Wednesday, April 04, 2007
MusikMesse 2007: Waldorf Zarenbourg
YouTube via cm2magazine.
The DSP Programmer Behind the Solaris
I heard Antti Houvilainen, the man who brought us ASynth, Augur and the Taurus VST is the DSP programmer behind the Solaris. I checked with John Bowen and confirmed that this is the case. You can read a little more on the subject on the Planet Z forum. Title link takes you to Antti's web site.
Initial Filter Types of the John Bowen Synth Design Solaris
Via this thread on the gas-station:
"Yes, there's several different emulations for the filter section:
1) Moog-style 'ladder' filter, with all varible types 2) State Variable Filter - "Oberheim" style 12 dB slope 3) Prophet 5 Rev1 (SSM) and Rev3 (CEM) style 4) Comb/tube filter 5) Special sweeping EQ and FX type modes
In the future, I hope to have other filter types, as we can expand the types as needed (this applies to the Oscs and VCA models as well). One strong candidate for 3rd party module support is the Flexor 2 modular system by Adern, for example.
regards, john b."
John Bowen Synth Designs
Previous Solaris posts
"Yes, there's several different emulations for the filter section:
1) Moog-style 'ladder' filter, with all varible types 2) State Variable Filter - "Oberheim" style 12 dB slope 3) Prophet 5 Rev1 (SSM) and Rev3 (CEM) style 4) Comb/tube filter 5) Special sweeping EQ and FX type modes
In the future, I hope to have other filter types, as we can expand the types as needed (this applies to the Oscs and VCA models as well). One strong candidate for 3rd party module support is the Flexor 2 modular system by Adern, for example.
regards, john b."
John Bowen Synth Designs
Previous Solaris posts
Arturia Jupiter-8V Comparison Testing
Gavin sent the following into the AH list. I thought it was an interesting insight to how the test the accuracy of their models inside Arturia. I also thought it was an interesting challenge. So far no on on AH has taken him up on it. I asked him if I could put up a post here, and he gave the all clear. If you are up to the challenge, go for it and post back.
"Been a lurker on the list for a long time and am an analog synth fanatic also. In the day time, I work for Arturia and did the filter models for the Jupiter 8V. Since alot of people on the list have a Jupiter 8, I would be very interested if we could conduct some tests against the original, in the same way we do at Arturia to verify the circuit models accuracy. I can give you details of the procedure we use and do then you can do the same. Then it will be up to the list to decide."
followed by
"I have put up on the ftp at work some measures and audio files to show a small part of what we do pre-release or after each version build to make sure everything is working ok. I also included a read me file to show some tips on how to go about matching the Jupiter 8 and Jupiter-8V. These techniques would also be used for making the original preset banks. It would be great if some people could match up some presets as well."
Here is the link to a 7M zip of the files. I also mirrored them here.
"Been a lurker on the list for a long time and am an analog synth fanatic also. In the day time, I work for Arturia and did the filter models for the Jupiter 8V. Since alot of people on the list have a Jupiter 8, I would be very interested if we could conduct some tests against the original, in the same way we do at Arturia to verify the circuit models accuracy. I can give you details of the procedure we use and do then you can do the same. Then it will be up to the list to decide."
followed by
"I have put up on the ftp at work some measures and audio files to show a small part of what we do pre-release or after each version build to make sure everything is working ok. I also included a read me file to show some tips on how to go about matching the Jupiter 8 and Jupiter-8V. These techniques would also be used for making the original preset banks. It would be great if some people could match up some presets as well."
Here is the link to a 7M zip of the files. I also mirrored them here.
Tuesday, April 03, 2007
EZ-VZ and The Casio VZ-1
So... It has up down value buttons and up down cursor buttons. Makes sense. You know how in most menu driven synths you select the group or page you want to edit followed by the cursor button to get to the desired parameter you want to edit followed by the value buttons to change the value? Well for some bizarre reason, on the VZ1 when you select the menu for the page you want to edit the value buttons let you flip through pages, and the cursor button does... nothing. Well it skips from page 1 to page 9, but what's the point of that? There is no way to get to the parameters to edit at this point. I spent about 30 minutes frustratingly trying to intuitively figure it out and finally gave up. I actually thought I might have corrupted the memory when I tried to us a PC editor with it. I finally went online and searched for the manual. It turns out, if you really, really want to edit the parameters, you have to select the menu again. WTF? The way it works is you select it once and at that point you can flip through the pages. When you get to the page you want to edit, you hit the same Menu button again and then you can use the cursor to move about the parameters for that page. To flip to the next page you have to back out of cursor mode by clicking on the same Menu button. When you get to the next page you want to edit, you have to click the Menu button again. Absolutely horrid and the most unintuitive design I have ever come across on a synth.
Once you get past this it does get a little better. There are buttons you can select to turn on and off the individual oscillators - one for each and there are buttons to select each osc for editing - figuring this out was a little tricky as well, but once I learned this it actually was easy and intuitive. Like any synth you just have to learn the interface, and unfortunately in some cases you actually have to crack open the manual. BTW, the VZ1, hands down, makes one of the most beautiful sine wave electric piano sounds. It's a bit more like a muted electric piano than a typical one. There's a certain depth to it that I have not heard on other synths. The eight oscillators running at the same time probably has something to do with it. The funny thing is this sound is actually the init patch sound on the VZ-1. Just add a little release and you are good to go. I'll be keeping my VZ1. For now...
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH