yet. However, I've posted an example of the complex
oscillator here:
http://www.alt-mode.com/buchla/sounds/Waveshape_Example.mp3
There are 9 sounds in this example. Each sound has the "timbre" swept
by the pulser. The sounds are in groups of three for each position of
the waveform switch (narrow pulse, square, and triangle). For each of
these waveforms, I recorded the sound with the waveshape knob fully
counter-clockwise (sine), 12 o'clock, and fully clockwise. [I hope that
made sense.] No filters were used in these examples at all and it is
just one oscillator!
Anyway, the complex oscillator in the Music Easel is like nothing else I
have ever heard. This basic example shows just some of the possibilities.
Eric"
Sunday, August 28, 2005
The Keyboard Player Cartoon
In from Dave on Synth Sights. Click through for a bigger image you can actually read. One thing, at least we don't have that ear piercing guitar feedback. Or do we? : )
Hi there,
Figured y'all would get a kick out of this scan from a 1989 book
called "The Rock Musician's Survival Guide" about keyboard players.
As we all know, around 1989 us keyboard players were enjoying their
final days on Earth as respectable members of the human race. I blame
this book for our collective downfall in the few short years after it
was printed.
Just kidding. It's funny crap (out of print, too...so we get the last
laugh). Enjoy!
--Dave
Rob Papen 1983
I stumbled across this picture reading up on Rob Papen and his new Blue Synth. Rob is on the right. Check out those outfits! : ) Synths I recognize from left to right:
Roland SH101 - Grey
Juno 6 on stand next to blue space suit?
Korg Mono/Poly on top right
Roland Jupiter 8 below that
Second Roland SH101 - Grey on right side
Simmons drum pads?
The rest I can't make out. If you know feel free to share.
Oberheim OBX Band Pass Filter Mod
As with any mod, don't even try this unless you know what you are doing. I take no accountability. Just sharing what I come accross out there.
In via AH:
> Would it be possible to mod the OBX for;
> Band Pass filter option, 2 pole obviously.
Ys, if u cn rd ths:
http://www.bitshifted.com/images/OBX_VCF_mods.gif
Use that with JH's OB8 mod technique -- analog switch ICs, using the noise
bit for switching (if you want), etc.
VCO3 reported that it works but the signals were overloading the switch
chip; I think he was using a 4066. One of the DG switches (Maxim?) should be
able to handle it, though. This is a synth-DIY topic, now.
Ben Shannon - Synth Art
Wow. Ben Shannon commented on this post with links to his work. He did the Elektron Monomachine posters as well as a get well fan art piece for Bob Moog before he passed away. Pretty amazing work. Click here for his page. Thanks for taking the time to share this Ben. I love the energy and just plain good vibe behind the characters in your art. Reminds me a bit of Daft Punk meets JSRF, but obviously different and definitely as amazing.
Ben Shannon Moog Tribute Art (click here for source).
Ben Shannon Monomachine
Ben Shannon Moog Tribute Art (click here for source).
Ben Shannon Monomachine
Syd Software Synthesizer
Syd by Jim Bumgardner.
"I wrote Syd so I could reproduce some of the sounds produced by the Buchla 200 analog synthesizer I used to play with at CalArts in the early 80's. It has since evolved into an interesting computer-music tool in its own right."
The Buchla Music Easel
Click here for Buchla's page on the Music Easel.
"The Music Easel contains many of the elements commonly used to generate and process sound: a keyboard, sequencer, pulser, preamplifier, envelope detector and balanced modulator; oscillators, gates, envelope generators and filters; facilities for mixing, monitoring and reverberating. Many of these elements possess an unusual degree of sophistication. The keyboard is solid state, with touch sensitive, chromatically organized keys, accurate and reproducible pressure output, tactile feedback, octave shifting, and voltage controlled portamento. A complex oscillator, developed through computer aided simulation studies, is a rich source of complex audio spectra. featuring voltage control of pitch, timbre and waveform, this oscillator provides the Music Easel with a timbral range unapproached by other musical instruments."
Charles Cohen and the Buchla Music Easel
http://phobos.serve.com/charles_cohen/
Warning: That first track seemed noticably lower in volume than the others. Remember to turn it down before moving to the next track. Watch your ears!!! : )
Update, Charles Cohen does have a CD out.
Update: Charles Cohen's homepage.
Via AH. Ever wonder what a Buchla Music Easel can sound like? Well here you go. Well over six hours worth of Charles Cohen on the Buchla Music Easel. Pretty amazing stuff. More on Charles Cohen.
Someone asked if it was all Music Easel:
"charles also uses effects.. but mostly he just really
knows whats hes doing with the easel as hes been
playing if for over 25 years"
-rick
More on Charles Cohen.
Warning: That first track seemed noticably lower in volume than the others. Remember to turn it down before moving to the next track. Watch your ears!!! : )
Update, Charles Cohen does have a CD out.
Update: Charles Cohen's homepage.
Via AH. Ever wonder what a Buchla Music Easel can sound like? Well here you go. Well over six hours worth of Charles Cohen on the Buchla Music Easel. Pretty amazing stuff. More on Charles Cohen.
Someone asked if it was all Music Easel:
"charles also uses effects.. but mostly he just really
knows whats hes doing with the easel as hes been
playing if for over 25 years"
-rick
More on Charles Cohen.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH