MATRIXSYNTH


Thursday, April 05, 2007

Retrosynth PPG MiniROM for Blacet Wiard Miniwave


YouTube via therealretrosynth, aka Cary Roberts of Retrosynth.com.

"This is a demo of the Retrosynth MiniROM loaded with PPG wavetables courtesy of Jason Proctor. The Miniwave is being driven from the sawtooth output of a Serge PCO scaled and offset through an audio mixer and scaling buffer. The wave select on the Miniwave is modulated by a Universal Slope Generator with gain and offset from a CV mixer. The output of the Miniwave is patched directly into the dual channel stereo mixer module for final level adjustment and then it's off to a small Roland MA-8 monitor."

Update via retrosynth in the comments:
"There are 64 waves in each PPG wavetable bank and a stock Blacet Miniwave can only do 16 waves per bank. Plus there are only 16 banks in a stock Miniwave. The board I made allows for 32 banks of 64 waves each. That's 8X more samples per ROM. Jason Proctor provided me the wavetables. I'm just the hardware monkey that made them fit in a Miniwave socket. Some pictures here: [link]"

Kurzweil K250

Title link takes you to more shots.

via this auction.

Roland Jupiter-6

Title link takes you to more shots.

via this auction.

"A Brief Description:
The Jupiter 6 is a 6-voice polyphonic synthesizer with a 61-note (C-C) keyboard. Each voice consists of 2 VCOs. VCO1 is switchable between any combination of triangle, sawtooth, pulse, and square waves and can be switched between 4 octaves. VCO2 has the same options, except the square wave is replaced by a noise generator switch and it has a 6 octave range, with an octave above and below VCO1's range.

The Jupiter 6 also allows Oscillator Sync. VCO1 can be synced to VCO2 or vice-versa. Either or both VCOs can be modulated by either or both of the LFO and ENV1. The LFO features controls for rate, delay, and four waveforms, triangle, saw, square, and random (sample-and-hold). LFO2 is triggered by a big white button next to the pitchbend/modulation lever. There are two knobs, one for pitch (the level of LFO2 routed to the VCO) and the other for filter (the level of LFO2 routed to the VCF). In addition, there are also knobs that control the rise time (how fast LFO2 reaches full amplitude) and the rate of LFO2.

The VCF on the Jupiter 6 is unique amoung the Jupiter series in that it is a multimode filter, with either 4-pole lowpass, 4-pole highpass, or 2-pole bandpass. The filter is resonant in all modes allowing for some interesting resonant sweeps using the highpass and bandpass filter instead of the more common lowpass sweep. However, the Jupiter 6 does not have the separate fixed high-pass filter as do the other Jupiter models. The filter can be modulated by an envelope (either ENV1 or ENV2), the LFO, and keyboard tracking. There is a slider to determine the level of each of the three modulation sources. Both envelopes (ENV1 and ENV2) are ADSR (Attack Decay Sustain Release). A slider controls the amount the envelopes are modulated by key follow. ENV1 can be set to normal or negative polarity. ENV2 is hardwired to control the VCA, with a slider controlling the amount. The bender can affect pitch and/or filter cutoff, each of which has a slider for amount. VCO1 and VCO2 have separate on/off switches for bender modulation. There is also a "wide" bending option, which scales the bender to extreme ranges.

The Jupiter 6's memory can hold 48 patches, and 32 patch presets. Patch presets can store keyboard splits, along with the settings for the arpeggiator, voice assign mode, hold, portamento, as well as many of the modulation settings. The Jupiter 6 features keyboard split, allowing you to assign two voices to the upper split and four voices to the lower or vice-versa. The balance between both sides of the split is controlled by a slider. The arpeggiator is switchable between 1, 2, 3, and 4 octaves and three modes: up, down, or up and down. It can be assigned to work on either the lower or upper split or both. Portamento can be switched between Portamento and Glide. Glide quantizes the portamento into half-steps for a staircase effect. Portamento is separately programmable for both sides of a split."

Sequential Circuits Prophet 5

Title link takes you to more shots.

via this auction.

Steiner Parker Synthacon

Title link takes you to more shots.

via this auction.

A couple of vids showcasing the Synthacon:
one
two

Roland Jupiter Lapel Pin

via this auction.

Previous synth bling

Yamaha SK15 String Ensemble

Title link takes you to more shots. As always, click the image for a bigger shot.

via this auction.

KORG Polysix

Title link takes you to more shots.

via this auction.

Wednesday, April 04, 2007

Terratec Area 61 Close to Shipping

Remember the Terratec Area 61 I posted back in March of last year? Well it looks like it will finally be shipping this spring. Title link takes you to the press release.

Some details on the synthesis aspect of the Area 61:
"New sound generation options

In addition, keyboardists have access to the integrated KOMPLEXER DSP sound modules for use as a classic synthesizer, that is, also without a computer. To this end, TerraTec Producer now offers the KOMPLEXER VST, a synthesizer that runs as a VSTi plug-in and as a standalone DSP application. Comprising a real synthesizer based on the Waldorf MicroQ®, it provides more than 400 parameters for shaping the perfect sound. And if this complexity seems a bit overwhelming at first, keyboardists can go to the Easy Edit page, choose from the many presets and easily manipulate their selections using eight macro controls. Best of all, entire banks port from KOMPLEXER VST to AREA 61’s on-board KOMPLEXER DSP. This means KOMPLEXER VST goes wherever the keyboard goes, without having to carry a computer. The WAVE XTABLE module is a 128 voice, GM- and XG-compatible waveboard offering more than 500 top-drawer sounds. Further modules will be developed. Users can employ othe vendors’ compatible wavetable cards, making the AREA 61 a remarkably extendible instrument. The integrated sound generator’s analog output signal is routed to the output mixer and may be auditioned with the 2.0 audio system‘s playback signal as well as on the input monitor. Finally, recording the output signal via USB 2.0 is a further possible option. The AREA 61 is much more than another Controller keyboard.

Another optional Soundboard for the AREA 61 will be provided by MIDITEMP® with the new DoX1, a HI-Synthesis soundengine by KORG ® with 62-voice polyphony, 660 high quality sounds from the successful KORG-TRITON® series, 30 drumkits, two effect processors and GM/GM2 compatibility.

Priced at 899.00 euros, TerraTec PRODUCER´s AREA 61 including KOMPLEXER DSP board, KOMPLEXER VSTi and Steinberg´s Cubase LE will be available in spring 2007.

These following optional sound expansions are already available for the AREA 61 keyboard:

* KOMPLEXER DSP Board, virtual analog Hardware Synthesizer, Waldorf MicroQ® compatible . Price: EUR 199.00
* WAVE XTABLE waveboard, 128 voices, GM/XG compatible soundboard more than 500 top-drawer sounds und drumkits. Price: EUR 149.00
* DoX-1 Wavetable Daughterboard by MIDITEMP®, HI-Synthesis soundengine from the successful KORG-TRITON® series,
660 high quality sounds, 30 drumkits, two effect processors and GM/GM2 compatibility. Price EUR 499.00"

Previous Terratec posts

Arturia Jupiter-8V Videos on Gearwire

Two vids up.

layout - check out the LFO display
sounds

like a sunny day at the beach.
PREVIOUS PAGE NEXT PAGE HOME



Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH