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Wednesday, November 23, 2005

New Synth DB on Sequencer.de

Update: Moogulator has added an HTML version of the DB. You can now browse and link to individual pages.

Update: Updated title link to point to root site which is actually in english. The search interface for the db is on the top right center of the page.

Title link takes you to a great new synth database on Moogulator's synthesizers.de. At the top of the page you should see a drop down list and a blank search box. Select any manufacturer listed and click search *without* entering a synth and you'll get the full list of synths currently in the db for that manufacturer. Of course you can also enter a search term for more specific results. The db is rich in specs, info and pictures. Really, really nice. Thanks for sending this Moogulator! Hmm... So many pictures to choose from for this post... Found it! Hopefully this translates well in German. : )

Nice mug shot Moogulator. : )

VCS3 and Synthi Work Outs

Sent to me via Philip Sanderson. Title link takes you to a blog post on the story behind the first track, "Under Press of Sail." Thanks Philip!

Under Press of Sail by Philip Sanderson
http://www.psouper.co.uk/snatch/sound/Sail.mp3

Blackheath by Storm Bugs
http://www.psouper.co.uk/snatch/sound/blackhaeth.mp3

Synton Modular

Update via the comments. Cool. Thanks John!

"Synton 3000 Modular Documents

These documents are from 1984 when Big Briar, Bob Moog's company, was distributing Synton in the US. The Synton 3000 appears to be a modest and cost effective but capable system. This is a banana jack system.

http://www.wavemakers-synth.com/synton/Synton_3000.html

For other interesting historical synths visit my Wavemakers site linked below.

John Loffink
The Microtonal Synthesis Web Site
http://www.microtonal-synthesis.com
The Wavemakers Synthesizer Web Site
http://www.wavemakers-synth.com

--------------------------------------------------------------


Synton Modular on the bay. Via Luca of SYTHOSIUM. Title link takes you to his site with some other interesting items including Snoop's Minimoog! : ) Thanks Luca! Two shots saved for posterity:



Buchla 200e on Sound on Sound

Word has it that the review is not favorable. Just might have to pick up a copy...

Update: The review is part 1 of 2. Some interesting notes in via Peter Genader on cost and complexity of the Buchla, via AH:

"On the 200's cost in general. Yeah - $1400 is a lot of money for a VCO.
$700 for four VCAs (LPGs) is kind of steep, too. But you've got to keep in
mind - the 200e is is basically a complex computer network - the modules
acting as the workstations and the 225e working as the server, all on a
customized bus --- all with an amazingly sophisticated musical instrument
laid on top. The technology in play here is mind-boggling. Once you see
one of the new modules out of the chassis, when you see how much componentry
is involved with even the 'simple' modules, the price point starts to make
sense and becomes practical - even inexpensive.. It seems like no big deal
to have a button that says 'save' which records all of the switch settings,
all but about 10 of the pot settings. It's like saying "bend light". Easy
to say, but you've got to be traveling faster than the speed of light to
pull it off.

"For anyone whose done synth DIY work or even produced modules products,
there are countless think tank meetings among the players in which they go
through this sort of mental diarrhea - it would be cool if it did this. How
about we make this control also do that? In the end you find that much of
that brainstorming ,while cool, would be completely impractical due to the
technology and $$ required to do some of it. It's obvious that the 200 was
no exception to this sort of brainstorming -the BIG difference is, he
actually pulled it all off. He DID the things most other designers scratch
off the list after two seconds of thought about the practicality of each
given feature."

Tuesday, November 22, 2005

Moog Music Bass MURF & CV Expander VX-352

Interesting. Via Synthopia.



"New to the Bass MuRF is a shelving filter on the lowest band, with a cutoff frequency of 110 Hz. This means that all very low frequency content passes through the Bass MuRF’s filter section clear and strong. The remaining 7 filters are resonant filters and are also voiced for low frequencies.

The Animation section includes some exciting new beat-oriented patterns and more of the great diversity of tone-mangling the original MuRF is capable of."

Also: Voyager Intros Rack Mount CV Input Expander

YMO Doll Set

More from Music Thing. Now this one, I really like!

Synth Oddity Forum

Title link takes you to Moogulator's forum of some interesting synth oddities including the shots below. An absolute Goldmine! Well worth checking out. Thanks Moogulator! P.S. Don't forget to go to each next page when you get there for more.

Odd, huh? : )


OBMx original design? I remember seeing this before.


"Im Deutschen Museum München stehen ein Fonosynth und ein Synthesizer Thowiphon III (Bild)"

Acid Cats

Love this shot. Via legion on AH. Title link takes you to a bigger shot. I saved it offline, so ost a comment if it goes away and I'll put it up.

EDP Wasp Page

Just a cool little EDP Wasp page that I haven't seen before. Via Louis van Dompselaar on AH.

Alesis ION Demos by Kenneth Elhardt

Demos have moved here.

Via Kenneth Elhardt on AH. Enjoy.

"In a recent catalog I recieved, I noticed that the Alesis Ion was now
selling for $600. I had a 10% coupon for 8th Street, so at $540 it was just
too good of a deal to pass up. I bought one at the end of october. 2 weeks
later I had created a bunch of sounds on it and then recorded the demos
below. Since I like the music of Ennio Morricone, I decided to use that as a
vehicle to demo some realistic accoustic imitations. I don't have any
printed music scores, so I did it by ear, improvised stuff, and threw
together elements from different movies just to create a eclectic mix.

The only equipment used was an Ion + expression pedal, + sustain pedal + EQ,
+ reverb. I also played the whole thing on that little tiny keyboard because
the Ion wouldn't work properly with my 88 note RD-1000 piano. That's just
one of the many limits, cut corners, disappointments, and just outright
unacceptable behaviors on this lowcost synth. However there are many great
things about it, and physical construction is surprising good. A list of
sounds modeled is listed after, plus some other short demos follow.

Note that I have only heard these on clear detailed headphones and have no
idea what it sounds like on crappy computer speakers or dull sounding
monitors. There is some background noise in places, especially the acoustic
guitar parts. Please try to ignore that. I've found that a second listen
through makes it less noticable."

(3:33) Running time.
http://home.att.net/~synth6/Alesis_Ion_Western.mp3

Instruments in order of when they make their first appearence.

01) Kettle Drum

02) Bass Drum

03) Tenor Recorder

04) Mellotron Choir (filters modified with envelope to make it say "Wah",
and NO, the lame and useless Ion vocal filters were not used)

05) Alto Recorder

06) Acoustic Guitar (nylon string rythm guitar)

07) Whistling

08) Telecaster Electric Guitar

09) Acoustic Guitar (brighter sound, somewhere between a nylon and steel
string rythm guitar)

10) Trumpet

11) Trombones

12) French Horn

13) Snare Drum

14) Mellotron Male/Female Choir (sacrificed vocal clarity for density of
sound)

-------------

(2:20) Here is an attempt to model Tomita's mellotron choir sounds. He seems
to have two types, a typical "aah" sound and also a murky and sometimes non
distinct one consisting of "ooh" sounds on some notes, humming on others,
and almost synthetic vocal throat sounds with no vowels on others. The first
Ravel part shows four subtle patch variations ranging from delicate vocal
sounds to forceful "aah" sounds. The second part is trying to sound like his
murky type, though it's still a work in progress. That's followed by a
typical Tomita effect.
http://home.att.net/~synth6/Ion_Tomitas_Mellotron.mp3

(1:11) You only need to listen to this if you want to hear two snippets from
the above demo inserted into a real Tomita recording. He does the "ooh" and
"hmm" parts, I do the "aah" parts.
http://home.att.net/~synth6/Ion_Real_Fake_Real_Fake.mp3

(0:18) Here is an Ion recorder modeled with such realism and detail in
timbre and breathy attack, that it is indistiguishable from the real thing.
It can play side-by-side or replace recordings of real instruments without
anybody having a clue. Assuming your wires aren't crossed, my recorder is
playing in the left channel and the real one is in the right. I'll do a full
recorder demo later.
http://home.att.net/~synth6/Ion_Recorder_Compare.mp3

(1:37) This is orchestral power brass. It provides rather realistic and huge
brass sounds ranging from ppp to fff. This demo shows the trombone range,
followed by the high trombone/trumpet range, then the tuba section, then
octave brass - sounding large with just 4 notes, then french horn, then G.S.
Patton.
http://home.att.net/~synth6/Ion_Brass.mp3
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